Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘Haida Filter’

Good-bye Winter Featured

Hyperborea

Here in Scotland we’re still in lock-down~ Getting out for photography this past year hasn’t been easy with travel restrictions. I find the whole Covid thing a mental struggle the way its taken my freedom to travel, missing close family in England & photography road trips I so much enjoyed & pretty much use to take them for granted~ a huge lesson I think we`ve all recently learnt. On a more positive/happier note~ I’m very lucky living in such a beautiful remote area with mountains all around & pristine beaches close-by. This was taken a couple of weeks ago on a freezing cold morning when temperatures plummeted to minus 22 Celsius. Thankfully the majority of the snow has now gone and signs of spring on its way.

Techy info

Filters used~ Haida Interchangeable Magnetic Variable 6-9 stop ND filter @ 6 stop.

Post-processing software & techniques ~ Adobe Creative Cloud & Lumenzia. Focus stacked for maximum sharpness front to back & exposure blended.

Camera settings~ ISO 100, F11, 0.7 seconds @ 35mm.

Equipment used~ Canon 5d mark iv, Canon 16-35mm F2.8 lens. Gitzo tripod.

Video below showing raw file & final edit.

If you would like to see more of my work;
500pxFacebookViewbugInstagram

“All rights reserved” © Jenny Cameron 2021

Popular blog posts from the past few months.

Haida Interchangeable Magnetic Variable ND filter 77mm.

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable neutral density (ND) filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one ND ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides.

Top 10~ Tips to help create your perfect Landscape Fine Art image. Featured

Have you ever created an image you loved so much you decided to share on every online platform possible but didnt receive the feedback you expected? You put your heart & soul into this creation but nobody understood what you were trying to convey?

How did it make you feel? Crap? Overwhelmed? Confused? Disappointed, self doubt & dare I say almost envious of others? Trust me, I’ve been there. Receiving negative critism isnt easy & can become extremely upsetting. Asking yourself~ Why do I see things different to others? You know photography is in your blood~ I’m telling you right now, never give up & keep going. Its your ultimate passion, right? And remember~ Practice makes perfect.

Here’s my top 10 tips in no particular order

  1. Lighting~ Mood & atmosphere, probably the most difficult thing to learn as its really something that comes from the heart, you have to feel it to be able to see it.
  2. Good composition ~Visual/intuitive balance & direction of flow helps grab the eye. Rule of thirds where you place points of interest in the intersections or along the lines. The Fibonacci spiral also know as the Golden spiral helps to lead the viewers eye through the entire picture. Reduce the distracting elements also known as pokies such as random tree branches poking into the edge of the photo, something I personally call “edge- control police”. Although being naughty~ breaking some rules from time to time is not a bad thing & can work out creatively.
  3. Perfect Raw file ~ A photographers fundamental basic, this is the key where you need to go all OCD. Without this you have nothing, no amount of editing will rectify. A raw file is the foundation of the house, without it the whole image will collapse. Its your blank canvas which needs to be absolutely perfect in every way imaginable. Please do not shoot in jpeg, you can bring out so much more from a raw file.
  4. Editing~ clicking the shutter button is only part of what it takes to producing a great image. For me, I liken it to putting make- up on, making the best of what you have. If your shooting raw the image will be very flat & un- interesting, therefore some editing is needed to bring your image to life. You dont need to spend hours at your computer getting a headache from eye strain, oftentimes twenty minutes maximum can really give your image the va- va- voom.
  5. Camera settings~ Technical skills & knowledge of how to use your camera are needed in abundance. When trying to be creative the last thing you need is struggling to remember how to use your camera. This should be as easy as brushing your teeth & come the most natural thing for you so you dont have to give it much thought~ All you should be thinking about is your creative flair & the beauty surrounding you. I learnt my camera settings blindfolded so I knew I could photograph the night sky at ease, not have to fumble around with torches followed by yelling at my camera as I pressed the wrong button.
  6. Colour~ Colour plays a huge role, much more than most people think. Making it look natural but really its very deliberate & a highly thought out process. Colour can sometimes provide the opposite & cause more of a distraction, this is when black & white plays its role, your stripping back elements to create more of an impactful message~ This is more useful in images that portray deep powerful emotions leaving the viewer with the pure essence of the image. Learn & understand the colour wheel.
  7. Focus stacking~ This can only be done on a tripod. Where you take several images of the same scene. Focused at different points throughout the image, so for example~ Foreground, mid-ground, a distant hill & sky. Then blend together as one in Photoshop for ultimate sharpness from front to back.
  8. Exposure blending~ Similar to focus stacking but with exposures. So for example several images of the same scene taken at different exposures~ One for the shadows, one for mid-tones & another for the highlights. Again blended together in Photoshop for a perfect high dynamic range also known as HDR.
  9. Location~ Personally I think this is an important one. I struggle to accept how a photographer can go to a location never visited before & get the most of out it. For me its something I have to visit several times, different times of the day & seasons. I need an intimate familiarity with the place, feel the spirit, question what makes it special to me. Then I concentrate on that element to achieve the best out of it. All this flows continually right through to the editing process & final image.
  10. What elements & message you wish to convey? Start by what you wish to emphasis in the photo, is it a waterfall, lake, mountain or just a wow sky. Search for different patterns & textures which can convey different emotions to the viewer. This is how you begin to tell your story & how you start growing connections with your viewers, it really does become quite personal & evoke deep emotions.

“I believe photography is a message connecting someone’s spirit to reality. In this crazy world we all live in there are times we need to escape all the madness even just for a few seconds to be virtually teleported to another world”.

“Never give up on your dreams”

Jenny Cameron

Haida Picture Appreciation

Winter sunrises are some of the most impressive in my favourite Scottish mountain range right in the heart of the British outdoor capital called Glencoe~ Known for its history, haunting mood & unpredictable weather.

This particular area of the river is locally called the Cauldron as it swirls around in many directions. On arrival, it was still relatively dark but from experience, I knew the sun hits the side of the mountain & often the rewards are fruitful with a lovely alpenglow, this morning did not disappoint. As the light came up I instantly knew it was something special & an unforgettable moment captured in time. It only lasted about five minutes & thankfully I was prepared.

The motto of this story is knowing your location, planning the composition & patience.

Filters used.

  • Haida M10 filter holder system.
  • M10 CPL for the water
  • Red-diamond soft GND 1.2 (4 stop) to darken the sky slightly & increase the saturation of the sunrise.

Techy jargon

F11, 0.6s, ISO 100 @17mm

Equipment used.

Canon 5D mark IV. Canon 16-35mm f2.8. Gitzo tripod & ball head.

Before/ After

Post Processing.

Adobe Creative Cloud.

Reach out to me

Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

All rights reserved” © Jenny Cameron 2021

Evaluation- 82mm Haida Interchangeable Magnetic Variable ND filter on wide- angle lens. Featured

Watch how fast

Super fast & ease

Introduction.

Testing for optimal sharpness, tonality, vignette, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts. Including in-camera video and real time experience from my home in the north of Scotland.

What comes in the box?

One cardboard box with two separate plastic boxes each with internal moulded foam insert to keep your filters protected ..Box (1) One adapter ring and one Magnetic Variable ND 2-5 stop filter. Box (2) One Magnetic Variable ND 6-9 stop filter & one spring loaded Filter cap.

Lets take a closer look. Join me on a Private Highland Estate (non-public access).

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens and onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 82mm as my lens is a Canon 16-35mm F2.8 (ii). Step up rings also available.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lenses the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

Why are Neutral Density filters important for video?

In videography theres something called the 180-degree shutter angle rule- which mimics motion the same way a human eye experiences in real life. It helps reduce your shutter speed whilst maintaining proper exposure. For example- your shutter speed should be double your frame rate for smooth motion blur, produces a more natural and professional looking footage- rather than harsh/ jittering/robotic. This is especially commonly seen on fence lines which I’ve experienced myself whilst flying a drone. (By the way as a side note, I’m currently reviewing Haida’s ND filters for DJI Mavic 2-Pro which will be published soon). So, for instance if shooting at 25 frames per second on a DSLR you need to move your shutter speed to 1/50. This is where the Haida Nano-Pro Interchangeable Magnetic Variable ND 2-5 stop filter in particular solves this issue perfectly. Theres a reason why Cinematic cameras are expensive- they have built in ND filters.

Construction.

Both filters are constructed the same, the frame part from Aerospace Aluminium making it super strong and extremely light weight, in fact its 9g lighter than previous Haida Variable NDs. The glass part is made from high quality K9 optical glass with Nano-Pro coatings on both sides.

NanoPro.

Featuring a waterproof NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used under water and super easy cleaning.

X-pattern.

With the filter being on a wide angle lens I did wonder if the dreaded X-pattern (produces hatched areas on the actual image) would be more pronounced especially on the 6-9 stop, but thankfully its not appeared at any focal lengths tested from 16-35mm at approximately 2mm increments. I really did try to push it through its paces as curiosity got the better of me secretly wanting to see what it actually looked like in real life so to speak. Sure I’ve seen it on-line with other filter brands but nothing beats reality. I think what really helps with this particular issue is the way Haida have thoughtfully placed accurate hard stops at each end making it impossible to push the ND effect too far past the weakest or strongest points.

Positive features.

The innovative design of the magnetic attraction provides not only ease of use and speed but also the added bonus of no light leakage whatsoever, which often-times is problematic with strong NDs, usually from 6 stops upwards. No vignette from two stops right up to six inclusive.

Absolutely loved the ability to control shutter speed in ever changing light conditions without stress of fumbling in my filter bag trying to select what I thought would be best then discovering a different strength would have been better. Now, I could simply rotate from 6-9 or remove in literally one second & replace the 2-5 stop ND which I kept handy in my pocket neatly wrapped in a lens cloth for add protection.

Ideally suited for all types of photo &/or video genres including portraiture. I will definatly be using it for my animal work. All in all, I really do love and have thoroughly enjoyed this evaluation. Haida made it very easy with exceptional quality in not only the sleek design and smooth as butter rotation but followed right through from speed of use, incredible sharpness/tonality & contrast with no colour shift (neutrality) in the final raw file. What I did appreciate & use all the time now is the handy filter cap- Personally thought that a really nice final touch. It allows you to leave the filter on the lens packed away in your bag, then you’re all set up and ready for the next location.

Negative features.

I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is. Other than this I see no other downsides, what’s not to love? If I was being really picky there is ever so slight vignette from 7-9 stops inclusive, but certainly nothing to worry about.

For the traveller in mind.

If you’re tired of hauling around lots of different filters on your travels and need to go lightweight this could well be your answer.

Field tests.

Comparative images below at the bridge- taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without filter (straight out of camera) @ 16mm. ISO 100, F8, 1/8 sec.

Comparative images below at the beach- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F14, 1/4 sec– With Haida Interchangeable Magnetic Variable ND (2-5 stops) filter @ 5 stops; ISO 100, F14, 08 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without/ with filter
Edited in Adobe Creative Cloud

Comparative images below of the bridge- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND (6-9 stops) filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera).

Without/ with Filter
Edited in Adobe Creative Cloud

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

On location- Behind the scene images below

Summary.

Variable ND filters seem to be trending at the moment. Having never used one before I was quite sceptical the quality wouldn’t be as good as a traditional single stop ND filter. I was pleasantly proven wrong and really fallen in love with this option. Having the magnetic part is a total bonus, making this super fast and easy to set up. In the past there’s been times when I’ve been a bit lazy and not bothered with filters as it’s such a faff, not so much the past couple of years but certainly before it was slow going and fiddly. 

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

Conclusion.

The most versatile filters I’ve ever used, certainly the fastest and most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit and serious contender in the photography/ videography marketplace for many types of genres.

All in all this latest innovation from Haida has very much impressed me.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

“All rights reserved” © Jenny Cameron 2021

Good-bye Winter

More rambles from Jenny Cameron landscape fine art photographer in Scotland during lockdown & the mental struggles.

Haida Interchangeable Magnetic Variable ND filter 77mm.

Introduction;

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable Neutral Density (ND) Filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one filter ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides

I will be testing for optimal sharpness, tonality, vignetting, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts.

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens & onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 77mm as my lens is a Canon 70-200mm F2.8 (ii).

NanoPro;

Featuring a NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent color cast while maintaining image sharpness. The Haida Nano pro filters are highly scratch-resistant, durable and super easy cleaning.

Positive features (in no particular order)

  • Filter protector cap.
  • Sleek design.
  • Accurate placed stop numbers.
  • No X pattern.
  • No colour shift ( neutrality).
  • Great contrast & tonality throughout.
  • Sharpness.
  • No vignetting.
  • Magnetic attraction.
  • Ease/speed of use.
  • Exceptional image quality.
  • Hard stops at each end which works as a bit of a fail safe. Preventing you from going past the weakest or strongest points, therefore impossible to push the ND effect too far. You simply place the marker over whatever number you want. This means you won’t suffer from entering into the infuriating X pattern (produces hatched areas on the actual image) terrority.
  • Absolutely no light leakage.
  • The ability to control your shutter speed in ever-changing lighting conditions
  • Incredibly smooth rotation in hand with enough friction enabling you to easily rotate the filter to the precise stop required.
  • Ideally suited for all types of photo &/or video genres including portraiture. I will be using it for my animal work.

Negatives

  • I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is.

For the traveller in mind

If you’re tired of hauling around lots of different filters on your travels & need to go lightweight this could well be your answer.

In the field tests

Test shots at different focal lengths starting at 70mm to 200mm in 10mm increments at each stop on the filter to see if all stops are true & consistent.

Sunset images below taken with Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F11, 1/60 – With Magnetic Variable ND filter 2-5 @ 3 stops; ISO 200, F11, 1/8 @70mm.

Without/ with filter.

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

Conclusion

So far the most versatile filter I’ve ever used, certainly the most enjoyable, easiest, fastest & most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit & serious contender in the photography/ videography marketplace for many types of genres.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work;
Follow me on Facebook & Instagram.
“All rights reserved” © Jenny Cameron 2020.

Land of Mermaids

Beautiful, mysterious wild & free. ~Dance in the moonlight. ~Choose imagination over fear & sea treasure in the simple things. Most importantly be who you are, embrace your inner Mermaid whether male of female it doesnt matter.

Jenny Cameron

Tell me you cant see the Mermaids?

Scotland’s best kept secret
Scotland
Island life
World-class beach, Scotland
Sanctuary in Scotland.
Power of nature in Scotland.
Land of Mermaid collection by Jenny Cameron 2020.

“All rights reserved” © Jenny Cameron 2020

Experiment with Haida Circular Polariser on Animal fur.

Since Covid-19 hit the UK in March this year and not being able to travel the same I’ve been thoroughly enjoying more animal portrait photography.

However, I’m constantly faced with issues of blown-out highlights on the animal’s fur. It recently occurred to me that it may be possible to utilise my landscape photography skills with the use of a circular polariser. For some unknown reason its something I’ve never thought about and instantly heightened my curiosity. It was now time to put my theory into practice.

To see the results take a peek at this video where I use the Haida M10 “drop-in” Circular Polariser.

 

Screen captures of raw files (straight-out-of-camera) for demonstration purposes with/without filter & final edit in Lightroom Classic.

blown out highs

Showing blown out highlights & weak histogram without a filter

Annotation 2020-08-06 185218

Histogram showing much more detail with the filter on & same camera settings as with no filter.

edited jpeg-1

Final edit in Lightroom Classic.

Techy info

Both images using Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens @70mm, ISO100, F4.5, 1/350.

To conclude-

For a more in-depth review & explanation of the Haida M10 “drop-in” CPL please take a look here . Also a video demonstration of me using the filter in the Haida M10 filter holder, watch here how easy it is..

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. To view their official website please click here or alternately view their Facebook Page here.

I hope you found this useful & enjoyable?
If you would like to see more of my work;
YouPic Facebook, Viewbug, Instagram.

 

This slideshow requires JavaScript.


“All rights reserved” © Jenny Cameron 2020

The lone tree at Llyn Padarn

©Jenny Cameron 2019

 

This image named “Elemental” was taken last November in the Snowdonia National Park, Wales.

A picture can speak a thousand words, here’s what it says to me.

Over the years I’ve visited Snowdonia national park many times mainly from my hiking & climbing days with my Husband but also my Grandmother’s family are Welsh. As a child we used to get the train from Lancaster to Crewe where we changed to Prestatyn. The family lived in a small village called Dyserth in North Wales which happens to be famous for an impressive waterfall where the family lived at the top of over a hundred years ago but sadly got washed away in floods. My Grandmother & I always stayed at Auntie Ivy’s house then the rest of the local family would come to visit. I always remember the Welsh language being spoken by Uncle Len who happened to be a great local artist but also a bit eccentric. The female family members used to tell him to speak English as it was rude in front of the guests which never failed to amuse me. 

What happened behind the camera

Having to share my personal space with others, something I prefer not, although the photographers I met were extremely friendly. One photographer with a lovely Sony A7R iv made me laugh when I really shouldn’t have, you know when you get the giggles at the wrong time? He was saying “how typical that the water was so rippled when he’s seen many images on social media of this location with silky smooth water, how annoying it’s never like that for him”. I looked at another photographer I’d been chatting to, we couldn’t keep our faces straight. We politely explained it’s down to long exposure.

Zen moment

“Make your heart like a lake with a calm, still surface and great depths of kindness.” – Lao Tzu.

Techy stuff

I cant really share my exif data as this image was;

  • Focus stacked for ultimate sharpness.
  • Focal blend of foreground, mountains & sky for my visual impact.
  • Exposure blended for the overall look I wanted to achieve.

Haida Filter M10 round drop in ND 3.0 (10 stop) to smooth the water & clouds.

Post processed in Adobe Creative CloudTopaz DeNoise AI

If you would like to see more of my work; FacebookViewbugInstagram YouPic

“All rights reserved” © Jenny Cameron 2020.

Haida filter video tutorial Featured

Haida Filter tutorial from my home in the Scottish Highlands during the COVID-19 lock-down. Sharing my thoughts about filters.

Please note; If using any of the 100mm x 100mm (square) ND filters in M10 filter holder and you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).

 

Haida M10 filter holder system including light- barrier

logo[5875]

“As a landscape photographer I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you I’ve made the mistakes and now ready to share my thoughts from the past twelve months of using the Haida M10 filter holder system for the 100mm filter series. Such a genius method and design.”

Included in the Haida M10 filter holder kit

Filter holder, Circular Polariser, light-barrier, one adapter ring which can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access, internally lined with a lovely grey velvety fabric with a net pocket for storage, including a handy screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder ) which I’ve left on permanently).

This slideshow requires JavaScript.

Constructed from aviation grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see video & photos below). The innovative design gives a very secure and solid connection, and at the same time the ability to rotate 360 degrees. The non-slip spongued coating on the bottom of the filter holder provides a good grip whilst rotating which I think is a nice touch.

It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL together. If you don’t wish to use any of the round “drop- in” filters, you must use the M10 “drop in” light barrier (see photo below) which is a simple and easy to use sealing ring to prevent any light leakage (also provided in the M10 filter holder kit).

This slideshow requires JavaScript.

Optional extra filter storage case

During 2019 Haida also released a very useful filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards. This has been with me on my adventures for every shoot, Id truly be lost without it. If you’d like to see more about this case please take a look at my test review showing photos & video here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you some useful information. Please feel free to ask me any questions.

If you would like to see more of my work;
500pxFacebookViewbugInstagram

“All rights reserved” © Jenny Cameron 2020

%d bloggers like this: