Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts from the ‘Interviews’ category

Magazines who have interview Jenny Cameron.

My interview with 1X.com Featured

One of the proudest achievements of my photography career. It’s not every day 1X asks to interview you. In my opinion, it’s the most highly regarded photography website in the business. Never in a zillion years did I think I’d ever reach this point. Anyways, if you have a few minutes spare please take a read & let me know what you think of my “make it up as you go along approach” rather than stressing about technicalities & what others may think of you.

To begin, please introduce yourself shortly and tell us more about you, your origins, your hobbies or other projects you are involved in!

Born and raised in the north of England but always felt something missing deep in my heart. Aged seventeen, I met my husband a passionate mountaineer who introduced me to the Scottish mountains. We spent as much spare time traveling from England to our favorite place in Scotland called Glencoe. This opened a whole new world to me and instantly became my heart and soul. I was falling in love with of course my Husband but also this new land. Each time we left it became harder to leave, our hearts were yearning to return but work commitments took precedence in England. However, in 2007 we escaped the rat race, followed our hearts, and moved to Scotland never looking back. We now live on a horse farm within a private Highland estate in the far north. Even now whilst driving around this beautiful area I call home for mundane daily chores I pinch myself in disbelieve that I actually live here & think how wonderful it would be if my eyes were a camera.

Wilderness

What would be the most important experience so far that has influenced your steps in photography?

Without a shadow of a doubt in 2018, when I faced the biggest fight of my life. My world came crashing down when I was diagnosed with Breast Cancer aged 45. My Consultant told me I’d be out of action for over a year with surgery and treatments. A few weeks after diagnosis a Fine Art Gallery in Glasgow approached me to display some of my work. This provided mental balance, something positive to focus on and true hope. It took a few weeks after surgery to get back to doing some post-processing, only able to use one hand. Sadly, I wasn’t able to hold my camera as I was so weak and sore. Cancer might have put my life on hold but there was no way it was controlling my love of photography. Within this time I wrote a full post-processing tutorial of one of my images from start to finish for Photography Masterclass magazine and also had a selection of my work published in a hardback coffee table style book that same year. Eventually, I got through surgery, five months of chemotherapy and radiotherapy, and albeit a little battered and bruised, I survived! It’s the old cliché that you often hear after a life-changing diagnosis “The world looks different now”. It’s so true! Before my diagnosis, I would shy away from certain opportunities but now I want to grab life and live it to the fullest. I received many messages of support from fellow photographers who told me their stories of how cancer had touched their families. It gave me the confidence to hold my head up high, I was alive!

As the saying goes “Every cloud has a silver lining”. I had just started chemotherapy, my biggest fear when six horses came to stay at our farm. I’d never had much experience but always loved their sheer grace & beauty. They gave me a purpose to carry on each day & not throw the towel in. A two-year-old rescue filly named Winter had liver disease, the odds were stacked against her, it was like we were in the fight together. It took a lot of effort for me to visit her as I was weak but she gave me the mental strength to face each day and hopefully I did the same for her. Winter went on to make a full recovery & is now living on the north coast expecting her first foal next spring. Another rescue horse named Twinkle was also not too well. However, blood tests revealed she was pregnant! Her beautiful foal Ashara was born a few months later here on the farm. Twinkle became my best friend, she would stand at the side of me resting her head on my shoulder, her sense of calmness soothed my soul & still does to this very day. There is now a herd of thirteen horses who I love very dearly, each & everyone has a special place in my heart. This is why Equine photography is so important & meaningful to me.

Winter
Twinkle

My relationship with photography?

For me, my camera is like being with a joyous old friend. Photography instantly takes me to my happy place where I can reflect on my own thoughts, shut out the reality of the noisy outside world. It’s my savior and still continues to help rebuild “me”. No matter what life throws at me, my escape is always art, it allows me to bury my head in my own little world where truly anything is possible.

How do you maintain and grow your passion for photography?

I believe the way I flick between Landscape & Equine prevents the rot from setting in. Oftentimes, I reach a point with say Landscape that I lose inspiration, almost like a factory worker on a production line doing the same-old job day in day out. When this happens I throw myself into Equine, then I reach another brick wall so I swop to Landscape. It really helps to keep my internal creative fires burning & enrich personal development.

Luie

In my opinion, colour is very important in your photographs. Your use of colours really put a personal stamp on your work. Your style is at once recognizable and wearing your signature?

Yes, color work is extremely important to me and the most painstaking job spent in post-processing. It comes mostly from spending time in the great outdoors, you soon learn which colors work best, you can’t beat nature’s own color wheel which heavily influences me. On the flip side, some images speak louder in monochrome, although they really do need a strong personality for this treatment, meaning an impactful composition &/or mood. There is a game I like to play in Photoshop with the color picker tool, by creating a Hue/Sat adjustment layer I test myself to see what color it actually is as sometimes colors can take on color from another juxtaposed, it really is quite surprising & a fun way to learn color.

Can you please describe in a few words your photographer philosophy and mission?

Firstly, be true to yourself, do what makes “you” happy, and don’t worry what others may think. Don’t follow the crowds or chase the followers it will become stressful and dull your creativity. Take inspiration from others but don’t copy. Try to find your own unique style which in return will give you more abundance. Never compare yourself to others, it’s a slippery slope of despair. Social media can of course be inspirational, however, at the same time can leave you with a feeling of lackluster, loneliness and can quickly lead to unhelpful comparisons. If this happens take some time away even if just a couple of hours and do something completely different as it can suck the life from your creative flow. And finally, practice, practice, and more practice, it’s the only way. Oh… and don’t be too hard on yourself –  it’s about having fun!

Don’t make photography complicated. Once you strip down an image to its bare bones it reveals more emotion. Almost by making the image naked, you see the truth rather than dressing it up with hair/ make-up & clothes. Strike a balance, offer something new when photographing a famous location/building/structure. Try to stand out, otherwise, it’s just another Dunnottar Castle that we’ve all seen a zillion times online & quite frankly boring. Make it your own, try to bring something else to the table that will stop the scrollers in their tracks & look at it properly. Make it shine! Planning is great, however, spontaneity works a treat, living for the moment. You are the magician, in your world anything is possible. Self believe is paramount. The secret is believing.

How would you describe your work? What is it you want to achieve?

I’m not sure how to describe my work as I really do not see what other people see. I’m very much a perfectionist and OCD with my images. My heart & soul is in each & every image, they become almost like my babies with their own personalities. I procrastinate far too much, some images will sit part processed on my hard drive for months, even years have been know. I truly wish I had a set workflow but I don’t, I simply follow my heart and let it develop as I go along. Achieving perfection is my ultimate goal but not sure if it exists.

Etive

What do you think are the challenges of this activity, especially in these days of coronavirus pandemic?

The pandemic has changed everything for me. I had workshops booked in 2020 which had to be canceled. Most photographers have returned to their workshops but sadly my cancer diagnosis in 2018 left me with no lymph nodes in my arm which leaves me more vulnerable. This has made me more of a recluse & quite honestly I’m nervous of being in close contact with my students. So for the time being & especially now as new cases are rising in Scotland, I’m taking a back seat from workshops and seeing what happens over the next few years. The past few years have taught me good health & family/friends are more important than money. I can still enjoy my photography within these parameters.

You travel a lot I guess, and you get to know many known photographers, thus having access to different cultures and photographic visions. How does this influence your work?

It’s not about how far you travel but how you see it. I don’t travel so much and never photographed outside of the UK as I won’t leave my dog. Scottish mountains are my friends, I talk to them all time, genuinely miss them whilst am away. I have to make the most of what I have & how I view it. In all honesty, I dont know many photographers on a personal level, sure I have many on social media which is great but that’s not the same.

Loch Assynt, Scotland

Many are of the opinion that the gear is not very important when the passion for photography is strong. However, can you please share with us what gear do you use (camera, lenses, tripod,etc.)?

I’ve always been a Canon girl right from the beginning. Currently, I use a Canon 5d mark iv body, Canon 16-35mm (ii) L lens, Canon 70-200mm (ii) L Lens, Gitzo Systematic 5 series Tripod & Ball-head, selection of Haida filters and Haida Anti-fog belt for Astrophotography.

I don’t have a ton of gear but have learned over the years that it helps to have the best you can afford. Again, the perfectionist in me use to get terribly upset when I first started using a lesser quality tripod, nearby roads caused vibration, admittedly only very slight, you had to pixel peep to see it but that wasn’t good enough for me & something I had to remedy. I bit the bullet and invested in my beloved Gitzo tripod, the best piece of kit I own. The same thing with lenses & filters, I started out buying third-party lenses & cheap filters, again this did not work & almost put me off photography as I struggled a lot. As soon as I invested my work improved & I was able to stop blaming myself ” a bad workman blames his tools”. I know a lot of photographers would disagree with me for saying this but this is my experience & how I upped my game. We are all different & would be boring being all the same.

What would be your favourite photo from the last years? Please tell us the story behind it.

Elysian

The story behind my image “Elysian” instantly springs to mind & literally there is part of my heart within. After a morning of heavy rain and patiently waiting in my car with a flask of peppermint tea I really thought I’d have to turn around and go home. You know when the kid in you wants to stamp your feet and throw a tantrum? Thankfully, only thirty minutes from home but my heart was sinking. Then suddenly, something switched inside me, almost determination sticking two fingers up to the world! It’s only rain I won’t shrink! I gathered my waterproofs, rucksack and went for it. Sat at the top of a peak with all my gear set up under a large golf umbrella and generally feeling rather sorry for myself, black mascara running down my face to complete the look! Then suddenly out of nowhere the clouds opened like they were saying hello and welcoming me. The beautiful sunlight peeped out, I was scrambling for the remote and Haida filters in a real fluster with cold/wet hands. Finally pressed the remote, let the camera/filters do their job whilst I sat back & let the light flood in. Such a beautiful moment, it seemed to last forever but in actual fact only 152 seconds of exposure.  I drove home in more rain with the biggest smile ever on my face. Scottish weather isn’t the most predictable, but it sure gives a great mood.  

Solace

Who are your favourite photographers or mentors whose works have influenced you and your photography?

My favorite photographers are Ryan Dyer & Marc Adamus. Both their work totally blows me away & a huge inspiration. In my early days, I would have loved the luxury of a mentor, someone to hold my hand & show me the ropes would have been amazing! I made many mistakes & believe it took me much longer to learn my craft. I hadn’t met or knew anyone who was a photographer, it was all a whole new language to me. In many ways, I was afraid to meet one encase I said the wrong terminology or they thought I was ridiculous with my dipsy to make it up as you go along the approach. I’ve never attended a workshop as I literally couldn’t afford it, plus I am a slow learner & would most probably have struggled in a group, however, I do think it’s a worthwhile fast-track path for most.

We almost reach the end of this interview and I would kindly ask you to share with us your future plans or photographic projects you would like to be involved in.

I would really love to do more writing, how it can be a creative outlet for photographers. I thoroughly enjoyed writing my first book Earth, Wind & Fire last year with the help of an Italian publishing house and the satisfying feeling of seeing it in print. Again the perfectionist in me wasn’t 100% happy so I would love to tweak things slightly & maybe self-publish this time.

Are you working on any personal projects right now?

Actually, yes! I have a trip planned to the Outer Hebrides next month where I want to concentrate on intimate scenes using only one lens. I aim to avoid grand vista’s typical with a foreground interest, some form of water, followed by mountains & sky. Whilst I’m there I will be doing some test reviews for my sponsors at Haida with their new Magnetic ND filters. The Hebrides are such a special place to me where the light is quite unique, I call it “sparkly -light”, it looks so dramatic against the dark brooding sky. On my Equine side I’m documenting a rescued foal from Wales who came to the farm this summer with his Mom aged two weeks old named Boyo, he is now four months old & such a super friendly character.

Boyo

Is there anything else you wish to add and what do you think about 1X as a home base for your work?

Firstly, a huge heart-felt thank you for giving me this opportunity, it truly means the world to me on a personal level & something I never thought I’d ever achieve on this highly regarded & incredibly talented photography platform. I often visited the site in total awe seeing other photographer’s work get published, something I only ever dreamt of. I enjoying the indulgence of viewing the stunning work of others, I love noting more than pixel peeing shadow detail. I cannot understand for the life in me the whole Instagram craze, the restrictions of a square format is not for me. I have an account but rarely visit the site, kind of feel pressurised to keep up with fellow photographer’s, almost like its a duty to post. Whereas 1X feels organic, with no BOTS or favouritism, I genuinely look forward to uploading with a sense of excitement.

Eternity
Labyrinth

Rituals

Interview with Ole Henrik Skjelstad

I’ve known Ole Henrik a few years now, he needs no introduction to anyone in the Landscape Photography world. If you haven’t seen his work, seriously …do look him up. One of my biggest landscape photography inspirations and a genuine human being.

“Jenny’s story is a compelling read about dedication, hardships and overcoming obstacles. She is a true artist whose images stand out as unique, creative and evocative”.

Have a wee read & please let me know.

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Tell us a little about yourself.

Born and raised in the north of England, moved to the Scottish Highlands in my mid 30s with husband and two dogs following our dream to escape the rat race. We live on a farm within a private highland estate in the far north –  I really have never lived anywhere so beautiful in all my life. Always been a bit of a dolly daydreamer. My senior school was set in a rural location with views down a pretty valley and my step father once told a teacher that I’d never get any work done for staring out of the classroom window in my own little world. He was not wrong! I’m a very competitive person but only with myself, I am my own biggest critic, never happy with my images.

 What made you start out with landscape photography?

I’ve always had a passion for the great outdoors and travel, and most of our holidays and free time were either spent long distance backpacking, hiking, climbing or skiing. Unfortunately I was diagnosed with a rare bone disease aged 35 which put an end to our adventures and I spiralled into a dark place. A few years later I found solace taking photos whilst walking my dogs in the beautiful countryside where I was lucky enough to be living, using a basic point/ shoot camera. I finally took the plunge and purchased my first Canon DSLR in October 2015.

What do you want to communicate through your photos?

I try to communicate depth by means of interesting foreground, textures, light, different focal lengths and focus. Emotion is never far from my mind when processing, which I hope is something I manage to convey in my photographs. Oftentimes, I will use more warmer palettes to portray happiness whereas more moody cool tones can show the opposite. I never set out with a plan, I kind of go with the flow wherever my mood takes me. I truly find great pleasure inviting the viewer into the scene and the world through my eyes.

What has photography done for you?

It’s helped me with mental negative demons, and in a way it’s given me back the old part of my life in the great outdoors without debilitating hip pain. Whether I’m on location or post processing, it will take me to another world. I’m not sure if others will relate to this but it’s like I’m able to escape the chaos of life and zone out in my own little world. Not to mention the genuine friendships I’ve made through photography, the generosity I’ve encountered continually astounds me.

How would you describe your work, and how has it evolved since you started out?

As much as I’m known for a lot of post processing, I do feel over the years I’ve learnt to tone it down a wee bit. In the early days I thought saturation and heavy vignettes were the best thing ever, whereas these days I try to be more selective and use it to lead the eye into key areas. Studying light has been a game changer for me, knowing where your light source is and where the light / shadows will fall is a must. I’ve learnt a lot just by spending time in nature – you soon learn what colours work best … you can’t beat nature’s own colour wheel. Also I give myself more time these day on composition, searching for patterns and leading lines, whereas I never use to give it much thought.

I suppose most of us have periods when we seem to lose the fun of photography. Have you developed any strategies to keep the fire burning?

Absolutely! There are most definitely times when this happens, I need time away mostly from my computer and usually spend extra time on family road trips. Especially to the west coast of Scotland – famous for rain but once it stops and the sun comes out there is such amazing light playing on the land that it’s hard not to feel exhilarated and then I can’t get the camera out fast enough! It’s like an itch that needs scratching and I’m back before I know it. I’m very fortunate to have such a supportive husband, he understands when these times happen but will never let me give up when I’m throwing a tantrum (usually in post processing) – he’s always there championing me on which really does help re-igniting the flame.

Have you ever been severely criticized for your work? And in that case how did you handle it?

Oh yes ….!  It sure happens, especially in my early days and I didn’t handle it well emotionally and took it to heart. The purists often criticise my creative licence but I am not here to appease them, my art is selfishly for myself. I’ve learnt over the years to take it with a pinch of salt and move on as photography is subjective and you’ll never satisfy everyone – the world would be a boring place if we all liked the same thing. These days if I see a negative comment on social media I literally ignore it. Gone are the days where I try to reason with them and at the end of the day they are quite entitled to their opinion. After saying that categorically I can say that I’ve never criticise anyone else’s work, even if someone directly asks me for constructive criticism I still struggle, it’s not in my nature. My gran always taught me if you have nothing nice to say then don’t say anything at all. 

Have you any hobbies besides photography?

Not sure if it’s a hobby but it sure takes up time! This past year I’ve thoroughly enjoyed spending time with seven horses on our farm whom I’ve become very attached to and seem to connect with on an emotional level, it’s really quite bizarre in a heartwarming and calming way. Also I enjoy reading and watching far too many films.

In which direction do you believe landscape photography is heading? 

In all honesty reflecting on the past 20 years in the mountains of Scotland I’ve witnessed huge environmental damages. I feel social media is like a virus to landscape photography. So many people travel the globe to iconic places just to post on social media to gain more likes and/or followers, it’s really very sad what’s happening to these beauty spots. Don’t get me wrong-  I accept wholeheartedly that anyone has the right to go where they wish, we’re all guilty of that up to a point. For me travel is about adventure and fun, not letting Google direct you to a location you’ve seen on Instagram. For example 20-30 years ago the famous Fairy Pools on the Isle of Skye only had a few daily hill walkers, there wasn’t even a car park, not many people knew about it, people would simply park on the roadside and for the odd few cars doing this it really didn’t matter. Unlike the past 10 years where it’s snowballed to craziness on a whole new level with endless streams of tour buses all year round. It really hurts me seeing the erosion caused not only to the roads but footpaths too and literally scarring the vistas. I don’t know if people are plain selfish or just don’t realise this damage is permanent! Even if everyone stopped going from today it would take many hundreds of years to return to its former glory. I honestly don’t know where it’ll all end.

What is the most amazing place you have visited? Is it possible for you to articulate why it made such a huge impression on you?

In 1994 my husband and I rented our house out to fund a road trip for a year travelling fourteen countries in Europe and Scandinavia. There was one very special country we never wanted to leave which was Norway, it left a huge impression especially the enormity of the turquoise waterfalls and Troll Wall, such a beautiful country in so many ways. We were able to take our watches off and mostly didn’t know if it was day or night as it was summer time and never went totally dark. 

What inspires you?

It’s got to be the moody Scottish weather. Some say it’s not great due to all the rain but for me there’s nothing better than after heavy rain fall when the sun pops out often revealing great light rays. Also foggy mornings make my heart swell when the mist slowly lifts from a river or loch, it really does make for interesting photography.

You have been severely ill. How has that affected you as a person and your photography?

March 2018 I was diagnosed with Breast Cancer, and my world came crashing down. Photography definitely inspired me to overcome my fears for the biggest fight of my life. My consultant told me I’d be out of action for a year with surgery and treatments. Luckily a few weeks after diagnosis a fine art gallery south of Glasgow approached me to display some of my work. This gave me mental balance, something positive to focus on and true hope. It took a few weeks after surgery to get back to doing some post processing, and I was only able to use one hand. Sadly I wasn’t able to hold my camera, let alone use it as I was so weak and sore. Cancer might have put my life on hold but there was no way it was controlling my love of photography. Within this time I wrote a full post processing tutorial of one of my images from start to finish for a photography magazine and also had a selection of my work published in a hardback coffee table style book.

 Photography helped to shut out the reality of the outside world, and took me to another world full of magic, with a sense of calmness and happiness. It gave me the confidence to hold my head up high, I was alive! No matter what I had to face my escape was always my art, I buried my head in my own little world where anything was possible. Eventually I got through surgery, 5 months of chemotherapy and radiotherapy, and albeit a little battered and bruised, I survived! It’s the old cliche that you often hear after a life-changing diagnosis –  “the world looks different now”. It’s so true. Before my diagnosis I would shy away from certain opportunities but now I want to grab life and live it to the fullest. I received many messages of support from fellow photographers who told me their stories of how cancer had touched their families. Photography has been my saviour and still continues to help rebuild “me”.

Do you have a piece of advice for young aspiring landscape photographers?

Be true to yourself, do what makes you happy and don’t worry what others may think. Don’t follow the crowds or chase the followers – it will become stressful and dull your creativity. Take inspiration from others but don’t copy. Try to find your own unique style which in return will give you more abundance. Never compare yourself to others, it’s a slippery slope of despair. Social media can of course be inspirational but at the same time can leave you with a feeling of lacklustre and loneliness and can quickly lead to unhelpful comparisons. If this happens take some time away even if just a couple of hours and do something completely different – for it can suck the life from your creative flow. And finally, practice, practice and more practice, it’s the only way. Oh… and don’t be too hard on yourself –  it’s about having fun!


 

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© Jenny Cameron 2019.

 

 

My Interview as Featured Photographer with Photography Masterclass Magazine

Clansman

Glen Etive, Scotland

Short Bio:

Jenny Cameron is a Fine Art Landscape Photographer living in the Scottish Highlands with her Husband and two dogs. Her passion for the wilderness began from a love of travel & outdoor life. Sadly Jenny was diagnosed with a rare bone disease a few years ago in her hip called Avascular Necrosis. This put an end to her mountain adventures ( hiking, winter climbing, skiing, backpacking to name a few). She spiralled into a dark place for a short time but thankfully found her solace in landscape photography and her journey began in October 2015 never looking back. 2016 was a great year, several of her images were exhibited in three American Art Galleries, followed by her first Publication on the front cover of the prestigious Scottish Field Magazine January 2017 issue. The New Year brought ten of her Scottish images published in two different Coffee Table style Photography Books. In July 2017 one of her most popular images “Altnaharra” was chosen for an Exhibition in England. Jenny continues  pushing the boundaries and looks forward to the future.
How did your love of Photography start?
I’ve always enjoyed taking photos from a very young age and trawling through golden oldie family snaps. I think it hit me when I realised I enjoyed taking photos of landscapes more than I did of my beloved dogs which sounds terrible but its very true. Anyone who knows me knows my dogs are my children and absolute world to me.
What’s your Long-term Photographic Ambition?
I would love to help and inspire other landscape photographers in some kind of educational way, maybe workshops &/or tutorials in the future as its something I get asked often. I enjoy chatting far too much, so that with my photography passion would be heavenly.

Where does your photographic inspiration come from?
My love of the outdoors, the way the light plays on the land totally blows me away everytime. Living in the Scottish Highlands I’m surrounded by so much beauty, it never seizes to amaze me.
What would consider to be your greatest achievement (or achievements) in your photography to date?
My proudest moment would have to be my first Publication on the front cover of Scottish Field Magazine with my beloved girls ( cows). As most will know I live on a farm in the Scottish Highlands, in 2016 we had some adorable cows. I use to visit them a few times a day with my dogs, they knew we were coming & started to recognize my voice & would head towards us. I grew quite attached to these cow, would often sing to them & tell them all my woes of the day. So, to have my gorgeous girls on the front cover of such an old & prestigious magazine displayed in all the major newsagents/ supermarkets across the country was a very proud and emotional moment for me.

What’s your favourite photo that you’ve ever taken & why?
Its got to be one named Wilderness taken in the County of Sutherland, the far North of Scotland. It was one of the first ones taken with my first full frame camera ( Canon 5d mark iii), it became very popular on social media & seemed to put my name on the map so to speak. I was driving home after a day shooting on the north coast, one those moments where I had to stop the car and jump out. It was a cold autumn afternoon as the sun was setting, I wouldn’t call it a sunset, it was just the way the light softly tipped the area, really very beautiful & unforgettable experience.
What’s inside your kit bag?

Canon 5d mark iv
Gitzo Systematic 5 series Tripod
Gitzo offset ball head
Canon 16-35mm USM L Lens & Hood
Canon 70-200mm USM L Lens & Hood
Remote Shutter Release
Cable Release ( as back up)
Haida filters.
Umbrella
Headlamp
Shower Cap
Too many batteries
Chocolate
What’s inside your dream kit bag?
I pretty much have all I need right now. Possibly if money was no issue Id love to play with the Canon 400mm F2.8 L IS ii for the odd wildlife shot.
Which piece of kit couldn’t you do without?
My beloved Gitzo tripod. Tripods often get forgotten about to any extent as people think the camera or lens is the most important piece of kit. For me after coming home from two photo tours with disappointing images, the only issue was with my tripod. Although I thought my old Tripod was sturdy enough, it didn’t move visually on location but once the images were uploaded to Lightroom it was clear to see slight movement, it really got me down, I blamed myself. Once I bit the bullet & upgraded to the Gitzo there was no looking back, I even went to the length of having some spikes made which screw into the bottom of the legs.
What words of advice would you give to beginners?
Find your favourite photographers & take inspiration from them. Practice, practice & more practice, its the only way. Know your camera well, read the manual over & over until you know it inside out. Don’t rely on post processing to save you, without a great base image you’ll never make it work. Don’t let gear go to your head but also don’t buy cheap.

Links;

https://www.facebook.com/JennyCameronPhotog
http://www.fotodiyafram.com/profile.asp
https://www.viewbug.com/member/jennycameron
https://500px.com/jennycameron2
https://www.instagram.com/jenny.cameronscotland/

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