Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts from the ‘Reviews’ category

YouPic review 2020 by Jenny Cameron

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Are you tired of all the usual social media platforms? Does it feel like climbing Mount Everest when all you want is to create beautiful images? 

I very much have a love hate relationship with social media & often find it mentally exhausting, although on the flip side if I stay away I have a fear of missing out. Certain sites such as Facebook & ViewBug  I do very well on but others such as Instagram & 500px are polar opposites.  Recently I’ve discovered this whole welcoming community at YouPic it no longer feels a chore, no crazy emotions, for once I’m actually enjoying the experience & quite frankly a breath of fresh air. There’s a real sense of community spirit- interaction/discussions with fellow photographers rather than worthless one word comments usually from folks feeding their own egos for personal gain.  It feels more organic, like you’re talking to another human rather than a robot. Most importantly for me as I’m not the most technically minded to say the least, the layout is user friendly & very clean interface.

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I stumbled across YouPic  several years ago, if my memory recalls someone invited me through Facebook. I joined the site but didn’t really put much time into it & quite honestly forgot about it. February this year an online article grabbed my attention which brought me back to the site. First thing I noticed was the community, everyone so friendly like they welcome newbies with open arms, none of the “if you scratch my back I’ll scratch yours” like some sites I won’t mention but we all know who I mean? Genuine interaction between everyone whether  beginners or advanced professionals with no judgement whatsoever in all genres including those who aren’t necessarily in the spotlights of Instagram, Facebook, & such like. And here I’ve been ever since, posting regularly, thoroughly enjoying the experience, feels like my new home, it’s opened up a whole new world & already made some lovely friends.

This platform is like no other I’ve seen, there’s so much content I’m not sure where to begin. Let me show you some screen shots from my YouPic account.

Showcase your photos in high resolution- Go ahead you pixel peepers, zoom right in those deep dark shadows & enjoy the satisfying detail.

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Academy- Explore the interactive courses available in all genres of photography including video tutorials & interviews.

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Famous names- I was happily surprised to see a few famous names on YouPic including Steve McCurryDavid YarrowJoel MeyerowitzAdam Hinton.

Albums & Collections- For those of you nerds who love nothing more than organisation. Create your very own portfolio. See image below.

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Shop- Sell your prints in the shop. YouPic allows you to keep all the rights to your work. “You” decided what price “you” want & get to keep any profits as YouPic has a zero % commission rate. Click here

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Create a website- Using the YouPic website builder, including one custom domain name for your site or add your own. A choice of different themes to chose from. If you enjoy writing, create a blog post. Also connect your social media channels.

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Workshops– Advertise your workshop or find one you may like to attend.

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Statistics- View your personal statistics enabling you to watch your growth & abilities. You even have a personal score for your best photos. Don’t worry this is for your eyes only, nobody else will be able to see it.

Awards- YouPic award your achievements for different things such as popular photos-award require you having 500 shares. You can see in below image my awards so far.

Sharing is caring- Share other peoples photos, discussion, gain followers, follow others, receive daily stars from the inspiration flow personally chosen by the YouPic team & community, in other words real human beings not robots. Receive and give detailed feedback based on composition, technical quality, creativity and content as seen below. By the way, I believe this is one great way of learning too! 

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Support each other – Learn which photos resonate with others. What you think may be your worst work is inspirational to others & vice versa.

Exif data– Show or hide the choice is all yours.

Advertising- No adverts.

Apps & Plug-ins- YouPic App for Android on Google Play and iOS at the Apple store . Enabling you to show your work wherever you go. 

For the ultimate viewing experience, see your photos on the big screen in high resolution there is now a YouPic App available for Apple TV.

Lightroom PluginDownload available connecting YouPic with Lightroom, making it possible to upload directly from Adobe Lightroom to your YouPic account.  For more in depth information click here.

Subscriptions- There are four subscription levels; Free, Enthusiast, Premium & Pro. View here to see which suits you best or simply stay with the free subscription like I did to start with where you can post one photo a day, interact & feel the love from the site.

To conclude- I find YouPic very easy to use, friendly/ inspirational community & best of all a great high resolution viewing platform. It’s free to create an account here & start connecting with others, so what are you waiting for? 

I hope you found this blog post useful & enjoyable?

If you would like to see more of my work;

YouPic Facebook, Viewbug, Instagram, My website

“All rights reserved” © Jenny Cameron 2020

Haida filter video tutorial Featured

Haida Filter tutorial from my home in the Scottish Highlands during the COVID-19 lock-down. Sharing my thoughts about filters.

Please note; If using any of the 100mm x 100mm (square) ND filters in M10 filter holder and you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).

 

Haida M10 filter holder system including light- barrier

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“As a landscape photographer I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you I’ve made the mistakes and now ready to share my thoughts from the past twelve months of using the Haida M10 filter holder system for the 100mm filter series. Such a genius method and design.”

Included in the Haida M10 filter holder kit

Filter holder, Circular Polariser, light-barrier, one adapter ring which can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access, internally lined with a lovely grey velvety fabric with a net pocket for storage, including a handy screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder ) which I’ve left on permanently).

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Constructed from aviation grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see video & photos below). The innovative design gives a very secure and solid connection, and at the same time the ability to rotate 360 degrees. The non-slip spongued coating on the bottom of the filter holder provides a good grip whilst rotating which I think is a nice touch.

It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL together. If you don’t wish to use any of the round “drop- in” filters, you must use the M10 “drop in” light barrier (see photo below) which is a simple and easy to use sealing ring to prevent any light leakage (also provided in the M10 filter holder kit).

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Optional extra filter storage case

During 2019 Haida also released a very useful filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards. This has been with me on my adventures for every shoot, Id truly be lost without it. If you’d like to see more about this case please take a look at my test review showing photos & video here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you some useful information. Please feel free to ask me any questions.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2020

Topaz Labs discount code shout out Featured

Discount code shout out ….I can proudly say Ive been approved for a new collaboration with Topaz Labs. Its a product I’ve used the past 4 years within my Adobe Photoshop workflow. For those of you who aren’t familiar with Topaz Labs its a software plugin for post processing & in my opinion one of the best, certainly my “go- to” when the going gets tough, its saved me countless times. I’ll be doing some test reviews in April showing before & after edits but for now here’s a 15% discount code for all you lovelies on any of the Topaz plug ins. All you have to do is type CAMERON15 (coupon code) at checkout. Have fun.

Follow this link

Clear Night filter by Haida

Introduction

I’ve been curious for some time now – If I’m being honest slightly sceptical – about whether the Clear Night filter actually worked and wanted to find out for myself if this filter really did what it claimed. Initially, I questioned why can’t you simply change the white balance in post production, what’s all the fuss about? Let me walk you through my honest, hand-on-heart evaluation of the Haida M10 round “drop-in” Clear Night filter.
Firstly, I’ll start by explaining a bit about the Haida M10 round “drop-in” filters which are dedicated to only the Haida M10 filter holder and released in January 2019. They come in a wide range of sizes to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Boasting a choice of Neutral Density filters ( 3, 6, 10 and 15 stops), Circular Polariser, Clear Night, Graduated Neutral Density filters (3 and 4 stops) and ND + CPL combi ( 3 and 6 stops). Inserting the filter into the M10 filter holder couldn’t be easier, it simply drops between the holder and lens, creating a perfect seal from any stray light with its inbuilt light barrier. If you’d like to learn more about the Haida M10 filter holder please feel free to read my in depth test review and video click here. It’s almost like gravity does the work for you, so effortless – once you hear the click it’s locked in place.

If you don’t have the M10 filter holder but would like to try the Haida Clear Night filter, you can purchase the Haida Nano Pro 100 series Clear Night filter 100mm x 100mm, 2 mm in thickness, compatible with many of the most popular 100mm filter holders, including the Haida 100-Pro Filter Holder, and the Lee FK Foundation Kit Filter Holder.

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Location and Equipment

This test review was based on a couple of locations in the Scottish Highlands – Using my Canon 5d mark iv ( full frame camera), Canon 16-35mm F2.8 USM L lens, Gitzo tripod, Gitzo ball head and remote trigger. Although I was in a remote area with class one bortel for my seascape image there were still farms and houses dotted around which caused slight light pollution. The second image of the Church had extreme light pollution at the side of a busy main road and class four bortel.

How the Haida Clear- night filter affected my image.

My main goal in testing any filter will always be for neutrality and sharpness. I want it to replicate what my eyes saw without any strange colour cast which has been an issue for me in the past with a couple of other filter brands. I was experimenting with different exposure times without a filter to achieve the best focus and placement of stars to begin with but never completely happy. However, as soon as I popped on the Haida Clear Night filter everything changed and I was smiling from ear to ear. Instant clarity, almost like a polarising effect which replicated what I was actually viewing, incredible true to life colours and rid of the horrible warm tones which you can easily see in the raw files below. The sky appears clearer and stars intensify with the filter on. It significantly improved the optical clarity, contrast, colour and quality throughout the whole image not to mention unbelievable sharpness and no vignetting which made me feel elated. This was great and super easy to use combined with the Haida M10 filter holder which is a dream to use.

The Haida M10 round “drop-in” Clear Night filter made terrific improvements blocking the yellow sodium-vapor light which is the horrible yellow/orange coloured casts often generated from light pollution in the night sky resulting in a lovely cool tone which is something I prefer to portray on a cold dark night. This also made my post processing super easy and fast.

Design and construction

I particularly liked the design of the plastic holder that the round glass sits in, making it ultra easy to drop in and remove from the filter holder without any disturbance to the composition even with clumsy gloves on and numb fingers. Constructed from high quality optical glass providing the best ever clarity. Each filter has ten layers of anti-reflective coatings of ultra thin Nano coatings on both sides. Waterproof, meaning any built up condensation from the cold literally rolls off like beads with a quick wipe of a soft microfiber lens cloth, no ugly smears and also scratch-proof. Most importantly for me, preserves image sharpness, which let me tell you is second to none. As with all of the M10 filter range it has a built-in light gasket which seals to the M10 Holder and prevents any unwanted light leakage.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either. Demonstrating how the filter has retained every bit of sharpness and made the stars pop straight off the night sky with a stunning cool tone.

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Without filter ISO 2500, F2.8, 20 seconds . With M10 round “drop-in” Clear Night filter ISO 2500, F2.8, 22 seconds.

                       Finally post processed in Adobe Creative Cloud.

©Jenny Cameron 2019

Location- County of Argyll & Bute, Scotland.

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Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either and the same white balance on both.

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Without filter ISO 3200, F2.8, 15 seconds . With M10 round “drop-in” Clear Night filter ISO 3200, F2.8, 15 seconds.

                    Finally post processed in Adobe Creative Cloud

©Jenny Cameron 2019

Location – West coast of Scotland.

Where are the filters assembled

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Where can I purchase this filter from

All the Haida equipment I’ve mentioned above can be purchased direct from Haida’s European distributor Haida Germany shop  for excellent service.

Conclusion

Overall this will remain in my filter case and used in absolutely every night sky I shoot. Im super impressed the way it added a further dimension to my night photography and would highly recommend to a friend. The M10 round “drop-in” Clear night filter is the perfect companion for night skies, don’t leave home without it. Thank you Haida for saving the day yet again for me.

I hope this provides you some useful information. Please feel free to ask me any questions. More info and my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019.

Haida Red-diamond Reverse graduated ND 0.6 filter

Welcome to my test review of the Haida Red-diamond Reverse Graduated neutral density 0.6 (2stops) filter. Using a Canon 5d mark iv ( full frame camera),  Canon 16-35 mm USM L lens, Haida M10 filter holder, Gitzo tripod and ball head.

Over the past three weeks I’ve really put this filter through its paces especially on the beach with sand blowing around & enjoyed every single minute with it. My first shoot was on the remote Scottish island of Lewis in the Outer Hebrides & then finally back on the mainland in the northern county of Caithness. I really wanted to spend time to see how versatile this filter really is. Both these locations were ideal as the island has countless seascapes & Caithness is very flat which suits the filter as nothing to break the horizon line, ie ..mountains, trees etc.

First impression

The filter was presented in a sturdy metal tin with foam insert for protection & lovely chunky cut out which makes it easy to open even with gloves on. One thing I must not forget to mention is how every piece of equipment from Haida, whether its a glass filter or simple adapter ring that I own is always first class, thoughtfully designed & perfect partner for the discerning photographer. Even the smallest of detail, having the particular filter type etched on the top so when their all in your filter case it’s easy to see which filter you wish to select. 

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What’s the difference between a graduated neutral density filter & a reverse graduated neutral density filter?

A graduated neutral density filter is dark at the top where you would place over the sky & gradually reduces its density towards the bottom. Whereas a reverse graduated neutral density filter works on the principle when shooting sunrise/sunset, the highest luminance is near the horizon line. Therefore, the filter needs to be the darkest in the centre region resulting in more detail of the highlights & providing excellent exposure control.

As you can see in the image below, the bottom of the filter is totally clear and the top of the filter comes with a smooth/ gentle transition between the dark & clear areas of the filter which gives a natural balanced exposure & better quality/cleaner image. This would be difficult to replicate in Lightroom with the use of a gradient filter as you need it to be graduated in both directions. I could bracket my shots but it’s much nicer  achieving it as near perfect in camera than having to sit at my computer all day.

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Where to position the filter?

Positioning the filter is imperative, you need to be quite precise by placing it just over the most highlighted areas around the horizon line. Thankfully having it sized 150mm on its longest edge gives more scope & easy to use as you can move it up or down very smoothly till your satisfied with the correct position, as shown in the video below.

Downside

One major potential problem when using the Reverse graduated ND filter is anything that seriously breaks the horizon, be it some headland, mountain, building or tree is going to get very dark quickly, because the darkest part of the filter is right on the horizon transition area. However for many seascape purposes where the horizon is often flat out to sea this is perfect harmony & a feast for the eyes.

Red-diamond series

The Red Diamond series is my favourite of all Haida filters, the quality is second to none, not that the other Haida series aren’t, it’s just something about Red-diamond that I favour & suits my style. This particular filter I’ve tested is a Reverse graduated ND filter, made from K9 optical glass which is double the strength of normal glass, including an ultra-thin Nano multi coating for extra protection. Along with being shock/scratch resistant, waterproof, oil and fingerprint proof. This made my job at the beach with sand blowing all over the filter very easy to wipe off with a microfiber cloth.

Oftentimes with some filter brands you can get strange colour transitions whereas with this filter there was absolutely no evidence, revealing nothing but true colour & neautraly. You may think with all these features within the glass that optically the sharpness will be compromised, let me assure you and see for yourself from the raw files provided every image is pin sharp from corner to corner with excellent light transmission qualities.

Rectangle in shape 100mm x 150mm, 2mm in thickness providing more flexibility to move the filter up or down.  The M10 filter holder geniusly rotates independently, in effect you could turn the filter sideways for more creativity, which I demonstrate in this video. 

Also compatible with the Haida 100-Pro filter holder and other brands the same size. I use the Haida M10 filter holder whereby the Red- diamond series of filters are slotted into the front section. Not to mention the added touch of the R5 rounded corners makes it easier to slide in and out of the filter holder, no sharp corners to cut your fingers. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Conclusion

I have tested this filter at different focal lengths & found the image quality second to none. Fundamentally I’m besotted, its now my secret weapon of choice & will always have a forever home in my filter case.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @20mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either.

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Without filter = ISO 100, F8, 1/2 second – With Haida Red-diamond reverse graduated neutral density filter 0.6 = ISO 100, F8, 2 seconds @20mm.

                                Finally post processed in Adobe Creative Cloud

Loch More sunset (jpeg)

Sunset over Caithness, mainland Scotland.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @21mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either.

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Without filter = ISO 100, F11, 1/250 second – With Haida Red-diamond reverse graduated neutral density filter 0.6 = ISO 100, F11, 1/60 second @21mm.

                                Finally post processed in Adobe Creative Cloud

final edit (jpeg)

Isle of Lewis, Outer Hebrides. Scotland.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @30mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either. Location; Caithness, mainland Scotland.

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Without filter = ISO 100, F11, 1/15 second – With Haida Red-diamond reverse graduated neutral density filter 0.6= ISO 100, F11, 1/4 second @20mm.

                                  Finally post processed in Adobe Creative Cloud

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Sunset over Caithness, mainland Scotland.

 

I hope this provides you some useful information. Please feel free to ask me any questions. More information & my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019

Filter case for Haida M10 100x100mm & 100x150mm filters

Welcome to my test review of the Haida filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards.

When I first started using filters I never had a case to keep them in which meant using individual tins or cases they arrived in. As my collection increased this really started to annoy me having to faff around often in cold, wet, windy conditions routing through my rucksack searching for the correct filter, this drove me insane! For me personally, landscape photography is a calming influence. I enjoy taking my time & slowing down from “life”, I needed to refine this stressful situation as much as possible. Eventually, I purchased the Lee filter field pouch which stayed with me for a few years as there was no other option available from what I found online here in the UK. It had several filter slots but no space for the holder which meant I had to start adapting & let me tell you sewing is not my fortay. Sure it worked but became very cramped & not ideal.

I’ve been an Ambassador for Haida filters for almost two years now & always mentioned my frustrations regarding a filter case. To my joy this year they released their M10 filter case. This was music to my ears, just what I’ve been searching for all these years. One thing I will say about Haida is they listen to their customers & are photographers themselves which provides them with a better understanding of reality in the field.

Which would you rather have?

All the tins & cases clattering around, not knowing what filter is in each tin? Or, the whole lot in one neat accessible filter pouch? All Haida filters have the name of the particular filter etched on the top, making this super easy to simply flick through & make a selection of your choice.

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Different ways

It fits onto your rucksack waist belt with a super strong wide velcro strap & a small clip for added security. Or, if your like me & don’t want the added weight of carrying your rucksack around all the time you can attach it to your trouser belt. Another way, if you don’t wear belts you can easily thread a long strap through & wear it loosely across your body. Final option, simply hang it on your tripod & secure with the small clip. It really is very versatile.

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Construction

Externally the pouch is made from a strong nylon type fabric making this waterproof, moisture proof & extremely durable. There are two easy to grip red zippers externally, one for the main compartment where your filters are housed is made from a soft fleece fabric, ensuring your filters are kept safe from any scratches or knocks. Within this compartment there is a small red zipped section where I keep my memory cards. The second external zipper on the front of the pouch is a padded pocket where I keep a large lens cleaning cloth as seen in the video & photos below.

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Conclusion

In a nutshell I’m thrilled with everything about this pouch. As always with Haida equipment, quality never fails & well thought out. A great solution for any outdoor photographer at an affordable price.

Purchase direct from Haida’s European distributor Haida Germany shop  for excellent service.

I hope this provides you some useful information. Please feel free to ask me any questions. For more info & my test reviews on Haida’s website.

If you would like to see more of my work;
500pxFacebookViewbugInstagram

“All rights reserved” © Jenny Cameron 2019

 

 

Test review of Haida Red-diamond soft GND 1.2 & Haida M10 round “drop-in” CPL+ND 1.8 combi

Introduction

Welcome to my test review of the Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter and Haida Red-diamond soft graduated neutral density 1.2 (4 stops).

If you enjoy landscape photography I cannot stress the importance of investing in a good quality set of filters. Im well aware of what it feels like having a restrictive budget and fears of making the wrong decisions buying new gear. This is where I hope I can help by providing my hand on heart honest opinion. Haida are not the cheapest filters on the market but by no means the most expensive for the optical quality achieved, you really do get a lot of bang for your buck! We all strive to buy the best lenses so why scrimp on a cheap filter and ruin optical quality, it makes no sense to me.

Haida M10 round “drop-in” CPL+ND 1.8 (6 stop)

When Haida offered me the opportunity to test their M10 combination-filter with built in light barrier I was intrigued to say the least, questioning myself what the downfalls if any would be. Whilst stacking filters can work and something I do regular, however this practice is not optimal for a couple of reasons;

  1. Forcing light to traverse through more elements, therefore more likely to get slightly refracted, possibly resulting in softness or even chromatic aberration.
  2. Increased risk of light flares.

The more I thought about it the more I couldn’t wait. Initially I planned waterfalls for this particular test. Although I could see it being very useful after a midday rainstorm which happens a lot here in Scotland when the sun bursts out it’s great to slow down the exposure a wee bit and allow the filter to do the work. Rainfall hasn’t been great the past few days so I headed to the beach at sunrise instead.

Inserting the filter into the Haida M10 filter holder is incredibly fast, it simply drops between the holder and lens creating a perfect seal from any stray light. Oftentimes in the past I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation unlike any of the Haida M10 round “drop-in” filters such as this combi filter which have a built in light-barrier.

from vid 2

Inserting filter into the rear of M10 filter holder

This is a ND 1.8 filter meaning it will lose six stops of light. But don’t forget it has the added CPL which generally loose between 1-2 stops of light, collectively this will provide a total of almost eight stops. For me personally, I like a six stop ND for moving water as it doesn’t blur everything to oblivion like say a ten stop would. A six stop shows slight movement which I prefer to portray. A neutral density filter should be exactly what the name suggests “neutral” in every which way and let me tell you all the Haida NDs I’ve ever tested are all neutral, no crazy coloured undertones, no vignetting and no loss of sharpness from corner to corner. What you see is what you get.

If your not wanting the polarising effect you can simply rotate the small dial (three gear linkage design ) on the mount independently, very smoothly to reduce or completely remove depending on the scenario of the scene. Once you start turning, you’ll instantly see the polarisation intensify on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition. The choice is all yours and easily very adjustable.

Image of raw file with filter on, zoomed in 100% in Lightroom to demonstrate maximum sharpness of the rocks. Its clear to see the quality is second to none, excellent detail even in the darkest of shadows at blue hour.

zoomed 100 percent )jpeg)

For this very demanding scene above with the bright sunrise and dark foreground you need the best support from your gear. Let me tell you this filter made my job very easy, provided excellent control over the whole dynamic range, ultimate sharpness, no color cast or vignette, and really made me smile. Constructed from high quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

The M10 round “drop-in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @19mm -With-without-M10 round “drop-in” CPL+ND 1.8 combi. No post processing on either, other than lens correction in Lightroom.

raw-without-(1-of-1)

Without filter = ISO 100, F14, 0.6 sec – With Haida M10 round “drop-in” CPL+ND 1.8 combination. = ISO 100, F14, 30 seconds @19mm

Finally post processed in Adobe Creative Cloud

Fragil rock (jpeg for web)

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Haida Red-diamond soft GND 1.2 (4 stops)

Earlier this year I tested the Haida Red-diamond medium 0.9 (3 stops) read review which totally stole my heart, since then it’s rarely been off my lens and I can’t wait to tell everyone how thrilled I am in using it. My love affair with this series only intensified, I had to try the Red-diamond soft graduated neutral density 1.2 (GND 4 stops) filter. Packed my kit and off I went to Aberdeen for sunrise to see how the soft grad stood up to the medium and let me tell you I was not disappointed.

The main purpose of a GND filter is to balance exposure in an image that contains a bright sky and darker foreground. As you can see from the photos below this filter is rectangle in shape and sized 100mm x 150mm, providing flexibility to move the filter up or down within the filter holder for ultimate control. Providing such a beautiful soft progression from dark at the top where you would place over the sky to clear at the bottom in a neutral manner and achieving endless creative possibilities.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – makes it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @35mm with no filter and with Haida Red-diamond soft GND 1.2 (4 stops). No post processing on either other than lens correction in Lightroom. As you can see the soft GND significantly transforms the quality of the image.

with-without-filter-(-gif)-May-2019-Dunnottar

Without filter = ISO 100, F10, 1/20 – With Haida Red-diamond soft GND filter 1.3 = ISO 100, F10, 0.8 seconds @35mm.

Finally post processed in Adobe Creative Cloud

final edit (jpeg)

Sunrise over Stonehaven, Aberdeenshire, Scotland.

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All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Conclusion

My overall conclusion is both filters are superiorly optically and I have absolutely no hesitation is recommending to anyone whether beginners or advanced and using for my own portfolio.

I hope this provides you some useful information. Please feel free to ask me any questions.

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“All rights reserved” © Jenny Cameron 2019

Haida Red Diamond Medium 0.9

The Red Diamond filter I am testing is a medium 0.9 equaling 3 Stops. Rectangle in shape and sized 100mm x 150mm, providing more flexibility to move the filter up or down within the holder for ultimate control, homogeneous graduated blending from light to dark and endless creative possibilities. I really enjoyed using this filter in combination with the M10 filter holder. It’s fun the way you can rotate the holder if you want to darken the sky on one side or turn it upside down if you’re looking over bright highlighted water.

take wording for blog post & pic

I predict this latest series from Haida becoming “The big daddy” of them all for landscape photographers the world over. Haida named this new series “Red Diamond” as they’re amongst the strongest diamonds in the world, therefore being the strongest of all Haida filters.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – makes it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-Red Diamond medium 0.9 (3 stops). No post processing on either, other than lens correction in Lightroom.

With-Red-Diamond-Medium-Filter-base-edit

Finally post processed in Adobe Creative Cloud

strath jpeg

Location = A private Highland Estate

Testing Haida M10 round “drop-in” circular polariser filter

sliding in M10 round CPL into M10 filter holder

My favourite of all the filters has always been the CPL. A vital piece of kit every landscape photographer should have and something which cannot be replicated in post processing. I rarely shoot without – it’s the perfect light manager. And let me tell you, Haida`s new M10 round “drop-in” CPL will never be off my lens.

I was curious to test if any slight vignette was present, and I can happily confirm that there is none at all, even pushing it through a tough test at my widest 16mm on a full frame camera. It gives amazing contrast, and cuts through some of the haze, especially on the clouds and the polarisation is visible in the sky producing some great detail. Removed almost all the unwanted glare and the see-through effect is well achieved on the water. Added some beautiful saturation which gives an overall instant pop to the image. Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a CPL you will generally lose between 1-2 stops of light. As you can see in the comparison exif data below, I have lost around 1.5 stops.

Inserting the round “drop in” CPL into the M10 filter holder is the fastest I’ve ever used, never mind witnessed. It simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you –  once you hear the click it’s locked in place. There is a three gear linkage design on the mount which rotates independently and very smoothly. Once you start turning the adjustable black dial which is centrally placed on the top of the filter, you’ll instantly see the polarisation intensity on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition.

Constructed from high quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

I have to say how solid it feels, plus it’s very fast and easy to use. In the past, CPLs I’ve used can be fiddly, hard to screw on especially when it’s freezing cold, you’re up at silly o’clock waiting for sunrise and half asleep. Haida have really listened to their customers and produced this truly clever design making our life so much easier. It’s an absolute pleasure to work with.

The round “drop in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Image below showing with/without filter = ISO 100, F18, 1/13 – With Circular Polariser filter = ISO 100, F18, 1/8 second.

without-cpl-(1-of-1)

Location – Loch Assynt, Sutherland. Scotland

Finally post processed in Adobe Creative Cloud

edited version (jpeg)

 

More info & my test reviews on Haida’s website

 

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