Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Test review- Haida NanoPro ND filter kit for DJI Mavic 2 Pro. Featured

“Test review of Haida ND filters for DJI Mavic 2 Pro ~for not only photography but also videography”

by Jenny Cameron.

Introduction.

Welcome to my test review of the Haida NanoPro ND kit. Designed specifically for use with DJI Mavic 2 Pro. The pack includes four solid neutral density (ND) filters (3,4,5 & 6 stops).

DJI Mavic 2 Pro with Haida ND filter attached.
DJI Mavic 2 Pro with Haida ND filter attached.

This is all very new to me having never used a drone before and knew very little about videography. Fast forward three months, the main problem has been fighting weather, which here in Scotland is no easy fate. We get a lot of rain, wind, snow and sub-zero temperatures, all do not go hand in hand with flying a drone. On a more positive note- Two things which must be earnt and not simply paid for is “experience & perseverance “. So, overall I’ve put these filters through their paces and learnt a ton which Id like to share with you.

What made me want to buy a drone?

As a landscape photographer, I felt restricted and frustrated from many missed unique perspectives my DSLR couldn’t possibly reach, desperate for that “something” to reignite my creative fires and quite honestly I`d lost my mo-jo. Inspiration was in great need. December 2020 I had a eureka moment to get a drone as an early Christmas present. I couldn’t wait to see the bird-eye views, the whole cinematic look really excited me, this brand new world was ready to burst open in front of me during the dismal dark days of the global pandemic.

As a Haida Ambassador, my first port of call after ordering the drone was speaking to Haida as I knew they did filters for the DJI Mavic 2 Pro & Mavic Air 2. They kindly sent a filter set to fit my drone. I’ve been using Haida filters for the past three years now for all my landscape portfolio work, therefore only natural I wanted the same quality for my drone imagery. Let me tell you guys the dark clouds have lifted and I’m back to the early days when I first started photography, excitingly wanting to learn everything and eager to put into practice.

What’s in the box?

Four neutral density (ND) filters in total- ND8, ND16, ND32 & ND64. In a very neat hand-sized/ convenient plastic box that easily fits in your jacket pocket. The packaging of a product can sometimes be as important as the product itself as you will most likely be using a lot switching different filters in the field.

What is a Neutral Density (ND) Filter?

ND stands for neutral density. Commonly described as expensive sunglasses for your camera. However, there’s a bit more to it than that without too much techy-talk. Basically, on the photography side, they absorb light by limiting unwanted light from reaching the camera sensor without effecting colour, hue, sharpness, contrast and clarity. And for videography, they provide smooth/softer transitions and more natural professional-looking footage. Overall, provide the user with more creative freedom and viewer more eye-candy.

What do the numbers mean?

All ND filters come in different strengths, the lower the value the lighter opacity the glass is and less light is absorbed. The higher the value the darker the glass, the more light it absorbs.

How do I know which filter to use?

ND strengthND 8 ( 3 stop)ND 16 (4 stops)ND 32 (5 stops)ND 64 (6 stops)
When to useReduces glareSunset & low light situationsBright days with direct sunExtreme sun, snow &/or water.

How to attach the filter?

First, remember to turn off your drone to avoid damaging the gimbal. Support the gimbal with one hand, remove the DJI Mavic 2 Pro lens by gently pushing down and twisting till it lifts off. Then replace with the Haida ND filter at a slight angle with your other hand and twist. You will feel it lock in place, now your filter is firmly attached to the lens, switch the drone on and you’re ready to fly.

Video below showing Haida ND8 filter on DJI Mavic 2 Pro.

Long exposure photography isn’t for me therefore I don’t need any ND filters? Wrong!!

Let me explain- These days our eyes have become accustomed to a more polished aerial cinematography and photography look/feel from watching movies and such over the years. If you think back 20 years how movie standards have progressed in terms of footage quality. Even as little as 15 yrs ago, 4K stabilised footage was un-thinkable, its what we saw only at the movies, technology is moving fast! However, we all now expect far more than we did back in the day. This is achieved by something called the “180-degree shutter angle rule”- which mimics motion the same way a human eye experiences in real life. It helps reduce your shutter speed whilst maintaining proper exposure. For example- shutter speed should be double your frame rate for smooth motion blur, producing more natural and professional-looking footage- rather than harsh/ robotic movements. So, for instance, if shooting at 25 frames per second you need to move your shutter speed to 1/50- Or, 30 frames per second would be 1/60 shutter speed. Also, post-production is easier, especially with colour grading. Without ND filters you would have to increase your shutter speed to maintain exposure in your shots which will effect the footage quality in a really bad way making it over sharp and jittery. Hence why I can’t stress highly enough the importance of ND filters for a drone, it’s not about doing long exposures- Although you can still use them the same way you would on a DSLR as I will demonstrate in the images below in the Scottish Highlands.

Images below- taken with DJI Mavic 2 Pro in tripod mode. Raw format. Without/with Haida NanoPro ND8 (3 stops) filter. Same settings used for both images. Camera manual mode- ISO 200, F6, 1/4 sec.

Without filter. ISO 200, F6, 1/4 sec.
With Haida ND8 (3 stops) filter. ISO 200, F6, 1/4 sec.

Waterfall videos below showing without/with Haida NanoPro ND16 (4 stop) filter on DJI Mavic 2 Pro. Same settings used for both videos. Manual mode, ISO 100, F4, 1/8 sec @ 24 FPS. Location- Sutherland, Scotland.

Without filter
With Haida ND16 (4 stops) filter for DJI Mavic 2 Pro.

Videos below showing without/with Haida NanoPro ND32 (5 stop) filter on DJI Mavic 2 Pro. Same settings used for both videos. Manual mode, ISO100, F6 1/30 sec @24FPS. Location- Sutherland, Scotland.

Without filter
With Haida NanoPro ND32 (5 stop) filter

Drone footage over Ardvreck Castle including music ♬. Filter used= Haida NanoPro ND64 (6 stop) on DJI Mavic 2 Pro. Video setting- Manual mode, ISO100, F6, 1/30 @ 24 FPS ( frames per second).

Post-processed image below taken with DJI Mavic 2 Pro & Haida NanoPro-ND8 (3 stops). Camera settings- ISO 100, F4, 1/30 on tripod mode.

Post processed in Adobe Creative Cloud

Design & build quality

  • Glass = Unmatched Optic glass, multiple grinding for high definition images which reduces unwanted reflections without colour shifts.
  • Frame = Aerospace Aluminium.
  • Filter case = Plastic, with foam inserts to protect each individual filter for storage and transport. Easy to open.
  • Extremely light-weight, yet robust, putting no negative effect on the drone gimbal.

NanoPro

Each double-coated filter features Haida’s waterproof NanoPro multicoating which repels water and to assure HD quality without colour cast or vignette. This is extremely useful as any water or moisture on the lens during flying can seriously distort &/or ruin your imagery. You may be thinking what does it matter if they aren’t waterproof I won’t be flying underwater? Agreed, certainly not, however when flying at high altitudes the air becomes moist so the last thing you need is water seeping in-between camera lens & filter. This also helps when wiping any excess moisture off your filter, it beads up & easily removed with a microfibre cloth.

Weight -V- gimbal error

After doing some research I discovered a common error with some aftermarket filters. The weight of the filters is too heavy for the gimbal/front of the camera resulting in the camera not working. This is something I needed to be sure didn’t happen with Haida filters. I’m very pleased to confirm none of the filters were a problem & worked perfectly~ Horray!

Price

Of course, the price of a product is an important metric when considering any purchase. However, as the old saying goes- “Buy cheap buy twice”. With all things, photography/videography as I’m sure you’ve discovered doesn’t come cheap. As photographers, we know the importance of a good quality lens. Oftentimes it’s more important than the camera so why on earth would you stick a cheap filter in front of expensive glass? It makes no sense to me, a valuable lesson I’ve learnt over the years. Haida filters are by no means the most expensive on the market but not the cheapest, they sit somewhere in the middle. Available for purchase here.

Positive features (in no particular order).

  • Specially designed for DJI Mavic 2 Pro.
  • Consistence sharpness from corner to corner.
  • Easy to attach and remove. You will likely have to make changes in the field therefore you need confidence knowing the filter is securely attached and doesn’t fall off mid-flight.
  • Durable, compared to plastic alternatives.
  • Neutral colour accuracy or colour shifts.
  • No vignette at all.

Negatives

  • I think the addition of a Circular Polariser and/ or a combined ND/ CPL would be advantageous for Haida.
  • Disappointed no filter cloth and no dedicated filter pouch~ Maybe that`s the female in me.
  • Overall, Id like to see more drone accessories from Haida as I believe Videography is the future.

The Haida brand

As a landscape photographer, I know the importance of quality filters. Hand on heart, I firmly believe in the Haida brand. Yes, I am an Ambassador for them but in no way would I put my name to a brand I didn’t believe in. All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

Final thoughts

So, if you’ve been admiring the amazing aerial footage seen online the past few years and thought to yourself — “I would really love to have a go at this drone malarkey but it looks too technical”. -My answer to you would be- “Go for it, absolutely”. Believe me, I’m a slow learner, if I can, then so can you. Its been the best photography purchase this past couple of years and boosted my creative flow immensely. Almost like visiting a new place, as even though you still in your local area everywhere looks very different.

Or- maybe you already own a drone but frequently return home disappointed from your footage and feel you would benefit from taking it to the next level. I personally as a friend would highly recommend the investment of this Haida NanoPro ND filter pack for the DJI Mavic 2 Pro.

For me personally- Each one serves its own purpose. In fact, most recently I’ve tended to leave the ND8 on permanently. Not only does it improve movement in video but enables extra control of the light for still images and video. I’m certainly very happy with all of the filters, had great fun and wouldn’t like being without them.

I hope this provides you with some useful information. Please feel free to ask me any questions- Contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

“All rights reserved” © Jenny Cameron 2021

Good-bye Winter Featured

Hyperborea

Here in Scotland we’re still in lock-down~ Getting out for photography this past year hasn’t been easy with travel restrictions. I find the whole Covid thing a mental struggle the way its taken my freedom to travel, missing close family in England & photography road trips I so much enjoyed & pretty much use to take them for granted~ a huge lesson I think we`ve all recently learnt. On a more positive/happier note~ I’m very lucky living in such a beautiful remote area with mountains all around & pristine beaches close-by. This was taken a couple of weeks ago on a freezing cold morning when temperatures plummeted to minus 22 Celsius. Thankfully the majority of the snow has now gone and signs of spring on its way.

Techy info

Filters used~ Haida Interchangeable Magnetic Variable 6-9 stop ND filter @ 6 stop.

Post-processing software & techniques ~ Adobe Creative Cloud & Lumenzia. Focus stacked for maximum sharpness front to back & exposure blended.

Camera settings~ ISO 100, F11, 0.7 seconds @ 35mm.

Equipment used~ Canon 5d mark iv, Canon 16-35mm F2.8 lens. Gitzo tripod.

Video below showing raw file & final edit.

If you would like to see more of my work;
500px, Facebook, Viewbug, Instagram

“All rights reserved” © Jenny Cameron 2021

Popular blog posts from the past few months.

Haida Interchangeable Magnetic Variable ND filter 77mm.

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable neutral density (ND) filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one ND ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides.

by Jenny Cameron

Top 10~ Tips to help create your perfect Landscape Fine Art image. Featured

Have you ever created an image you loved so much you decided to share on every online platform possible but didnt receive the feedback you expected? You put your heart & soul into this creation but nobody understood what you were trying to convey?

How did it make you feel? Crap? Overwhelmed? Confused? Disappointed, self doubt & dare I say almost envious of others? Trust me, I’ve been there. Receiving negative critism isnt easy & can become extremely upsetting. Asking yourself~ Why do I see things different to others? You know photography is in your blood~ I’m telling you right now, never give up & keep going. Its your ultimate passion, right? And remember~ Practice makes perfect.

Here’s my top 10 tips in no particular order

  1. Lighting~ Mood & atmosphere, probably the most difficult thing to learn as its really something that comes from the heart, you have to feel it to be able to see it.
  2. Good composition ~Visual/intuitive balance & direction of flow helps grab the eye. Rule of thirds where you place points of interest in the intersections or along the lines. The Fibonacci spiral also know as the Golden spiral helps to lead the viewers eye through the entire picture. Reduce the distracting elements also known as pokies such as random tree branches poking into the edge of the photo, something I personally call “edge- control police”. Although being naughty~ breaking some rules from time to time is not a bad thing & can work out creatively.
  3. Perfect Raw file ~ A photographers fundamental basic, this is the key where you need to go all OCD. Without this you have nothing, no amount of editing will rectify. A raw file is the foundation of the house, without it the whole image will collapse. Its your blank canvas which needs to be absolutely perfect in every way imaginable. Please do not shoot in jpeg, you can bring out so much more from a raw file.
  4. Editing~ clicking the shutter button is only part of what it takes to producing a great image. For me, I liken it to putting make- up on, making the best of what you have. If your shooting raw the image will be very flat & un- interesting, therefore some editing is needed to bring your image to life. You dont need to spend hours at your computer getting a headache from eye strain, oftentimes twenty minutes maximum can really give your image the va- va- voom.
  5. Camera settings~ Technical skills & knowledge of how to use your camera are needed in abundance. When trying to be creative the last thing you need is struggling to remember how to use your camera. This should be as easy as brushing your teeth & come the most natural thing for you so you dont have to give it much thought~ All you should be thinking about is your creative flair & the beauty surrounding you. I learnt my camera settings blindfolded so I knew I could photograph the night sky at ease, not have to fumble around with torches followed by yelling at my camera as I pressed the wrong button.
  6. Colour~ Colour plays a huge role, much more than most people think. Making it look natural but really its very deliberate & a highly thought out process. Colour can sometimes provide the opposite & cause more of a distraction, this is when black & white plays its role, your stripping back elements to create more of an impactful message~ This is more useful in images that portray deep powerful emotions leaving the viewer with the pure essence of the image. Learn & understand the colour wheel.
  7. Focus stacking~ This can only be done on a tripod. Where you take several images of the same scene. Focused at different points throughout the image, so for example~ Foreground, mid-ground, a distant hill & sky. Then blend together as one in Photoshop for ultimate sharpness from front to back.
  8. Exposure blending~ Similar to focus stacking but with exposures. So for example several images of the same scene taken at different exposures~ One for the shadows, one for mid-tones & another for the highlights. Again blended together in Photoshop for a perfect high dynamic range also known as HDR.
  9. Location~ Personally I think this is an important one. I struggle to accept how a photographer can go to a location never visited before & get the most of out it. For me its something I have to visit several times, different times of the day & seasons. I need an intimate familiarity with the place, feel the spirit, question what makes it special to me. Then I concentrate on that element to achieve the best out of it. All this flows continually right through to the editing process & final image.
  10. What elements & message you wish to convey? Start by what you wish to emphasis in the photo, is it a waterfall, lake, mountain or just a wow sky. Search for different patterns & textures which can convey different emotions to the viewer. This is how you begin to tell your story & how you start growing connections with your viewers, it really does become quite personal & evoke deep emotions.

“I believe photography is a message connecting someone’s spirit to reality. In this crazy world we all live in there are times we need to escape all the madness even just for a few seconds to be virtually teleported to another world”.

“Never give up on your dreams”

Jenny Cameron

Evaluation- 82mm Haida Interchangeable Magnetic Variable ND filter on wide- angle lens. Featured

Watch how fast

Super fast & ease

Introduction.

Testing for optimal sharpness, tonality, vignette, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts. Including in-camera video and real time experience from my home in the north of Scotland.

What comes in the box?

One cardboard box with two separate plastic boxes each with internal moulded foam insert to keep your filters protected ..Box (1) One adapter ring and one Magnetic Variable ND 2-5 stop filter. Box (2) One Magnetic Variable ND 6-9 stop filter & one spring loaded Filter cap.

Lets take a closer look. Join me on a Private Highland Estate (non-public access).

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens and onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 82mm as my lens is a Canon 16-35mm F2.8 (ii). Step up rings also available.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lenses the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

Why are Neutral Density filters important for video?

In videography theres something called the 180-degree shutter angle rule- which mimics motion the same way a human eye experiences in real life. It helps reduce your shutter speed whilst maintaining proper exposure. For example- your shutter speed should be double your frame rate for smooth motion blur, produces a more natural and professional looking footage- rather than harsh/ jittering/robotic. This is especially commonly seen on fence lines which I’ve experienced myself whilst flying a drone. (By the way as a side note, I’m currently reviewing Haida’s ND filters for DJI Mavic 2-Pro which will be published soon). So, for instance if shooting at 25 frames per second on a DSLR you need to move your shutter speed to 1/50. This is where the Haida Nano-Pro Interchangeable Magnetic Variable ND 2-5 stop filter in particular solves this issue perfectly. Theres a reason why Cinematic cameras are expensive- they have built in ND filters.

Construction.

Both filters are constructed the same, the frame part from Aerospace Aluminium making it super strong and extremely light weight, in fact its 9g lighter than previous Haida Variable NDs. The glass part is made from high quality K9 optical glass with Nano-Pro coatings on both sides.

NanoPro.

Featuring a waterproof NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used under water and super easy cleaning.

X-pattern.

With the filter being on a wide angle lens I did wonder if the dreaded X-pattern (produces hatched areas on the actual image) would be more pronounced especially on the 6-9 stop, but thankfully its not appeared at any focal lengths tested from 16-35mm at approximately 2mm increments. I really did try to push it through its paces as curiosity got the better of me secretly wanting to see what it actually looked like in real life so to speak. Sure I’ve seen it on-line with other filter brands but nothing beats reality. I think what really helps with this particular issue is the way Haida have thoughtfully placed accurate hard stops at each end making it impossible to push the ND effect too far past the weakest or strongest points.

Positive features.

The innovative design of the magnetic attraction provides not only ease of use and speed but also the added bonus of no light leakage whatsoever, which often-times is problematic with strong NDs, usually from 6 stops upwards. No vignette from two stops right up to six inclusive.

Absolutely loved the ability to control shutter speed in ever changing light conditions without stress of fumbling in my filter bag trying to select what I thought would be best then discovering a different strength would have been better. Now, I could simply rotate from 6-9 or remove in literally one second & replace the 2-5 stop ND which I kept handy in my pocket neatly wrapped in a lens cloth for add protection.

Ideally suited for all types of photo &/or video genres including portraiture. I will definatly be using it for my animal work. All in all, I really do love and have thoroughly enjoyed this evaluation. Haida made it very easy with exceptional quality in not only the sleek design and smooth as butter rotation but followed right through from speed of use, incredible sharpness/tonality & contrast with no colour shift (neutrality) in the final raw file. What I did appreciate & use all the time now is the handy filter cap- Personally thought that a really nice final touch. It allows you to leave the filter on the lens packed away in your bag, then you’re all set up and ready for the next location.

Negative features.

I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is. Other than this I see no other downsides, what’s not to love? If I was being really picky there is ever so slight vignette from 7-9 stops inclusive, but certainly nothing to worry about.

For the traveller in mind.

If you’re tired of hauling around lots of different filters on your travels and need to go lightweight this could well be your answer.

Field tests.

Comparative images below at the bridge- taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without filter (straight out of camera) @ 16mm. ISO 100, F8, 1/8 sec.
  • With 2 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 1/4 sec
  • Edited in Adobe Creative Cloud
  • With 3 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 1/2 sec
  • Edited in Adobe Creative Cloud
  • With 4 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 1 sec.
  • Edited in Adobe Creative Cloud
  • With 5 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 2 secs.
  • Edited in Adobe Creative Cloud
  • With 6 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 4 secs.
  • Edited in Adobe Creative Cloud
  • With 7 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 8 secs.
  • Edited in Adobe Creative Cloud
  • With 8 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 15 secs.
  • Edited in Adobe Creative Cloud
  • With 9 stop Magnetic Variable ND filter @ 16mm
    ISO 100, F8, 32 secs.
  • Edited in Adobe Creative Cloud

Comparative images below at the beach- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F14, 1/4 sec– With Haida Interchangeable Magnetic Variable ND (2-5 stops) filter @ 5 stops; ISO 100, F14, 08 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without/ with filter
Edited in Adobe Creative Cloud

Comparative images below of the bridge- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND (6-9 stops) filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera).

Without/ with Filter
Edited in Adobe Creative Cloud

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

On location- Behind the scene images below

Summary.

Variable ND filters seem to be trending at the moment. Having never used one before I was quite sceptical the quality wouldn’t be as good as a traditional single stop ND filter. I was pleasantly proven wrong and really fallen in love with this option. Having the magnetic part is a total bonus, making this super fast and easy to set up. In the past there’s been times when I’ve been a bit lazy and not bothered with filters as it’s such a faff, not so much the past couple of years but certainly before it was slow going and fiddly. 

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

Conclusion.

The most versatile filters I’ve ever used, certainly the fastest and most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit and serious contender in the photography/ videography marketplace for many types of genres.

All in all this latest innovation from Haida has very much impressed me.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

“All rights reserved” © Jenny Cameron 2021

Good-bye Winter

More rambles from Jenny Cameron landscape fine art photographer in Scotland during lockdown & the mental struggles.

by Jenny Cameron

Highlights, darkness, hope & reflection Featured

Light, shadow, hope & reflection…Annual review of the unforgettable year 2020. Its that time of year again to reflect upon the highlights, dark times and hope. So, I thought Id do a round up of my images from 2020.

Highlights

I feel very lucky living here in the Northern Scottish Highlands, placed in covid level 1 which is the lowest UK level. Finding new hidden gems literally on my doorstep, the most stunning albeit not most dramatic but beautiful waterfall. Remote areas of Assynt (dramatic mountains & some of the best beaches in the UK)  all within one hours drive from home. Usually, I just head straight for the west coast ( Glencoe & Hebrides). Although I’m able to legally travel to all those areas as they are also in level 1, it doesn’t sit quite right in my mind, my way of thinking is the more people travel for non essential & I count myself  as part of it. I dont need to photograph my favourite haunts when I have equally as much beauty right here at home. Although after the summer of staying at home we really needed to escape for our sanity & booked the ferry to Orkney. It was legal and the majority of the locals welcomed us with open arms there was an underlying feeling of resentment towards tourists which I’ve never experienced before.

The highlight of 2021 was undoubtedly the surprise opportunity & publication of my book Earth, wind & fire in July. Also this year I’ve thrown myself into more video for my test reviews, people seem to relate more to video rather than reading & looking at photos. This meant a steep learning curve of editing video, something I knew absolutely nothing about this time last year. Most recently last month I purchased my first drone. Ive been wanting one for some time now, it fascinates me the different perspectives. Its been much harder to learn to fly than I initially thought as Im not very technically minded which may surprise some & a slow learner. However I am very much enjoying it & having fun in between my tantrums & struggles.

Darkness

If you had told me a year ago how 2020 would have rolled up I never would have believed you. The compulsory use of face coverings in public places, non essential travel frowned upon in certain areas ( mine included). The list is endless as you all know, each of are having our very own personal struggles. 

Additional edit, dated 21st Dec, the whole of Scotland mainland will close its borders from mid-day Boxing day 26th Dec & enter into level 4 restrictions for three weeks.

Hope

A year like no other- We all need to support each other and quite frankly be kind to not only each other but be kind to yourself.

Hope your sitting comfy, drinking your favourite tipple or hot chocolate and munching on something tasty?

Reflection

Questions zooming round in my head. Its that monkey on my shoulder asking how I’ve improved photographically, or maybe not at all? Lessons learnt? Do I have different views on the wonderful world of nature/landscape photography? Have I felt the need to divert away from grand vistas and what are my plans for 2021.

Here’s a few of my personal favourite memories & images from the past twelve months.

  • Cauldron
  • Elemental
  • Mermaid
  • Westeros
  • Highlander
  • Mara
  • Morgan





			

								

					

									


				

                    
                    
                    
                    
                    
					                    
                

            

			














	








	








	












	





If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2021


		
		
		












			
			
			
			
			
			
			
			
			
			





	

			



				
	
	

			


			
		

		

	
			
				Haida filter video tutorial			
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Haida Filter tutorial from my home in the Scottish Highlands during the COVID-19 lock-down. Sharing my thoughts about filters.


Please note; If using any of the 100mm x 100mm (square) ND filters in M10 filter holder and you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).


 



	

			



				
	
	

			


			
		

		

	
			
				Glencoe collection			
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©Jenny Cameron 2019
Bidean nam bian


Wanderlust re edit (jpeg for web)
Wanderlust


Glencoe (jpeg)
Greetings


©Jenny Cameron 2017
Euphoria


Dreaming (jpeg for web)
Phoenix


©Jenny Cameron 2019
Eternity


 
			

			



				
	
	

			


			
		

		

	
			
				Topaz Labs discount code shout out			
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Discount code shout out ….I can proudly say Ive been approved for a new collaboration with Topaz Labs. Its a product I’ve used the past 4 years within my Adobe Photoshop workflow. For those of you who aren’t familiar with Topaz Labs its a software plugin for post processing & in my opinion one of the best, certainly my “go- to” when the going gets tough, its saved me countless times. I’ll be doing some test reviews in April showing before & after edits but for now here’s a 15% discount code for all you lovelies on any of the Topaz plug ins. All you have to do is type CAMERON15 (coupon code) at checkout. Have fun.


Follow this link

	

			



				
	
	

			


			
		

		

	
			
				Hebridean headspace			
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Born and raised on the west coast of England but never felt that inner something with seascapes the way mountains affected me.


However…the coastlines of the Hebrides have such a special type of light, it’s very different to mainland, almost purer, more magical with extra sparkles. The skyscapes alone are enough to make an exceptional composition of their own in a hauntingly beautiful manner.


Makes you feel like it’s got you snuggled up in the most fluffy goose down jacket in the coldest of winter. My eyes are peeled, constantly searching for pockets of light, unusual compositions, wildlife focal points, shapes/patterns. The diversity with its hidden coves, brooding skies, windswept moorland, pristine beaches, textures of the machir where orchids are known to grow, narrow twisty turvy roads and interesting mountains, such a feast for the eyes and a way to fine tune my compositional skills.


Highland cows, sheep and wild ponies roam the beaches and roads. Walks become slower the longer you stay. I’ve done all the tourist trap locations and now prefer to find my own hidden gems for more heart warming feelings.


When your photographing the same locations and even compositions as everyone else it can soon become unsatisfying and boring. Whereas when I find my own beauty spots I can put more emotion into the final image, inviting the viewer right into the moment along me. Post processing is more enjoyable as you find yourself with more creative licence which is something I do enjoy.


My images helped guide me. Life can be tough with many rocks in the road often leading to a bumpy ride. So, if your feeling gloom and down beat go chase some light, free yourself from the daily grime. Let your emotions rule your actions, don’t follow the rules, make them up yourself, listen to your heart.


Don’t follow the crowds, be who you are.. Be different, unique, your own person, don’t worry what others may think of you. Express your emotions, don’t be afraid of looking like a fool. You’ll probably find that most people will admire any faults as it proves your only human, we aren’t perfect.


If you would like to see more of my work;

500px, Facebook, Viewbug, Instagram

	

			



				
	
	

			


			
		

		

	
			
				Haida M10 and Red Diamond test review			
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Introduction


I’m excited to introduce the new Haida M10 adapter ring, M10 filter holder, M10 round “drop-in” circular polarizer, M10 “drop-in” light barrier,  M10 round “drop-in” neutral density 3.0 (10 stop) and Red Diamond medium 0.9 (3 stops).


This test review was based on a shoot around Assynt, a remote area of the Northern Scottish Highlands using my Canon 5d mark iv ( full-frame camera). Tested at the widest focal length I use, 16mm with my Canon 16-35 mm USM L lens. Gitzo tripod and ball head.


As a landscape photographer, I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you, I’ve made the mistakes and now ready to reveal the latest from Haida filters, the only brand for me.


I started using Haida filters in January 2018 with their Pro 100 series. As much as I regard them highly, I can’t stress enough how Haida’s design team have really upped their game and left their competitors way behind with their latest generation M10 filter holder system for the 100 mm series filters, including a selection of round “drop-in” filters (CPL, NDs and Clear-night)  also their Red Diamond series ND’s (soft, medium), Hard GND, Reverse GND and horizon GND. These were all launched in October 2018 at Photokina and are now readily available. Haida has really listened to their customers and actually done something about it.


They kindly sent me their M10 filter holder and a selection of filters early in January 2018. So far, they have travelled almost two thousand miles with me on a road trip from the North Coast of Scotland to Southern England and a couple of local photoshoots. I wanted to really spend time in the field conducting this review and putting everything through its paces to give my most honest opinion. I can proudly say I now know them so well I could use them blindfolded. The whole set up – from screwing on the adapter ring to sliding in your first filter – can be done in less than 10 seconds!


All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. Haida’s new generation are such a genius method and design.


Haida M10 filter holder kit for the 100mm series filters includes the filter holder, CPL, light-barrier, adapter ring and leather case.


HaidaM10
M10 Filter Holder System


Haida M10 adapter ring


Works solely with the Haida M10 filter holder which is part of Haida’s new generation. Constructed entirely from aluminium for strength and light-weight, and also slim in design. From my experience, this helps with any unnecessary vignettes when shooting at wide angles. You simply screw it easily onto the front of your Lens. This is the foundation for the M10 filter holder: it’s a bit like building a house – without a solid foundation there’s no point installing the windows.


These can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm.


Haida M10 filter holder


This is Haida’s successor to their 100 Pro filter holder. The new M10 filter holder is made from aviation-grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super-fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see photo below). The innovative design gives a very secure and solid connection, and at the same time, the ability to rotate 360 degrees – which I found especially useful when using the Red Diamond medium 0.9 ( 3 stop) graduated neutral density filter. The non-slip sponged coating on the bottom of the filter holder provides more of a grip when rotating which I think is a nice touch.


It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop-in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL as I often did with its predecessor. If you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier (see photo below) which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).


Stack of 3 100mm x 100mm Haida NDs in the front compartment and CPL in the rear compartment of the M10 filter holder.


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Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access. Internally lined with a lovely grey velvety fabric with a net pocket for storage. Also included: screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder )which I’ve left on permanently).


Video of me using the M10 adapter ring, M10 filter holder, M10 round “drop-in” circular polariser filter together with Red Diamond medium 0.9 filter.






Haida M10 round “drop-in” circular polariser filter


My favourite of all the filters has always been the CPL. A vital piece of kit every landscape photographer should have and something which cannot be replicated in post-processing. I rarely shoot without – it’s the perfect light manager. And let me tell you, Haida`s new M10 round “drop-in” CPL will never be off my lens.


I was curious to test if any slight vignette was present, and I can happily confirm that there is none at all, even pushing it through a tough test at my widest 16mm on a full-frame camera. It gives amazing contrast, and cuts through some of the haze, especially on the clouds and the polarisation is visible in the sky producing some great detail. Removed almost all the unwanted glare and the see-through effect is well achieved on the water. Added some beautiful saturation which gives an overall instant pop to the image. Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a CPL you will generally lose between 1-2 stops of light. As you can see in the comparison EXIF data below, I have lost around 1.5 stops.


Inserting the round “drop-in” CPL into the M10 filter holder is the fastest I’ve ever used, never mind witnessed. It simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you –  once you hear the click it’s locked in place. There is a three gear linkage design on the mount which rotates independently and very smoothly. Once you start turning the adjustable black dial which is centrally placed on the top of the filter, you’ll instantly see the polarisation intensity on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition.


sliding in M10 round CPL into M10 filter holder
Inserting M10 round “drop-in” Circular Polariser (cpl) filter into M10 filter holder.


Constructed from high-quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.


I have to say how solid it feels, plus it’s very fast and easy to use. In the past, CPLs I’ve used can be fiddly, hard to screw on especially when it’s freezing cold, you’re up at silly o’clock waiting for sunrise and half asleep. Haida has really listened to their customers and produced this truly clever design making our life so much easier. It’s an absolute pleasure to work with.


The round “drop in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.


Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm with no filter and with Haida M10 “drop-in” CPL filter. No post-processing on either other than lens correction in Lightroom. Demonstrating how the CPL has retained every bit of sharpness.


without-cpl-(1-of-1)
Without filter = ISO 100, F18, 1/13 – With Circular Polariser filter = ISO 100, F18, 1/8 second


Finally post-processed in Adobe Creative Cloud.


edited version (jpeg)
Location – Loch Assynt, Sutherland. Scotland.




Haida Red Diamond Medium


take wording for blog post & pic


The Red Diamond filter I am testing is a medium 0.9 equaling 3 Stops. Rectangle in shape and sized 100mm x 150mm, providing more flexibility to move the filter up or down within the holder for ultimate control, homogeneous graduated blending from light to dark and endless creative possibilities. I really enjoyed using this filter in combination with the M10 filter holder. It’s fun the way you can rotate the holder if you want to darken the sky on one side or turn it upside down if you’re looking over bright highlighted water.


sliding in red diamond medium with M10 round CPL in back. Feb 2019
Inserting Red Diamond medium 0.9 into M10 filter holder with M10 round “drop-in” cpl filter in the rear compartment


I predict this latest series from Haida becoming “The big daddy” of them all for landscape photographers the world over. Haida named this new series “Red Diamond” as they’re amongst the strongest diamonds in the world, therefore being the strongest of all Haida filters.


What makes this series stand out from its predecessor and other brand filters are listed as follows:


    

  • Shock resistant, low risk to any accidental damage.
    • 

  • Scratch-resistant, the perfect partner in demanding weather.
    • 

  • Zero colour cast.
    • 

  • Waterproof, oil and fingerprint-proof Nanopro coated surface.
    • 

  • Improved optical glass.
    • 

  • R5 rounded corners – make it easier to slide in and out of the filter holder, no sharp corners.
    • 

  • K9 optical glass.
    • 

  • True colour.
    • 

  • Ultra-thin nano multi-coating.
    • 

  • Easy to clean.
    • 

  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
    • 

  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
    • 

  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident-prone this would be the perfect filter series for you.
    • 



Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-Red Diamond medium 0.9 (3 stops). No post-processing on either, other than lens correction in Lightroom.




With-Red-Diamond-Medium-Filter-base-edit
Without filter = ISO 100, F14, 1.1 sec – With Red Diamond medium 0.9 = ISO 100, F14, 3.1 sec




Finally post-processed in Adobe Creative Cloud


red diamond medium across strath (jpeg for web) edited version
Location – Lochen on a private Highland estate.






M10 round “drop-in” 3.0 ND (10 Stop) Filter


The round “drop-in” 3.0 ND, equalling 10 stops of light with its built-in light barrier, is particularly useful for any super long exposures. Oftentimes in the past, I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation at all.


Before I started my love affair with Haida filters over a year ago, I was using Lee filters. My go-to neutral density filter was always the Big Stopper but more times out of ten the images produced had a slight purple tint and vignettes at wide angles. Although it’s easy enough to change in post-processing, it is another job. All these wee jobs can mount up a lot, meaningless creative time and enjoyment in the great outdoors with your camera – and surely they’re the best parts?!


I was curious to test if any vignette were present, and I can happily confirm none at all was found. You would think attaching any filter over your lens would affect the level of sharpness, but it’s clear to see from my findings below that there is no loss of sharpness from corner to corner – it’s pin-sharp. Absolutely no colour tint was found, making this one of the most neutral NDs I’ve ever come across. I particularly liked the design of the plastic holder that the round glass sits in, making it ultra-easy to drop in and remove the filter holder without any disturbance to the composition. The M10 round “drop-in” series of filters feature the same nano pro coatings, producing excellent image quality. It’s clear to see that Haida has really thought through every single part of the process and know the issues that can be caused in the field.


Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” N.D 3.0 (10-stop). No post processing on either other than lens correction in Lightroom.


with-without-nd3.0-(10-stop)
Without filter = ISO 100, F14, 0.4 sec – With M10 “drop-in” ND 3.0 filter = ISO 100, F14, 130 sec


Finally post-processed in Adobe Creative Cloud


across strath (jpeg for web) 10 stop m10
Location – Lochen on a private Highland estate




Collection of images taken during my field test


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I hope this provides you with some useful information. Please feel free to ask me any questions.


If you would like to see more of my work;

500px, Facebook, Viewbug, Instagram


“All rights reserved” © Jenny Cameron 2019


 


 		


	

			






			

	
			
				Aurora’s from home			
						


	
		
							

		

Ma home ~ Ma aurora
with Jenny cameron 2021





I want to share with you the beauty from my back yard during lockdown January 2021. I’ve been recently struggling like many since Scotland went into full lock-down on Boxing day 2020 ( 26th Dec) with my mental health. Theres nothing to look forward to & so much sadness … So ..I decided enough was enough & kicked my butt to do some night photography from home. Here in the far north of Scotland we are blessed with Auroras between September & March. I’ve always been too lazy or ill to photograph, so..no more excuses Jenny, get yourself outside with your best buddy (camera) & enjoy the beauty. I talk away to myself ~ “For goodness sake Jenny don’t you know how lucky you are, what’s wrong with you, why have you never done this before ?” 





These images are nothing fancy but the pleasure they have brought me has been immense & I hope you enjoy them too.    






























I’ll add more as I go … Watch this space ..no pun intended …ha-ha…..;-( .





Aurora from my home during lockdown in Scotland 2021.

	

					

				
	
	

			


			
		

		

	
			
				Haida Picture Appreciation			
						


			

		



Winter sunrises are some of the most impressive in my favourite Scottish mountain range right in the heart of the British outdoor capital called Glencoe~ Known for its history, haunting mood & unpredictable weather. 










This particular area of the river is locally called the Cauldron as it swirls around in many directions. On arrival, it was still relatively dark but from experience, I knew the sun hits the side of the mountain & often the rewards are fruitful with a lovely alpenglow, this morning did not disappoint. As the light came up I instantly knew it was something special & an unforgettable moment captured in time. It only lasted about five minutes & thankfully I was prepared. 





The motto of this story is knowing your location, planning the composition & patience.





Filters used.





  • Haida M10 filter holder system.
  • M10 CPL for the water
  • Red-diamond soft GND 1.2 (4 stop) to darken the sky slightly & increase the saturation of the sunrise.





Techy jargon





F11, 0.6s,  ISO 100 @17mm





Equipment used.





Canon 5D mark IV. Canon 16-35mm f2.8. Gitzo tripod & ball head.





Before/ After





Post Processing.





Adobe Creative Cloud.





Reach out to me





Please feel free to ask me any questions or contact me below or Facebook Messenger.













	








	








	





		
		
		









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“All rights reserved” © Jenny Cameron 2021

	

			



				
	
	

			


			
		

		

	
			
				Haida Interchangeable Magnetic Variable ND filter 77mm.			
						


			

		

Introduction;





Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable Neutral Density (ND) Filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one filter ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides 





I will be testing for optimal sharpness, tonality, vignetting, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts.




















What is a Variable Neutral Density (ND) Filter & how does it work?





Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens & onto the camera sensor.





Sizes; 





Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 77mm as my lens is a Canon 70-200mm F2.8 (ii).





NanoPro;





Featuring a NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent color cast while maintaining image sharpness. The Haida Nano pro filters are highly scratch-resistant, durable and super easy cleaning.





Positive features (in no particular order)





  • Filter protector cap.
  • Sleek design.
  • Accurate placed stop numbers.
  • No X pattern.
  • No colour shift ( neutrality).
  • Great contrast & tonality throughout.
  • Sharpness.
  • No vignetting.
  • Magnetic attraction.
  • Ease/speed of use.
  • Exceptional image quality.
  • Hard stops at each end which works as a bit of a fail safe. Preventing you from going past the weakest or strongest points, therefore impossible to push the ND effect too far. You simply place the marker over whatever number you want. This means you won’t suffer from entering into the infuriating X pattern (produces hatched areas on the actual image) terrority.
  • Absolutely no light leakage.
  • The ability to control your shutter speed in ever-changing lighting conditions
  • Incredibly smooth rotation in hand with enough friction enabling you to easily rotate the filter to the precise stop required.
  • Ideally suited for all types of photo &/or video genres including portraiture. I will be using it for my animal work.





Negatives





  • I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is.





For the traveller in mind





If you’re tired of hauling around lots of different filters on your travels & need to go lightweight this could well be your answer.













In the field tests 





Test shots at different focal lengths starting at 70mm to 200mm in 10mm increments at each stop on the filter to see if all stops are true & consistent. 





Sunset images below taken with Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens on Gitzo tripod. Settings used;  Without filter = ISO 100, F11, 1/60 – With Magnetic Variable ND filter 2-5 @ 3 stops; ISO 200, F11, 1/8 @70mm.





Without/ with filter.





  • Edited in Adobe  Creative Cloud










Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.





  • Without filter @70mm

    ISO 100, F8, 1/60 sec.
Location: Sutherland, Scotland.





  • With 2 stop Magnetic Variable  ND filter  @ 70mm
    ISO 100, F8,  1/15 sec
  • Edited in Adobe Creative Cloud





  • With 3 stop Magnetic Variable ND filter @ 70mm
    ISO 100, F8, 1/8 sec
  • Edited in Adobe Creative Cloud





  • With 4 stop  Magnetic Variable ND  filter @ 70mm
    ISO 100,  F8, 1/4 sec

  • Edited in Adobe Creative Cloud





  • With 5 stop Magnetic Variable ND filter @ 70mm
    ISO 100, F8, 1/2 sec
  • Edited in Adobe Creative Cloud





Conclusion





So far the most versatile filter I’ve ever used, certainly the most enjoyable, easiest, fastest & most practical system.  The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit & serious contender in the photography/ videography marketplace for many types of genres. 





All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .





I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.













	








	








	





		
		
		







If you would like to see more of my work;
Follow me on Facebook &  Instagram.
“All rights reserved” © Jenny Cameron 2020.










    
	
    
			
    

    
				
	
	
    
			
    

			    
		
    
		
    
	
    			
				Land of Mermaids			
						
    

    			
    
		

    Beautiful, mysterious wild & free. ~Dance in the moonlight. ~Choose imagination over fear & sea treasure in the simple things. Most importantly be who you are, embrace your inner Mermaid whether male of female it doesnt matter.
    Jenny Cameron
    




              Tell me you cant see the Mermaids?
    




    




    Scotland’s best kept secret
    




    Scotland
    




    Island life
    




    World-class beach, Scotland
    




    Sanctuary in Scotland.
    




    Power of nature in Scotland.
    




    Land of Mermaid collection by Jenny Cameron 2020.
    




    “All rights reserved” © Jenny Cameron 2020
    
	
    
			
    

    
				
	
	
    
			
    

			    
		
    
		
    
	
    			
				Morgan the midnight fairy			
						
    

    			
    
		

    "Morgan" the midnight fairy.
    “Morgan” ~ home to Morgan the Midnight Fairy. Fairy Pools, Isle of Skye.
    




    Home to Morgan the Midnight Fairy. Glenbrittle, Fairy Pools, Isle of Skye, Scotland. 
    




    Please note this is a composite image. Night sky has been added in post processing. Both images have been taken by myself in the same area of the Isle of Skye. 
    




    The use of Haida filters are as follows,
    




    Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter for the water.
    




     M10 round Clear-night for the night sky. 
    




    Believe in the fairies who make dreams come true. Believe in the wonder, the stars & the moon. Believe in the magic from fairies above. They dance on the flowers & sing songs of love, & if you just believe & always stay true, the fairies will be there, to watch over you!
    




    I gift a sprinkle of fairy dust for each & everyone of you.
    




    




    If you would like to see more of my work;
    YouPic Facebook, Viewbug, Instagram.
    




    




    “All rights reserved” © Jenny Cameron 2020
    
	
    
			
    

    

	

    
	
	
    
	

    
		
		




	

		
    
	
    
	
    
	
    


		
		


	
	

		

		
	
					
		










































				
				
		
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