Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘landscapephotography’

Launch of Haida M10 filter holder mark (ii) Featured

Introduction

Introducing the latest filter holder from Haida- M10 mark (ii). I cannot begin to tell you how excited I am getting my hands on this beauty. Hot off the shelves from Haida! Right now as I type it’s not even been launched which is something I’m very proud of.

Three months of testing in the Scottish Highlands 2021-Haida M10 mark (ii) filter holder by Jenny Cameron.

Location Various areas in the Scottish Highlands, UK- during the summer of 2021.

Equipment used for testing – Canon 5d mark (iv), Canon 16-35mm F2.8(ii) lens, Canon 70-200mm F2.8 (ii) lens, Gitzo tripod and ball head, various Haida filters ( Red-diamond, M10 and NanoPro) and Adobe Creative Cloud software.

As we all know the original Haida M10 filter holder mark (i) was first launched three years ago back in October 2018 at the Photokina show in Germany- Proving a huge success over the years for many photographers and a signature innovative design of Haida.

When Haida first told me about a mark (ii) design- If I’m honest it shocked me a little! I didn’t expect a new filter holder so soon! “If it ain’t broke why fix it?” -A bit like redesigning the wheel! However, now I’ve used it for four months. I can hand on heart assure you I no longer use the old one. Let me walk you through my honest thoughts and experiences of use in the field.

What’s in the box?

One Haida M10 filter holder mark (ii), one adapter ring ( various sizes available), one Light-barrier, and one M10 “round” drop-in Circular Polariser mark (ii). Pre-installed with two pairs of plastic filter slots. An extra pair of filter holder slots to provide a third slot on the front of the holder which I’ve left on permanently. Plus a handy lens cap so you can leave the adapter ring on your lens permanently for a more convenient and faster set-up. Housed in a smart black Eco-leather zipped storage case with a handy carabiner attached to the top which can be neatly clipped onto your tripod, rucksack, or trouser belt for ease of access. Internally lined with a lovely grey velvety fabric with a useful net pocket for storage.

Haida M10 “round” drop-in CPL (ii) included in the kit.
Haida M10 filter holder Eco-leather zipped storage case.

M10 Adapter ring

This is the foundation for the M10 filter holder-It’s a bit like building a house without a solid foundation there’s no point installing the windows. Works solely with the Haida M10 filter holder mark (ii). Made from aluminum for strength and lightweight. Designed to be slim for a reason- in my experience, it helps with any unnecessary vignettes when shooting at wide angles- Usually anything from around 20mm and wider. Some filter holders I’ve used in the past can create unwanted vignettes, therefore keeping the adapter ring as close as possible to the lens is crucial- However, strength is imperative, hence why aluminum is a popular choice for also our tripods, we need them mighty strong but lightweight. The adapter ring simply screws onto the front of your lens. Check the end of your lens to determine which size adapter ring you need to fit your lens. 

Adaptor rings screw onto your lens to accommodate the filter holder. Once the ring is in place the holder clips into place using a smooth, quick-release spring-loaded mechanism.

Available to fit most popular lenses in sizes; 49,52,55,58,62,72 and 82mm. Step-up rings are also available.

77mm adapter ring screwed on the lens.

Construction and Ergonomics of the Haida M10 filter holder (ii)

The first thing you’ll notice is its build quality. Made from Aviation-grade aluminum and PC materials for super strength and light-weight.

The aesthetics of the Haida M10 mark (ii) filter holder design has broadly stayed the same keeping the ever-popular modular drop-in system- Enabling rapid set-up and simple to use on- location. Allowing you to continue using your Haida M10 “round” drop-in filters, Red-diamonds, and NanoPro filters together or singular. Designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness) on the front of the holder and one filter slot at the rear closest to your camera lens where you can use one M10 “round drop-in filter or a Light-barrier. Also compatible with other brands of the same size. If you don’t wish to use any of the “round” drop-in filters you must therefore use the light barrier (included in the kit). Basically, a sealing ring to prevent any light leakage- In total it’s possible to use four filters all together in the Haida M10 filter holder (ii). Oftentimes, in the past, usually whilst doing long exposures I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation.

Once fitted to the adapter ring the ingenious designed Haida M10 filter holder (ii) can be independently rotated a whole 360 degrees and securely held in place at any angle which enables the photographer to quickly balance the exposure at ease with rapidly changing light conditions using the right filter. Not forgetting to mention super fast to switch filters.

When the side-light is too strong. Use the Haida Red-diamond GND filter angled to create a more balanced exposure.

As great as the previous design was, there’s always been one major caveat. If you wanted to rotate/angle a neutral density graduated filter ( I use the really lovely high-end Haida Red-diamond range) if the sidelight gets too strong there was nothing to prevent the filter from slipping/moving or if you annoyingly accidentally knocked it you’d have to keep putting it back in place. As we all know light moves super fast so the last thing you need is equipment failing, it soon becomes stressful. This is where the new design really steps up to the plate and takes away any stress with a really neat locking feature which allows you to securely lock a filter/filters in place at whatever angle suits best- Making this an extremely secure and solid connection-much more than its predecessor which didn’t have this feature! I particularly love the new chunkier bright red push-and-release (spring clip) locking lever.

New feature! locking device close-up.

New feature! Locked securely in place.

New feature! Improved ergonomics.

New feature! Convenient lens cap.

What’s the difference between the M10 mark (i) and mark (ii) filter holder.

  • Lens cap included in the kit- You can leave the adapter ring on the lens permanently in your bag.
  • Weight- Mark (i) = 76g and Mark (ii) = 59g– significantly lighter even with new extra features.
  • Feels more sturdy and durable.
  • Ergonomically easier/faster set up. The holder can be taken-off by one hand directly.
  • Brilliant new locking feature with the use of Chinese traditional mortise and tenon joint structure.

Let’s take a closer look at the M10 “round” drop-in Circular Polariser (CPL) (ii)- included in the kit.

The image above was taken with Haida M10 “round” drop-in CPL (ii) in the Haida M10 filter holder (ii) -Post-processed in Adobe Photoshop. ISO 100, F16, 1/60 @16mm on a full-frame camera.

Inserting the Haida M10 “round” drop-in CPL (ii) into the M10 filter holder (ii) is super fast and very convenient. Simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you -Once you hear the click it’s locked in place. There is a three gear linkage design on the mount which smoothly rotates independently. Once you start turning the adjustable black dial centrally placed on the top of the filter, you’ll instantly see the polarisation intensify on your live view screen. I tend to always rotate 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, i.e. make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition. Such a great Polariser that has never let me down, providing excellent sharpness from corner to corner and the absence of color casts. Its sleek design allows the use of wide-angle lenses such as a 16mm on a full-frame camera with no evidence of unwanted vignettes. The frame part has been upgraded from plastic to a more durable Aluminium.

Images below-showing straight-out-of-camera @30mm with no filter and with Haida M10 (ii) filter holder and M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness. The results speak for themselves.

Without/with Haida M10 “round” drop-in CPL (ii) in the M10 filter holder (ii). Without= ISO 100, F11, 1/30 and with filter ISO 100, F11, 1/8 @30mm.
Post-processed in Adobe Creative Cloud

Construction and design

  • High-quality optical glass.
  • Upgraded frame-now in Aluminium instead of plastic.
  • Anti-reflective coatings.
  • Scratch-proof.
  • Ultra-thin NanoPro coating.
  • Waterproof, meaning any droplets of water literally roll off like beads, no ugly smears.
  • The dreaded fingerprints wipe off easily with a soft microfibre cloth.
  • Most importantly for me it preserves image sharpness which let me tell you is second to none.
  • Colour fidelity.
  • Absolutely no vignette even at my widest 16mm.
  • M10 Adapter ring, M10 Drop-in Filters (i & ii) are universal to the M10 Holder (i & ii).

Rearview of Haida M10 “round” drop-in CPL mark (ii) in the Haida M10 filter holder mark (ii) . Sits at the rear of the holder.

Front view of Haida M10 filter holder mark (ii) with M10 “round” drop-in CPL mark (ii) which sits at the rear closest to the lens.

Comparative images below-showing straight-out-of-camera- @165mm with no filter and with Haida M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom.

Without filter= ISO 100, F11, 1/75 and with filter ISO 100, F11, 1/30 @165mm.

Without/with Haida M10 CPL (ii)
Finally post-processed in Adobe Creative Cloud

Comparative images below-showing straight-out-of-camera- @16mm with no filter and with M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness.

Without filter= ISO 100, F16, 0/5 and with filter ISO 100, F11, 1/5 @16mm on a full-frame camera.
Finally post-processed in Adobe Creative Cloud
Video showing the Haida M10 filter holder mark (ii) in a smart black Eco-leather zipped storage case with a handy carabiner attached to the top which can be neatly clipped onto your tripod, rucksack or trouser belt for ease of access. Internally lined with a lovely grey velvety fabric with a useful net pocket for storage.

Overall conclusion

The Haida M10 filter holder (ii) modular and durable design offers good protection for the filters. Feels strong, rigid/sturdy, and has a well-thought-out system for the most demanding of outdoor photographers especially those like me who enjoy long exposure photography. The quick-release clip is fantastic for getting the holder on and off so you can easily switch it between multiple cameras with different filter configurations. Overall lovely quality without compromise as we have all come to expect from Haida. The upgraded M10 “round” drop-in Circular Polariser (ii) feels sturdier and more durable due to the upgraded aluminum frame. However, I found from my findings that optically the sharpness remains the same as its predecessor.

As I often mention- Haida never stops searching for new solutions to help photographers.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. For more information please visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions. Contact me below or Facebook Messenger.

“All rights reserved” © Jenny Cameron 2021

Step-up rings simply explained without techy jargon

What is a Step-up Ring?

A Step-up ring is basically a thin metal or plastic ring which increases the lens diameter. Simply screws directly onto your lens then the adapter ring for your chosen filter screws on top. This allows you to attach a larger filter size so you don’t have to buy or carry multiple filters for each of your different sized lenses.

It doesn’t have to break the bank balance?

Have you been put off going down the filter route for fear of it being too costly as you have different sized lenses and don’t wish to break the bank buying separate filters for each? How about if I told you there is a way you can use one filter on multiple lenses? Simply find your largest thread size and purchase a Step-up ring/s for the rest.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lens the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

What to buy?

When buying Step-up ring/s, the goal is to find the thinnest and strongest compound if you want the best optical quality in the final image. If the ring is too thick it makes the gap between lens and filter too wide which causes all types of issues from vignette, sharpness is compromised, possibility of light leaking. The Haida ones I use are Aluminium and I’ve never had any problems. One more tip, to avoid vignetting, make sure the filter size is larger than the lens size.

Is it possible to stack Step-up rings?

Yes, it is possible to stack Step-up rings on top of each other, however this is something I highly do not recommend as it increases the distance between filter and lens which can cause vignetting and/or ghosting. All in all bad practice!

To conclude

Step-up rings are probably the cheapest photography accessory I own and the most useful. Well worth investing in and will save you some pennies but make sure it’s good quality, don’t go for the cheapest.

If you would like to view my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope you found this helpful and simple to understand. Any further questions/advice I’m more than happy to help.

“All rights reserved” © Jenny Cameron 2021.

Top 10~ Tips to help create your perfect Landscape Fine Art image. Featured

Have you ever created an image you loved so much you decided to share on every online platform possible but didnt receive the feedback you expected? You put your heart & soul into this creation but nobody understood what you were trying to convey?

How did it make you feel? Crap? Overwhelmed? Confused? Disappointed, self doubt & dare I say almost envious of others? Trust me, I’ve been there. Receiving negative critism isnt easy & can become extremely upsetting. Asking yourself~ Why do I see things different to others? You know photography is in your blood~ I’m telling you right now, never give up & keep going. Its your ultimate passion, right? And remember~ Practice makes perfect.

Here’s my top 10 tips in no particular order

  1. Lighting~ Mood & atmosphere, probably the most difficult thing to learn as its really something that comes from the heart, you have to feel it to be able to see it.
  2. Good composition ~Visual/intuitive balance & direction of flow helps grab the eye. Rule of thirds where you place points of interest in the intersections or along the lines. The Fibonacci spiral also know as the Golden spiral helps to lead the viewers eye through the entire picture. Reduce the distracting elements also known as pokies such as random tree branches poking into the edge of the photo, something I personally call “edge- control police”. Although being naughty~ breaking some rules from time to time is not a bad thing & can work out creatively.
  3. Perfect Raw file ~ A photographers fundamental basic, this is the key where you need to go all OCD. Without this you have nothing, no amount of editing will rectify. A raw file is the foundation of the house, without it the whole image will collapse. Its your blank canvas which needs to be absolutely perfect in every way imaginable. Please do not shoot in jpeg, you can bring out so much more from a raw file.
  4. Editing~ clicking the shutter button is only part of what it takes to producing a great image. For me, I liken it to putting make- up on, making the best of what you have. If your shooting raw the image will be very flat & un- interesting, therefore some editing is needed to bring your image to life. You dont need to spend hours at your computer getting a headache from eye strain, oftentimes twenty minutes maximum can really give your image the va- va- voom.
  5. Camera settings~ Technical skills & knowledge of how to use your camera are needed in abundance. When trying to be creative the last thing you need is struggling to remember how to use your camera. This should be as easy as brushing your teeth & come the most natural thing for you so you dont have to give it much thought~ All you should be thinking about is your creative flair & the beauty surrounding you. I learnt my camera settings blindfolded so I knew I could photograph the night sky at ease, not have to fumble around with torches followed by yelling at my camera as I pressed the wrong button.
  6. Colour~ Colour plays a huge role, much more than most people think. Making it look natural but really its very deliberate & a highly thought out process. Colour can sometimes provide the opposite & cause more of a distraction, this is when black & white plays its role, your stripping back elements to create more of an impactful message~ This is more useful in images that portray deep powerful emotions leaving the viewer with the pure essence of the image. Learn & understand the colour wheel.
  7. Focus stacking~ This can only be done on a tripod. Where you take several images of the same scene. Focused at different points throughout the image, so for example~ Foreground, mid-ground, a distant hill & sky. Then blend together as one in Photoshop for ultimate sharpness from front to back.
  8. Exposure blending~ Similar to focus stacking but with exposures. So for example several images of the same scene taken at different exposures~ One for the shadows, one for mid-tones & another for the highlights. Again blended together in Photoshop for a perfect high dynamic range also known as HDR.
  9. Location~ Personally I think this is an important one. I struggle to accept how a photographer can go to a location never visited before & get the most of out it. For me its something I have to visit several times, different times of the day & seasons. I need an intimate familiarity with the place, feel the spirit, question what makes it special to me. Then I concentrate on that element to achieve the best out of it. All this flows continually right through to the editing process & final image.
  10. What elements & message you wish to convey? Start by what you wish to emphasis in the photo, is it a waterfall, lake, mountain or just a wow sky. Search for different patterns & textures which can convey different emotions to the viewer. This is how you begin to tell your story & how you start growing connections with your viewers, it really does become quite personal & evoke deep emotions.

“I believe photography is a message connecting someone’s spirit to reality. In this crazy world we all live in there are times we need to escape all the madness even just for a few seconds to be virtually teleported to another world”.

“Never give up on your dreams”

Jenny Cameron

Evaluation- 82mm Haida Interchangeable Magnetic Variable ND filter on wide- angle lens. Featured

Watch how fast

Super fast & ease

Introduction.

Testing for optimal sharpness, tonality, vignette, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts. Including in-camera video and real time experience from my home in the north of Scotland.

What comes in the box?

One cardboard box with two separate plastic boxes each with internal moulded foam insert to keep your filters protected ..Box (1) One adapter ring and one Magnetic Variable ND 2-5 stop filter. Box (2) One Magnetic Variable ND 6-9 stop filter & one spring loaded Filter cap.

Lets take a closer look. Join me on a Private Highland Estate (non-public access).

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens and onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 82mm as my lens is a Canon 16-35mm F2.8 (ii). Step up rings also available.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lenses the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

Why are Neutral Density filters important for video?

In videography theres something called the 180-degree shutter angle rule- which mimics motion the same way a human eye experiences in real life. It helps reduce your shutter speed whilst maintaining proper exposure. For example- your shutter speed should be double your frame rate for smooth motion blur, produces a more natural and professional looking footage- rather than harsh/ jittering/robotic. This is especially commonly seen on fence lines which I’ve experienced myself whilst flying a drone. (By the way as a side note, I’m currently reviewing Haida’s ND filters for DJI Mavic 2-Pro which will be published soon). So, for instance if shooting at 25 frames per second on a DSLR you need to move your shutter speed to 1/50. This is where the Haida Nano-Pro Interchangeable Magnetic Variable ND 2-5 stop filter in particular solves this issue perfectly. Theres a reason why Cinematic cameras are expensive- they have built in ND filters.

Construction.

Both filters are constructed the same, the frame part from Aerospace Aluminium making it super strong and extremely light weight, in fact its 9g lighter than previous Haida Variable NDs. The glass part is made from high quality K9 optical glass with Nano-Pro coatings on both sides.

NanoPro.

Featuring a waterproof NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used under water and super easy cleaning.

X-pattern.

With the filter being on a wide angle lens I did wonder if the dreaded X-pattern (produces hatched areas on the actual image) would be more pronounced especially on the 6-9 stop, but thankfully its not appeared at any focal lengths tested from 16-35mm at approximately 2mm increments. I really did try to push it through its paces as curiosity got the better of me secretly wanting to see what it actually looked like in real life so to speak. Sure I’ve seen it on-line with other filter brands but nothing beats reality. I think what really helps with this particular issue is the way Haida have thoughtfully placed accurate hard stops at each end making it impossible to push the ND effect too far past the weakest or strongest points.

Positive features.

The innovative design of the magnetic attraction provides not only ease of use and speed but also the added bonus of no light leakage whatsoever, which often-times is problematic with strong NDs, usually from 6 stops upwards. No vignette from two stops right up to six inclusive.

Absolutely loved the ability to control shutter speed in ever changing light conditions without stress of fumbling in my filter bag trying to select what I thought would be best then discovering a different strength would have been better. Now, I could simply rotate from 6-9 or remove in literally one second & replace the 2-5 stop ND which I kept handy in my pocket neatly wrapped in a lens cloth for add protection.

Ideally suited for all types of photo &/or video genres including portraiture. I will definatly be using it for my animal work. All in all, I really do love and have thoroughly enjoyed this evaluation. Haida made it very easy with exceptional quality in not only the sleek design and smooth as butter rotation but followed right through from speed of use, incredible sharpness/tonality & contrast with no colour shift (neutrality) in the final raw file. What I did appreciate & use all the time now is the handy filter cap- Personally thought that a really nice final touch. It allows you to leave the filter on the lens packed away in your bag, then you’re all set up and ready for the next location.

Negative features.

I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is. Other than this I see no other downsides, what’s not to love? If I was being really picky there is ever so slight vignette from 7-9 stops inclusive, but certainly nothing to worry about.

For the traveller in mind.

If you’re tired of hauling around lots of different filters on your travels and need to go lightweight this could well be your answer.

Field tests.

Comparative images below at the bridge- taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without filter (straight out of camera) @ 16mm. ISO 100, F8, 1/8 sec.

Comparative images below at the beach- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F14, 1/4 sec– With Haida Interchangeable Magnetic Variable ND (2-5 stops) filter @ 5 stops; ISO 100, F14, 08 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without/ with filter
Edited in Adobe Creative Cloud

Comparative images below of the bridge- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND (6-9 stops) filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera).

Without/ with Filter
Edited in Adobe Creative Cloud

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

On location- Behind the scene images below

Summary.

Variable ND filters seem to be trending at the moment. Having never used one before I was quite sceptical the quality wouldn’t be as good as a traditional single stop ND filter. I was pleasantly proven wrong and really fallen in love with this option. Having the magnetic part is a total bonus, making this super fast and easy to set up. In the past there’s been times when I’ve been a bit lazy and not bothered with filters as it’s such a faff, not so much the past couple of years but certainly before it was slow going and fiddly. 

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

Conclusion.

The most versatile filters I’ve ever used, certainly the fastest and most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit and serious contender in the photography/ videography marketplace for many types of genres.

All in all this latest innovation from Haida has very much impressed me.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

“All rights reserved” © Jenny Cameron 2021

Sunrise on the Bonnie Bonnie Banks

On the bonnie bonnie banks of Loch Lomond …There’s a song in there somewhere, will probably drive you mad all day singing it in your head.

Woke up to a gorgeous frosty morning at Duck Bay the light was so soft and perfect looking to me. Loch Lomond, Scotland’s first National Park, “The Loch Lomond and The Trossachs National Park”, located off the A82, approximately two miles north of Balloch.

I felt like I was still in my bed dreaming. There was no time for breakfast, couldn’t bare the thought of losing the soft light shining on the Ben (Ben Lomond Mountain), producing an epic reflection on the Loch. I’m not normally a morning person but when you see such beauty it gives me a big kick up the ass and I can’t wait to get out there shooting. It’s a bit like the feeling you had as a kid on a Christmas morning, you never know what to expect but excited at the same time.

Light moves fast and so do you if you want “that shot”. Sometimes I panic so much that I forget things, it’s quite the adrenalin rush. Questions racing through your mind, should I place the Tripod here or there? What Focal length should I use? How should I angle my lens? Which filters if any? So many others as they flash through your thoughts, all happening in nanoseconds.

Equipment used.

Canon 5d mark iv, Canon 70- 200mm USM Lens, Gitzo Systematic 5 series Tripod, Gitzo series 5 Off Centre Ball Head, Haida ND 3.6 ( ND 12 stop) Filter,  Remote timer.

Camera settings.

 

Post production

Adobe Photoshop CC.

©Jenny Cameron 2017

 

Hope you enjoyed this blog post. If you’d like to see more of my work follow the links below;

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updated collage

About Jenny Cameron

Jenny Cameron is a Fine Art Landscape Photographer living the dream in the Scottish Highlands. Her journey began in October 215 when she bought her first DSLR camera.

February 2016, Exhibited her work in Power of Women Gallery, Trenton, New Jersey, USA.

April 2016, Exhibited her work in Power of Women  (ii) Gallery, Trenton, New Jersey, USA.

July 2016, Exhibited her work at All night Art Exhibition, Trenton, New Jersey, USA.

January 2017, her first Publication on the Front Cover of the prestigious Scottish Field Magazine.

February 2017, ten of her Scottish images Published in two different Coffee Table style Photography Books.

May 2017, Approached by Black Magazine wanting ten of her Scottish Monochrome images for Publication in their May 2017 issue.

 July 2017, one of her most popular images “Altnaharra” was chosen for an Art Exhibition in England.

January 2018,  Proudly became UK Official Photographer for Haida Filters.

March 2018, Photography Masterclass kindly invited her for an interview as their Feature Photographer of the Month.

April 2018, The Publisher WEPhoto approached her for ten of her most recent Scottish Landscape images. Published in a Hard backed Photography Book.

May 2018, Jenny was approached by an Art Gallery in Southern Scotland, where she exhibits a selection of her Landscape Portfolio.

August 2018, Landscape Photography Magazine Publication

July 2018, Photography Masterclass Magazine Published her very first Post processing Tutorial.

November 2018, Interview with Inspire-Digital or Not Fine Art Photography Magazine

January 2019, Haida Filter Instagram Take Over.

March 2019, EYE-Photo Magazine Publication 

Jenny continues  pushing the boundaries and looks forward to the future.

See more of Jennys work, ViewBug, Facebook, 500px

Contact email; jennycameron121@gmail.com

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