Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘China’

Haida NanoPro Magnetic ND 1.8 & NanoPro Magnetic Polariser test review Featured

Introduction

Welcome to my test review– Haida NanoPro Magnetic ND 1.8 (6 stops) and a Haida NanoPro Magnetic Circular Polariser (CPL). Testing for sharpness, magnetic attraction strength, ergonomics, vignette, colour cast and practicalities.

As a landscape photographer– Over the years I’ve learnt the importance of investing in a good quality filter set if you truly want to hone in on your in-camera creativity. I`d go as far to say neutral density filters are almost as necessary as having a decent tripod. It’s something you can buy a bit at a time to build a collection to suit your needs. However, choosing the correct not only brand but these days the correct family (magnetic, round, square, rear-lens etc…) can be the tricky part. Hopefully, I can offer a little help.

Location

I planned a few days photography trip in the far north western mountains here in Scotland with a couple of friends and thought it would be an ideal opportunity to put these beauties through their paces. After testing Haida’s Interchangeable Magnetic VND filters earlier this year- which I fell head over heels in love with for their practicalities and super sharp imagery, I wanted to see if the bar was set as high with the rest of the Magnetic ND family.

Equipment used– Canon 5d mark iv body, Canon 16-35mm F2.8 (ii) lens, Gitzo Systematic 5 series Tripod and ball-head. Haida filters. Software- Adobe Creative Cloud.

Meet the Magnetic family

Magnetic Adapter Ring

Constructed entirely from aluminium for strength and light-weight. I have to commend Haida on the super slim design- From my experience, this helps with any unnecessary vignettes when shooting at wide angles. It screws really smoothly and with ease onto your lens. What I really love about this design is the ability to be able to leave it on your lens permanently so it won’t get misplaced or lost. Once this is in place you’re ready to start adding filters which is done in seconds. It takes longer to get a filter out of your bag than it does putting it on.

Sizes available= 52- 82mm. Step-up rings are also available in sizes 67-77mm and 77-82mm. I’m using an 82mm on my Canon 16-35mm F2.8 (ii) lens.

Magnetic Adapter ring

Magnetic lens cap

What I love about this- If you leave the magnetic adapter ring on your lens you can simply pop on the magnetic lens cap and pack away conveniently in your bag- knowing everything is secured and less time consuming for your next shoot. These are sold separately and not included with a single filter -However, it is included in the kit.


Haida NanoPro Magnetic neutral density (ND) 1.8

Haida NanoPro Magnetic ND 1.8 (6 stops) stacked on top of Haida NanoPro Magnetic CPL.

We will start by looking at the ND 1.8 which is a 6 stop, meaning the light will be reduced by 6 stops of light- Essentially sun glasses for your lens and comes in different strengths. For me personally, as a landscape photographer this is my go-to filter for anything moving- Example- Wispy clouds, to smooth down fast flowing water or waterfalls, creating a dreamy effect. It’s used to darken the whole image evenly from top to bottom and-that allows you to use a wider aperture or slower shutter speed than you would without the filter. This achieves very pleasing results as you have more creative control with depth of field and convey movement in a beautiful motion. Typically used for long exposure photography. Also, very useful for a cinematic look in video making which I spoke about in my previous blog post and video if you’d like to learn more.

Once you start going past a 2 stop ND filter on a wide angle lens you start getting into obvious unwanted vignettes’ and strange colour cast territories’. I can happily confirm from my findings- No vignette, consistent tonality/ contrast with no colour shift (neutrality) and no loss of sharpness from corner to corner in the final raw files which speak for themselves in the images below.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm without/with Haida NanoPro Magnetic ND 1.8. No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness. Without filter- ISO 100, F8, 1/30 With 6 stop ND filter- ISO 100, F8, 2 seconds.

Without/with filter

Finally post-processed in Adobe Creative Cloud.

Edited in Adobe Creative Cloud

Specifications

Sizes– Available in sizes 52- 82mm.

ConstructionThe frame part is constructed from Aerospace Aluminium making it super strong and extremely light weight. The glass is made from high quality K9 optical glass for clarity and colour fidelity with a NanoPro coating.

Weight– 18g based on 82mm filter.

Featuring

  • Magnetic attraction.
  • Lightweight.
  • No light leakages.
  • Low profile filtration.
  • Quick to install and switch filters.
  • NanoPro coating, helps prevent dirt/smudges from adhering to the glass, reduced reflections, scratch resistant, waterproof, fingerprint, oil-proof and cleaning efficiency.
  • Fully compatible and interchangeable with magnetic filters from other brands.
  • Magnetic metal lens cap.

Ergonomics’- The downsides of glass filters are they are more prone to scratches and finger print smudges. On location before starting the video for this evaluation, without thinking I stupidly sprayed midge repellent on my hands then picked up a filter- Leaving a thin coat of oil all over! Thankfully with a soft microfibre cloth it was easy to wipe off thanks to the NanoPro coating on the filter. The magnetic strip around the edges acts like a light seal meaning no light leakage whatsoever- It’s a win win innovation. Speed of use and convenience is high on my list, watch my video to see how easy installation is. The ability to add/swop filters fast can make or break a potentially great image as you’re not wasting time screwing on the adapter ring then filter holder, followed by filters, it can be time consuming and often frustrating when the light is moving fast-its that rabbit in the headlights feeling. No more struggling to screw on filters in the winter with numb hands. You can stack up to 4 magnetic filters with this system including other brand magnetic filters. Making stacking filters the easiest we’ve ever had. When you’re finished shooting and ready to pack away you can leave the adapter ring on and put the magnetic lens cap over the top, making life even more convenient for your next composition.


Haida NanoPro Magnetic Circular Polariser

What is a Circular Polariser and how does it work?

My favourite of all the filters has always been the Polariser, often referred to as a CPL ( Circular Polariser/Linear). A vital piece of kit every photographer should have and something which cannot be mimicked with digital tricks no matter how good you are. I really cannot stress enough the importance for the majority of photography genres. All in all you really cannot go wrong investing in a good quality polariser.

I’m no light Scientist and Physics was my worst subject at school- Therefore I won`t attempt a full technical breakdown of how it works, in my mind it’s pure magic! Sorry, in all seriousness it really is science- The basic job of a polariser is to help block out reflective light.

Polarisers tend to get labelled to landscape photography- However, it is not the case and a misconception. They are perfect for nature photographers to cut out some water reflection so you can often see right through to the river bed. Ideal for Macro on insects with shiny bodies &/or water droplets. Wildlife for showing convoluted detail/textures and vibrant colours. Portraiture-on someone’s sweaty brow or wearing glasses. Architecture- reflections from windows. Great if you’re ever shooting a subject through your car window or at the Zoo/Aquarium behind glass, a polariser will be your best friend. Overall, saturation is beautifully increased, cuts through haze, produces amazing contrast, darkens blue skies, especially great with the greens on wet foliage, misty rainbows are made more vivid. My favourite of all is on animal fur, white/light coloured in particular- Basically any reflective surface other than metal a Polariser will give an instant pop to any image.

However, there are some caveats, they only work at certain angles ( told you its magic!). When the sun is positioned either directly in front of or behind the lens the polariser will not work- So, you have to look 90 degrees to your side so the sun is perpendicular to your lens then start rotating the filter and you’ll instantly see the polarising effect.

A common problem of polarisers on wide angle lenses is they don’t give the full effect over the entire image, so for example you would have the effect on say the left side but not the right side and vice versa or other random areas. This is not something I’ve ever experienced with any Haida filters, it tends to be more on the budget brands but it’s something I keep in mind and always test for with new filters.

Haida NanoPro Magnetic CPL on top of Magnetic adapter ring

Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a Polariser you will generally lose between 1-2 stops of light. As you can see in the comparison EXIF data below, I have lost around 1.5 stops.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm without/with Haida NanoPro Magnetic CPL filter. No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness and controlled highlights. Without filter- ISO 100, F11, 1/15 With CPL filter- ISO 100, F11, 1/6.

Without/ with Haida NanoPro Magnetic Circular Polariser

Finally post-processed in Adobe Creative Cloud.

Edited in Adobe Creative Cloud.

Specifications

Sizes– Available in sizes 52- 82mm. I’m using the 82mm as my lens is a Canon 16-35mm F2.8 (ii). -Step-up rings also available in sizes 67-77mm and 77-82mm.

Construction-The frame part is constructed from Aerospace Aluminium making it super strong and extremely light weight. The glass is made from high quality K9 optical glass for clarity and colour fidelity with a NanoPro coating.

Weight- 23g based on a 82mm filter.

ErgonomicsI have to say how solid it feels in my hand for the size with a good textured grip round the circumference with no harsh edges and smooth as butter rotation on the polariser, such a lovely sleek design. I found the practicalities continue with my Equine work where I often work off tripod I was able to achieve a fast enough shutter speed with the polariser on. By leaving on the magnetic adapter ring and using the magnetic lens cap ( as demonstrated in the video below)-It gave me the ability to quickly pop on the polariser if the light was causing me to loose crucial fur detail in the highlights. Initially, I did feel slightly paranoid that the magnetics may not be strong enough with me moving around in many directions following the horses over rough terrain- However, I’m delighted to confirm they were 100% secured. Speed of use, couldn’t be easier compared to older Polarisers’ which were very fiddly to set up and some even involved using a screwdriver to my horror! Clearly labelled text etched onto the aluminium part of the polariser- Making it easy to read/ identify what type of filter it is.

Features

  • Magnetic attraction.
  • Lightweight.
  • Low profile filtration.
  • Quick to install, switch and stack up to 4 magnetic filters together.
  • Stackable filters without vignette.
  • NanoPro coating, helps prevent dirt/smudges from adhering to the glass, reduced reflections, scratch resistant, waterproof, fingerprint, oil-proof & cleaning efficiency.
  • Fully compatible and interchangeable with magnetic filters from other brands.
  • Magnetic lens cap.

Demonstration video on a Private Highland Estate

Images below taken with Haida NanoPro Magnetic CPL

“Luie” -Image taken with Haida NanoPro Magnetic CPL- ISO 320, F4, 1/4000 @200mm. Post processed in Photoshop.
“Torin” -Image taken with Haida NanoPro Magnetic CPL- ISO 640, F2.8, 1/6000 @200mm. Post processed in Photoshop.
“Sandy” -Image taken with Haida NanoPro Magnetic CPL- ISO 1000, F4.5, 1/4000 @200mm. Post processed in Photoshop.

Haida Magnetic zipped filter case

  • Holds up to 5 filters.
  • External dimensions- 121x121x47mm (LxWxH).
  • Filter size- 82mm demonstrated in my YouTube Video.
  • Materials- PU Leather and Polyester.
  • Weight- 98.9g.

Overall conclusion for both magnetic filters

To answer my question at the start of this evaluation- “I wanted to see if the bar was set as high with the rest of the Magnetic ND family“-The answer simply is YES! Exceptional quality throughout regarding even tonality-sharpness-contrast-no colour shift and absolutely no vignette on both filters.

The main attraction if you pardon the pun is the convenience compared to traditional systems which can be extremely fiddly and time consuming, especially if you’re unsure of what filter to use so your swapping and exchanging filters frequently. I’m 100% sold with this system and really do love everything about it. As you can see from my video footage the quality is also top notch for professional videographers out there. Let me assure you in no uncertain terms- This Magnetic family have it all! I will most definitely be recommending to my photography friends &/or students. Quite honestly its a breath of fresh air!

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021

Evaluation- 82mm Haida Interchangeable Magnetic Variable ND filter on wide- angle lens. Featured

Watch how fast

Super fast & ease

Introduction.

Testing for optimal sharpness, tonality, vignette, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts. Including in-camera video and real time experience from my home in the north of Scotland.

What comes in the box?

One cardboard box with two separate plastic boxes each with internal moulded foam insert to keep your filters protected ..Box (1) One adapter ring and one Magnetic Variable ND 2-5 stop filter. Box (2) One Magnetic Variable ND 6-9 stop filter & one spring loaded Filter cap.

Lets take a closer look. Join me on a Private Highland Estate (non-public access).

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens and onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 82mm as my lens is a Canon 16-35mm F2.8 (ii). Step up rings also available.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lenses the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

Why are Neutral Density filters important for video?

In videography theres something called the 180-degree shutter angle rule- which mimics motion the same way a human eye experiences in real life. It helps reduce your shutter speed whilst maintaining proper exposure. For example- your shutter speed should be double your frame rate for smooth motion blur, produces a more natural and professional looking footage- rather than harsh/ jittering/robotic. This is especially commonly seen on fence lines which I’ve experienced myself whilst flying a drone. (By the way as a side note, I’m currently reviewing Haida’s ND filters for DJI Mavic 2-Pro which will be published soon). So, for instance if shooting at 25 frames per second on a DSLR you need to move your shutter speed to 1/50. This is where the Haida Nano-Pro Interchangeable Magnetic Variable ND 2-5 stop filter in particular solves this issue perfectly. Theres a reason why Cinematic cameras are expensive- they have built in ND filters.

Construction.

Both filters are constructed the same, the frame part from Aerospace Aluminium making it super strong and extremely light weight, in fact its 9g lighter than previous Haida Variable NDs. The glass part is made from high quality K9 optical glass with Nano-Pro coatings on both sides.

NanoPro.

Featuring a waterproof NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used under water and super easy cleaning.

X-pattern.

With the filter being on a wide angle lens I did wonder if the dreaded X-pattern (produces hatched areas on the actual image) would be more pronounced especially on the 6-9 stop, but thankfully its not appeared at any focal lengths tested from 16-35mm at approximately 2mm increments. I really did try to push it through its paces as curiosity got the better of me secretly wanting to see what it actually looked like in real life so to speak. Sure I’ve seen it on-line with other filter brands but nothing beats reality. I think what really helps with this particular issue is the way Haida have thoughtfully placed accurate hard stops at each end making it impossible to push the ND effect too far past the weakest or strongest points.

Positive features.

The innovative design of the magnetic attraction provides not only ease of use and speed but also the added bonus of no light leakage whatsoever, which often-times is problematic with strong NDs, usually from 6 stops upwards. No vignette from two stops right up to six inclusive.

Absolutely loved the ability to control shutter speed in ever changing light conditions without stress of fumbling in my filter bag trying to select what I thought would be best then discovering a different strength would have been better. Now, I could simply rotate from 6-9 or remove in literally one second & replace the 2-5 stop ND which I kept handy in my pocket neatly wrapped in a lens cloth for add protection.

Ideally suited for all types of photo &/or video genres including portraiture. I will definatly be using it for my animal work. All in all, I really do love and have thoroughly enjoyed this evaluation. Haida made it very easy with exceptional quality in not only the sleek design and smooth as butter rotation but followed right through from speed of use, incredible sharpness/tonality & contrast with no colour shift (neutrality) in the final raw file. What I did appreciate & use all the time now is the handy filter cap- Personally thought that a really nice final touch. It allows you to leave the filter on the lens packed away in your bag, then you’re all set up and ready for the next location.

Negative features.

I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is. Other than this I see no other downsides, what’s not to love? If I was being really picky there is ever so slight vignette from 7-9 stops inclusive, but certainly nothing to worry about.

For the traveller in mind.

If you’re tired of hauling around lots of different filters on your travels and need to go lightweight this could well be your answer.

Field tests.

Comparative images below at the bridge- taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without filter (straight out of camera) @ 16mm. ISO 100, F8, 1/8 sec.

Comparative images below at the beach- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F14, 1/4 sec– With Haida Interchangeable Magnetic Variable ND (2-5 stops) filter @ 5 stops; ISO 100, F14, 08 seconds @16mm. Both raw images (straight out of camera). Location- Sutherland, Scotland.

Without/ with filter
Edited in Adobe Creative Cloud

Comparative images below of the bridge- Taken with Canon 5d mark iv, Canon 16-35mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F8, 1/15– With Haida Interchangeable Magnetic Variable ND (6-9 stops) filter @ 9 stops; ISO 100, F8, 30 seconds @16mm. Both raw images (straight out of camera).

Without/ with Filter
Edited in Adobe Creative Cloud

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

On location- Behind the scene images below

Summary.

Variable ND filters seem to be trending at the moment. Having never used one before I was quite sceptical the quality wouldn’t be as good as a traditional single stop ND filter. I was pleasantly proven wrong and really fallen in love with this option. Having the magnetic part is a total bonus, making this super fast and easy to set up. In the past there’s been times when I’ve been a bit lazy and not bothered with filters as it’s such a faff, not so much the past couple of years but certainly before it was slow going and fiddly. 

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

Conclusion.

The most versatile filters I’ve ever used, certainly the fastest and most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit and serious contender in the photography/ videography marketplace for many types of genres.

All in all this latest innovation from Haida has very much impressed me.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

“All rights reserved” © Jenny Cameron 2021

Haida Interchangeable Magnetic Variable ND filter 77mm. Featured

Introduction;

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable Neutral Density (ND) Filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one filter ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides

I will be testing for optimal sharpness, tonality, vignetting, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts.

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens & onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 77mm as my lens is a Canon 70-200mm F2.8 (ii).

NanoPro;

Featuring a NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent color cast while maintaining image sharpness. The Haida Nano pro filters are highly scratch-resistant, durable and super easy cleaning.

Positive features (in no particular order)

  • Filter protector cap.
  • Sleek design.
  • Accurate placed stop numbers.
  • No X pattern.
  • No colour shift ( neutrality).
  • Great contrast & tonality throughout.
  • Sharpness.
  • No vignetting.
  • Magnetic attraction.
  • Ease/speed of use.
  • Exceptional image quality.
  • Hard stops at each end which works as a bit of a fail safe. Preventing you from going past the weakest or strongest points, therefore impossible to push the ND effect too far. You simply place the marker over whatever number you want. This means you won’t suffer from entering into the infuriating X pattern (produces hatched areas on the actual image) terrority.
  • Absolutely no light leakage.
  • The ability to control your shutter speed in ever-changing lighting conditions
  • Incredibly smooth rotation in hand with enough friction enabling you to easily rotate the filter to the precise stop required.
  • Ideally suited for all types of photo &/or video genres including portraiture. I will be using it for my animal work.

Negatives

  • I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is.

For the traveller in mind

If you’re tired of hauling around lots of different filters on your travels & need to go lightweight this could well be your answer.

Demonstration video

In the field tests

Test shots at different focal lengths starting at 70mm to 200mm in 10mm increments at each stop on the filter to see if all stops are true & consistent.

Sunset images below taken with Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F11, 1/60 – With Magnetic Variable ND filter 2-5 @ 3 stops; ISO 200, F11, 1/8 @70mm.

Without/ with filter.

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

Conclusion

So far the most versatile filter I’ve ever used, certainly the most enjoyable, easiest, fastest & most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit & serious contender in the photography/ videography marketplace for many types of genres.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work;
Follow me on Facebook & Instagram.
“All rights reserved” © Jenny Cameron 2020.

Experiment with Haida Circular Polariser on Animal fur.

Since Covid-19 hit the UK in March this year and not being able to travel the same I’ve been thoroughly enjoying more animal portrait photography.

However, I’m constantly faced with issues of blown-out highlights on the animal’s fur. It recently occurred to me that it may be possible to utilise my landscape photography skills with the use of a circular polariser. For some unknown reason its something I’ve never thought about and instantly heightened my curiosity. It was now time to put my theory into practice.

To see the results take a peek at this video where I use the Haida M10 “drop-in” Circular Polariser.

 

Screen captures of raw files (straight-out-of-camera) for demonstration purposes with/without filter & final edit in Lightroom Classic.

blown out highs

Showing blown out highlights & weak histogram without a filter

Annotation 2020-08-06 185218

Histogram showing much more detail with the filter on & same camera settings as with no filter.

edited jpeg-1

Final edit in Lightroom Classic.

Techy info

Both images using Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens @70mm, ISO100, F4.5, 1/350.

To conclude-

For a more in-depth review & explanation of the Haida M10 “drop-in” CPL please take a look here . Also a video demonstration of me using the filter in the Haida M10 filter holder, watch here how easy it is..

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. To view their official website please click here or alternately view their Facebook Page here.

I hope you found this useful & enjoyable?
If you would like to see more of my work;
YouPic Facebook, Viewbug, Instagram.

 

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“All rights reserved” © Jenny Cameron 2020

Haida M10 filter holder system including light- barrier

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“As a landscape photographer I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you I’ve made the mistakes and now ready to share my thoughts from the past twelve months of using the Haida M10 filter holder system for the 100mm filter series. Such a genius method and design.”

Included in the Haida M10 filter holder kit

Filter holder, Circular Polariser, light-barrier, one adapter ring which can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access, internally lined with a lovely grey velvety fabric with a net pocket for storage, including a handy screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder ) which I’ve left on permanently).

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Constructed from aviation grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see video & photos below). The innovative design gives a very secure and solid connection, and at the same time the ability to rotate 360 degrees. The non-slip spongued coating on the bottom of the filter holder provides a good grip whilst rotating which I think is a nice touch.

It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL together. If you don’t wish to use any of the round “drop- in” filters, you must use the M10 “drop in” light barrier (see photo below) which is a simple and easy to use sealing ring to prevent any light leakage (also provided in the M10 filter holder kit).

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Optional extra filter storage case

During 2019 Haida also released a very useful filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards. This has been with me on my adventures for every shoot, Id truly be lost without it. If you’d like to see more about this case please take a look at my test review showing photos & video here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you some useful information. Please feel free to ask me any questions.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2020

Haida Picture Appreciation – January 2020

Haida Picture Appreciation

On arrival the light was bouncing all over the place, it had been one of those typical Scottish days where you get all four seasons in one day, this can prove to be very successful for landscape photography as it seems to bring the purest of light, what I call “sparkling- light”. However, this can bring difficulties with light management -You need to be in control of the light, not the light controlling the image. To do this I used a Haida M10 CPL which is my go to filter to control highlights and Haida Red Diamond Medium 0.9 ( 3stops) which produced some real magic. The Callanish stones no matter how many times I visit never fail to make the hairs on the back of my neck stand up, there’s something very spooky but quietly spiritual about it, makes you think about the history which dates back to the stone age over 5000 years ago. The sky didn’t pop as much as I hoped due to the time of year and day time temperatures. I stayed till dusk watching the sun dip below the horizon, all very peaceful at such an iconic location.

lightroom without jpeg

Without filter -ISO 100, F11, 1/25

lightroom with filter

With Red Diamond medium 0.9 and M10 round “drop-in” CPL = ISO 100, F11, 1”3 sec @16mm

lightroom edited jpeg

Post processed in Adobe Creative Cloud

Camera settings Without filters = ISO 100, F11, 1/25 – With Red Diamond medium 0.9 and M10 round “drop-in” CPL = ISO 100, F11, 1”3 sec @16mm. Canon 5d mark iv, Canon 16-35mm L lens, Gitzo tripod & ball head.

I hope this provides you some useful information. Please feel free to ask me any questions. More info and my test reviews on Haida’s website.

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Clear Night filter by Haida Featured

Introduction

I’ve been curious for some time now – If I’m being honest slightly sceptical – about whether the Clear Night filter actually worked and wanted to find out for myself if this filter really did what it claimed. Initially, I questioned why can’t you simply change the white balance in post production, what’s all the fuss about? Let me walk you through my honest, hand-on-heart evaluation of the Haida M10 round “drop-in” Clear Night filter.
Firstly, I’ll start by explaining a bit about the Haida M10 round “drop-in” filters which are dedicated to only the Haida M10 filter holder and released in January 2019. They come in a wide range of sizes to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Boasting a choice of Neutral Density filters ( 3, 6, 10 and 15 stops), Circular Polariser, Clear Night, Graduated Neutral Density filters (3 and 4 stops) and ND + CPL combi ( 3 and 6 stops). Inserting the filter into the M10 filter holder couldn’t be easier, it simply drops between the holder and lens, creating a perfect seal from any stray light with its inbuilt light barrier. If you’d like to learn more about the Haida M10 filter holder please feel free to read my in depth test review and video click here. It’s almost like gravity does the work for you, so effortless – once you hear the click it’s locked in place.

If you don’t have the M10 filter holder but would like to try the Haida Clear Night filter, you can purchase the Haida Nano Pro 100 series Clear Night filter 100mm x 100mm, 2 mm in thickness, compatible with many of the most popular 100mm filter holders, including the Haida 100-Pro Filter Holder, and the Lee FK Foundation Kit Filter Holder.

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Location and Equipment

This test review was based on a couple of locations in the Scottish Highlands – Using my Canon 5d mark iv ( full frame camera), Canon 16-35mm F2.8 USM L lens, Gitzo tripod, Gitzo ball head and remote trigger. Although I was in a remote area with class one bortel for my seascape image there were still farms and houses dotted around which caused slight light pollution. The second image of the Church had extreme light pollution at the side of a busy main road and class four bortel.

How the Haida Clear- night filter affected my image.

My main goal in testing any filter will always be for neutrality and sharpness. I want it to replicate what my eyes saw without any strange colour cast which has been an issue for me in the past with a couple of other filter brands. I was experimenting with different exposure times without a filter to achieve the best focus and placement of stars to begin with but never completely happy. However, as soon as I popped on the Haida Clear Night filter everything changed and I was smiling from ear to ear. Instant clarity, almost like a polarising effect which replicated what I was actually viewing, incredible true to life colours and rid of the horrible warm tones which you can easily see in the raw files below. The sky appears clearer and stars intensify with the filter on. It significantly improved the optical clarity, contrast, colour and quality throughout the whole image not to mention unbelievable sharpness and no vignetting which made me feel elated. This was great and super easy to use combined with the Haida M10 filter holder which is a dream to use.

The Haida M10 round “drop-in” Clear Night filter made terrific improvements blocking the yellow sodium-vapor light which is the horrible yellow/orange coloured casts often generated from light pollution in the night sky resulting in a lovely cool tone which is something I prefer to portray on a cold dark night. This also made my post processing super easy and fast.

Design and construction

I particularly liked the design of the plastic holder that the round glass sits in, making it ultra easy to drop in and remove from the filter holder without any disturbance to the composition even with clumsy gloves on and numb fingers. Constructed from high quality optical glass providing the best ever clarity. Each filter has ten layers of anti-reflective coatings of ultra thin Nano coatings on both sides. Waterproof, meaning any built up condensation from the cold literally rolls off like beads with a quick wipe of a soft microfiber lens cloth, no ugly smears and also scratch-proof. Most importantly for me, preserves image sharpness, which let me tell you is second to none. As with all of the M10 filter range it has a built-in light gasket which seals to the M10 Holder and prevents any unwanted light leakage.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either. Demonstrating how the filter has retained every bit of sharpness and made the stars pop straight off the night sky with a stunning cool tone.

without-filter-for-review-(Tiff)

Without filter ISO 2500, F2.8, 20 seconds . With M10 round “drop-in” Clear Night filter ISO 2500, F2.8, 22 seconds.

                       Finally post processed in Adobe Creative Cloud.

©Jenny Cameron 2019

Location- County of Argyll & Bute, Scotland.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either and the same white balance on both.

without-filter-tiff

Without filter ISO 3200, F2.8, 15 seconds . With M10 round “drop-in” Clear Night filter ISO 3200, F2.8, 15 seconds.

                    Finally post processed in Adobe Creative Cloud

©Jenny Cameron 2019

Location – West coast of Scotland.

Where are the filters assembled

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Where can I purchase this filter from

All the Haida equipment I’ve mentioned above can be purchased direct from Haida’s European distributor Haida Germany shop  for excellent service.

Conclusion

Overall this will remain in my filter case and used in absolutely every night sky I shoot. Im super impressed the way it added a further dimension to my night photography and would highly recommend to a friend. The M10 round “drop-in” Clear night filter is the perfect companion for night skies, don’t leave home without it. Thank you Haida for saving the day yet again for me.

I hope this provides you some useful information. Please feel free to ask me any questions. More info and my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019.

Haida Red-diamond Reverse graduated ND 0.6 filter

Welcome to my test review of the Haida Red-diamond Reverse Graduated neutral density 0.6 (2stops) filter. Using a Canon 5d mark iv ( full frame camera),  Canon 16-35 mm USM L lens, Haida M10 filter holder, Gitzo tripod and ball head.

Over the past three weeks I’ve really put this filter through its paces especially on the beach with sand blowing around & enjoyed every single minute with it. My first shoot was on the remote Scottish island of Lewis in the Outer Hebrides & then finally back on the mainland in the northern county of Caithness. I really wanted to spend time to see how versatile this filter really is. Both these locations were ideal as the island has countless seascapes & Caithness is very flat which suits the filter as nothing to break the horizon line, ie ..mountains, trees etc.

First impression

The filter was presented in a sturdy metal tin with foam insert for protection & lovely chunky cut out which makes it easy to open even with gloves on. One thing I must not forget to mention is how every piece of equipment from Haida, whether its a glass filter or simple adapter ring that I own is always first class, thoughtfully designed & perfect partner for the discerning photographer. Even the smallest of detail, having the particular filter type etched on the top so when their all in your filter case it’s easy to see which filter you wish to select. 

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What’s the difference between a graduated neutral density filter & a reverse graduated neutral density filter?

A graduated neutral density filter is dark at the top where you would place over the sky & gradually reduces its density towards the bottom. Whereas a reverse graduated neutral density filter works on the principle when shooting sunrise/sunset, the highest luminance is near the horizon line. Therefore, the filter needs to be the darkest in the centre region resulting in more detail of the highlights & providing excellent exposure control.

As you can see in the image below, the bottom of the filter is totally clear and the top of the filter comes with a smooth/ gentle transition between the dark & clear areas of the filter which gives a natural balanced exposure & better quality/cleaner image. This would be difficult to replicate in Lightroom with the use of a gradient filter as you need it to be graduated in both directions. I could bracket my shots but it’s much nicer  achieving it as near perfect in camera than having to sit at my computer all day.

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Where to position the filter?

Positioning the filter is imperative, you need to be quite precise by placing it just over the most highlighted areas around the horizon line. Thankfully having it sized 150mm on its longest edge gives more scope & easy to use as you can move it up or down very smoothly till your satisfied with the correct position, as shown in the video below.

Downside

One major potential problem when using the Reverse graduated ND filter is anything that seriously breaks the horizon, be it some headland, mountain, building or tree is going to get very dark quickly, because the darkest part of the filter is right on the horizon transition area. However for many seascape purposes where the horizon is often flat out to sea this is perfect harmony & a feast for the eyes.

Red-diamond series

The Red Diamond series is my favourite of all Haida filters, the quality is second to none, not that the other Haida series aren’t, it’s just something about Red-diamond that I favour & suits my style. This particular filter I’ve tested is a Reverse graduated ND filter, made from K9 optical glass which is double the strength of normal glass, including an ultra-thin Nano multi coating for extra protection. Along with being shock/scratch resistant, waterproof, oil and fingerprint proof. This made my job at the beach with sand blowing all over the filter very easy to wipe off with a microfiber cloth.

Oftentimes with some filter brands you can get strange colour transitions whereas with this filter there was absolutely no evidence, revealing nothing but true colour & neautraly. You may think with all these features within the glass that optically the sharpness will be compromised, let me assure you and see for yourself from the raw files provided every image is pin sharp from corner to corner with excellent light transmission qualities.

Rectangle in shape 100mm x 150mm, 2mm in thickness providing more flexibility to move the filter up or down.  The M10 filter holder geniusly rotates independently, in effect you could turn the filter sideways for more creativity, which I demonstrate in this video. 

Also compatible with the Haida 100-Pro filter holder and other brands the same size. I use the Haida M10 filter holder whereby the Red- diamond series of filters are slotted into the front section. Not to mention the added touch of the R5 rounded corners makes it easier to slide in and out of the filter holder, no sharp corners to cut your fingers. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Conclusion

I have tested this filter at different focal lengths & found the image quality second to none. Fundamentally I’m besotted, its now my secret weapon of choice & will always have a forever home in my filter case.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @20mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either.

use-this-as-without-filter-rgnd

Without filter = ISO 100, F8, 1/2 second – With Haida Red-diamond reverse graduated neutral density filter 0.6 = ISO 100, F8, 2 seconds @20mm.

                                Finally post processed in Adobe Creative Cloud

Loch More sunset (jpeg)

Sunset over Caithness, mainland Scotland.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @21mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either.

without-rev-grad-filter-(1-of-1)

Without filter = ISO 100, F11, 1/250 second – With Haida Red-diamond reverse graduated neutral density filter 0.6 = ISO 100, F11, 1/60 second @21mm.

                                Finally post processed in Adobe Creative Cloud

final edit (jpeg)

Isle of Lewis, Outer Hebrides. Scotland.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @30mm -With-without-M10 round “drop-in” reverse graduated neutral density filter. No post processing on either. Location; Caithness, mainland Scotland.

Gif

Without filter = ISO 100, F11, 1/15 second – With Haida Red-diamond reverse graduated neutral density filter 0.6= ISO 100, F11, 1/4 second @20mm.

                                  Finally post processed in Adobe Creative Cloud

edited jpeg

Sunset over Caithness, mainland Scotland.

 

I hope this provides you some useful information. Please feel free to ask me any questions. More information & my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019

Filter case for Haida M10 100x100mm & 100x150mm filters

Welcome to my test review of the Haida filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards.

When I first started using filters I never had a case to keep them in which meant using individual tins or cases they arrived in. As my collection increased this really started to annoy me having to faff around often in cold, wet, windy conditions routing through my rucksack searching for the correct filter, this drove me insane! For me personally, landscape photography is a calming influence. I enjoy taking my time & slowing down from “life”, I needed to refine this stressful situation as much as possible. Eventually, I purchased the Lee filter field pouch which stayed with me for a few years as there was no other option available from what I found online here in the UK. It had several filter slots but no space for the holder which meant I had to start adapting & let me tell you sewing is not my fortay. Sure it worked but became very cramped & not ideal.

I’ve been an Ambassador for Haida filters for almost two years now & always mentioned my frustrations regarding a filter case. To my joy this year they released their M10 filter case. This was music to my ears, just what I’ve been searching for all these years. One thing I will say about Haida is they listen to their customers & are photographers themselves which provides them with a better understanding of reality in the field.

Which would you rather have?

All the tins & cases clattering around, not knowing what filter is in each tin? Or, the whole lot in one neat accessible filter pouch? All Haida filters have the name of the particular filter etched on the top, making this super easy to simply flick through & make a selection of your choice.

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Different ways

It fits onto your rucksack waist belt with a super strong wide velcro strap & a small clip for added security. Or, if your like me & don’t want the added weight of carrying your rucksack around all the time you can attach it to your trouser belt. Another way, if you don’t wear belts you can easily thread a long strap through & wear it loosely across your body. Final option, simply hang it on your tripod & secure with the small clip. It really is very versatile.

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Construction

Externally the pouch is made from a strong nylon type fabric making this waterproof, moisture proof & extremely durable. There are two easy to grip red zippers externally, one for the main compartment where your filters are housed is made from a soft fleece fabric, ensuring your filters are kept safe from any scratches or knocks. Within this compartment there is a small red zipped section where I keep my memory cards. The second external zipper on the front of the pouch is a padded pocket where I keep a large lens cleaning cloth as seen in the video & photos below.

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Conclusion

In a nutshell I’m thrilled with everything about this pouch. As always with Haida equipment, quality never fails & well thought out. A great solution for any outdoor photographer at an affordable price.

Purchase direct from Haida’s European distributor Haida Germany shop  for excellent service.

I hope this provides you some useful information. Please feel free to ask me any questions. For more info & my test reviews on Haida’s website.

If you would like to see more of my work;
500pxFacebookViewbugInstagram

“All rights reserved” © Jenny Cameron 2019

 

 

Test review of Haida Red-diamond soft GND 1.2 & Haida M10 round “drop-in” CPL+ND 1.8 combi

Introduction

Welcome to my test review of the Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter and Haida Red-diamond soft graduated neutral density 1.2 (4 stops).

If you enjoy landscape photography I cannot stress the importance of investing in a good quality set of filters. Im well aware of what it feels like having a restrictive budget and fears of making the wrong decisions buying new gear. This is where I hope I can help by providing my hand on heart honest opinion. Haida are not the cheapest filters on the market but by no means the most expensive for the optical quality achieved, you really do get a lot of bang for your buck! We all strive to buy the best lenses so why scrimp on a cheap filter and ruin optical quality, it makes no sense to me.

Haida M10 round “drop-in” CPL+ND 1.8 (6 stop)

When Haida offered me the opportunity to test their M10 combination-filter with built in light barrier I was intrigued to say the least, questioning myself what the downfalls if any would be. Whilst stacking filters can work and something I do regular, however this practice is not optimal for a couple of reasons;

  1. Forcing light to traverse through more elements, therefore more likely to get slightly refracted, possibly resulting in softness or even chromatic aberration.
  2. Increased risk of light flares.

The more I thought about it the more I couldn’t wait. Initially I planned waterfalls for this particular test. Although I could see it being very useful after a midday rainstorm which happens a lot here in Scotland when the sun bursts out it’s great to slow down the exposure a wee bit and allow the filter to do the work. Rainfall hasn’t been great the past few days so I headed to the beach at sunrise instead.

Inserting the filter into the Haida M10 filter holder is incredibly fast, it simply drops between the holder and lens creating a perfect seal from any stray light. Oftentimes in the past I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation unlike any of the Haida M10 round “drop-in” filters such as this combi filter which have a built in light-barrier.

from vid 2

Inserting filter into the rear of M10 filter holder

This is a ND 1.8 filter meaning it will lose six stops of light. But don’t forget it has the added CPL which generally loose between 1-2 stops of light, collectively this will provide a total of almost eight stops. For me personally, I like a six stop ND for moving water as it doesn’t blur everything to oblivion like say a ten stop would. A six stop shows slight movement which I prefer to portray. A neutral density filter should be exactly what the name suggests “neutral” in every which way and let me tell you all the Haida NDs I’ve ever tested are all neutral, no crazy coloured undertones, no vignetting and no loss of sharpness from corner to corner. What you see is what you get.

If your not wanting the polarising effect you can simply rotate the small dial (three gear linkage design ) on the mount independently, very smoothly to reduce or completely remove depending on the scenario of the scene. Once you start turning, you’ll instantly see the polarisation intensify on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition. The choice is all yours and easily very adjustable.

Image of raw file with filter on, zoomed in 100% in Lightroom to demonstrate maximum sharpness of the rocks. Its clear to see the quality is second to none, excellent detail even in the darkest of shadows at blue hour.

zoomed 100 percent )jpeg)

For this very demanding scene above with the bright sunrise and dark foreground you need the best support from your gear. Let me tell you this filter made my job very easy, provided excellent control over the whole dynamic range, ultimate sharpness, no color cast or vignette, and really made me smile. Constructed from high quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

The M10 round “drop-in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @19mm -With-without-M10 round “drop-in” CPL+ND 1.8 combi. No post processing on either, other than lens correction in Lightroom.

raw-without-(1-of-1)

Without filter = ISO 100, F14, 0.6 sec – With Haida M10 round “drop-in” CPL+ND 1.8 combination. = ISO 100, F14, 30 seconds @19mm

Finally post processed in Adobe Creative Cloud

Fragil rock (jpeg for web)

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Haida Red-diamond soft GND 1.2 (4 stops)

Earlier this year I tested the Haida Red-diamond medium 0.9 (3 stops) read review which totally stole my heart, since then it’s rarely been off my lens and I can’t wait to tell everyone how thrilled I am in using it. My love affair with this series only intensified, I had to try the Red-diamond soft graduated neutral density 1.2 (GND 4 stops) filter. Packed my kit and off I went to Aberdeen for sunrise to see how the soft grad stood up to the medium and let me tell you I was not disappointed.

The main purpose of a GND filter is to balance exposure in an image that contains a bright sky and darker foreground. As you can see from the photos below this filter is rectangle in shape and sized 100mm x 150mm, providing flexibility to move the filter up or down within the filter holder for ultimate control. Providing such a beautiful soft progression from dark at the top where you would place over the sky to clear at the bottom in a neutral manner and achieving endless creative possibilities.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – makes it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @35mm with no filter and with Haida Red-diamond soft GND 1.2 (4 stops). No post processing on either other than lens correction in Lightroom. As you can see the soft GND significantly transforms the quality of the image.

with-without-filter-(-gif)-May-2019-Dunnottar

Without filter = ISO 100, F10, 1/20 – With Haida Red-diamond soft GND filter 1.3 = ISO 100, F10, 0.8 seconds @35mm.

Finally post processed in Adobe Creative Cloud

final edit (jpeg)

Sunrise over Stonehaven, Aberdeenshire, Scotland.

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All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Conclusion

My overall conclusion is both filters are superiorly optically and I have absolutely no hesitation is recommending to anyone whether beginners or advanced and using for my own portfolio.

I hope this provides you some useful information. Please feel free to ask me any questions.

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“All rights reserved” © Jenny Cameron 2019

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