Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘jenny cameron 2021’

Haida Picture Appreciation | September Featured

Each month Haida support their Ambassador’s by promoting photographer’s work in what they call Haida Picture Appreciation. This month they kindly chose my recent image named “Summer-nights”. If you would like to view others on their website please follow this link.

“Summer-nights”~ I’m going to go all British on you now and talk about the weather, it’s our favourite topic, we are never happy, it’s either too hot or too cold, moaning is our second favourite topic. Have to say this year has probably been the driest and hottest summer I’ve known in a long time, that’s saying something for Scotland. There’s a reason we have so much “greenery”! I This image is a new gem of a location close to my home, a big area with waterfalls and woodland. Imagine the Aurora &/or Milkyway placed over here.

Techy information

Canon 5D Mark IV 

Canon 16-35mm F2.8 (ii) USM

16mm | 1/5s | f11 | ISO 100

Haida M10 Filter Holder + Drop-in CPL

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope you enjoyed this? Please feel free to ask me any questions or contact me below or Facebook Messenger.

Haida NanoPro Magnetic ND 1.8 & NanoPro Magnetic Polariser test review Featured

Introduction

Welcome to my test review– Haida NanoPro Magnetic ND 1.8 (6 stops) and a Haida NanoPro Magnetic Circular Polariser (CPL). Testing for sharpness, magnetic attraction strength, ergonomics, vignette, colour cast and practicalities.

As a landscape photographer– Over the years I’ve learnt the importance of investing in a good quality filter set if you truly want to hone in on your in-camera creativity. I`d go as far to say neutral density filters are almost as necessary as having a decent tripod. It’s something you can buy a bit at a time to build a collection to suit your needs. However, choosing the correct not only brand but these days the correct family (magnetic, round, square, rear-lens etc…) can be the tricky part. Hopefully, I can offer a little help.

Location

I planned a few days photography trip in the far north western mountains here in Scotland with a couple of friends and thought it would be an ideal opportunity to put these beauties through their paces. After testing Haida’s Interchangeable Magnetic VND filters earlier this year- which I fell head over heels in love with for their practicalities and super sharp imagery, I wanted to see if the bar was set as high with the rest of the Magnetic ND family.

Equipment used– Canon 5d mark iv body, Canon 16-35mm F2.8 (ii) lens, Gitzo Systematic 5 series Tripod and ball-head. Haida filters. Software- Adobe Creative Cloud.

Meet the Magnetic family

Magnetic Adapter Ring

Constructed entirely from aluminium for strength and light-weight. I have to commend Haida on the super slim design- From my experience, this helps with any unnecessary vignettes when shooting at wide angles. It screws really smoothly and with ease onto your lens. What I really love about this design is the ability to be able to leave it on your lens permanently so it won’t get misplaced or lost. Once this is in place you’re ready to start adding filters which is done in seconds. It takes longer to get a filter out of your bag than it does putting it on.

Sizes available= 52- 82mm. Step-up rings are also available in sizes 67-77mm and 77-82mm. I’m using an 82mm on my Canon 16-35mm F2.8 (ii) lens.

Magnetic Adapter ring

Magnetic lens cap

What I love about this- If you leave the magnetic adapter ring on your lens you can simply pop on the magnetic lens cap and pack away conveniently in your bag- knowing everything is secured and less time consuming for your next shoot. These are sold separately and not included with a single filter -However, it is included in the kit.


Haida NanoPro Magnetic neutral density (ND) 1.8

Haida NanoPro Magnetic ND 1.8 (6 stops) stacked on top of Haida NanoPro Magnetic CPL.

We will start by looking at the ND 1.8 which is a 6 stop, meaning the light will be reduced by 6 stops of light- Essentially sun glasses for your lens and comes in different strengths. For me personally, as a landscape photographer this is my go-to filter for anything moving- Example- Wispy clouds, to smooth down fast flowing water or waterfalls, creating a dreamy effect. It’s used to darken the whole image evenly from top to bottom and-that allows you to use a wider aperture or slower shutter speed than you would without the filter. This achieves very pleasing results as you have more creative control with depth of field and convey movement in a beautiful motion. Typically used for long exposure photography. Also, very useful for a cinematic look in video making which I spoke about in my previous blog post and video if you’d like to learn more.

Once you start going past a 2 stop ND filter on a wide angle lens you start getting into obvious unwanted vignettes’ and strange colour cast territories’. I can happily confirm from my findings- No vignette, consistent tonality/ contrast with no colour shift (neutrality) and no loss of sharpness from corner to corner in the final raw files which speak for themselves in the images below.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm without/with Haida NanoPro Magnetic ND 1.8. No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness. Without filter- ISO 100, F8, 1/30 With 6 stop ND filter- ISO 100, F8, 2 seconds.

Without/with filter

Finally post-processed in Adobe Creative Cloud.

Edited in Adobe Creative Cloud

Specifications

Sizes– Available in sizes 52- 82mm.

ConstructionThe frame part is constructed from Aerospace Aluminium making it super strong and extremely light weight. The glass is made from high quality K9 optical glass for clarity and colour fidelity with a NanoPro coating.

Weight– 18g based on 82mm filter.

Featuring

  • Magnetic attraction.
  • Lightweight.
  • No light leakages.
  • Low profile filtration.
  • Quick to install and switch filters.
  • NanoPro coating, helps prevent dirt/smudges from adhering to the glass, reduced reflections, scratch resistant, waterproof, fingerprint, oil-proof and cleaning efficiency.
  • Fully compatible and interchangeable with magnetic filters from other brands.
  • Magnetic metal lens cap.

Ergonomics’- The downsides of glass filters are they are more prone to scratches and finger print smudges. On location before starting the video for this evaluation, without thinking I stupidly sprayed midge repellent on my hands then picked up a filter- Leaving a thin coat of oil all over! Thankfully with a soft microfibre cloth it was easy to wipe off thanks to the NanoPro coating on the filter. The magnetic strip around the edges acts like a light seal meaning no light leakage whatsoever- It’s a win win innovation. Speed of use and convenience is high on my list, watch my video to see how easy installation is. The ability to add/swop filters fast can make or break a potentially great image as you’re not wasting time screwing on the adapter ring then filter holder, followed by filters, it can be time consuming and often frustrating when the light is moving fast-its that rabbit in the headlights feeling. No more struggling to screw on filters in the winter with numb hands. You can stack up to 4 magnetic filters with this system including other brand magnetic filters. Making stacking filters the easiest we’ve ever had. When you’re finished shooting and ready to pack away you can leave the adapter ring on and put the magnetic lens cap over the top, making life even more convenient for your next composition.


Haida NanoPro Magnetic Circular Polariser

What is a Circular Polariser and how does it work?

My favourite of all the filters has always been the Polariser, often referred to as a CPL ( Circular Polariser/Linear). A vital piece of kit every photographer should have and something which cannot be mimicked with digital tricks no matter how good you are. I really cannot stress enough the importance for the majority of photography genres. All in all you really cannot go wrong investing in a good quality polariser.

I’m no light Scientist and Physics was my worst subject at school- Therefore I won`t attempt a full technical breakdown of how it works, in my mind it’s pure magic! Sorry, in all seriousness it really is science- The basic job of a polariser is to help block out reflective light.

Polarisers tend to get labelled to landscape photography- However, it is not the case and a misconception. They are perfect for nature photographers to cut out some water reflection so you can often see right through to the river bed. Ideal for Macro on insects with shiny bodies &/or water droplets. Wildlife for showing convoluted detail/textures and vibrant colours. Portraiture-on someone’s sweaty brow or wearing glasses. Architecture- reflections from windows. Great if you’re ever shooting a subject through your car window or at the Zoo/Aquarium behind glass, a polariser will be your best friend. Overall, saturation is beautifully increased, cuts through haze, produces amazing contrast, darkens blue skies, especially great with the greens on wet foliage, misty rainbows are made more vivid. My favourite of all is on animal fur, white/light coloured in particular- Basically any reflective surface other than metal a Polariser will give an instant pop to any image.

However, there are some caveats, they only work at certain angles ( told you its magic!). When the sun is positioned either directly in front of or behind the lens the polariser will not work- So, you have to look 90 degrees to your side so the sun is perpendicular to your lens then start rotating the filter and you’ll instantly see the polarising effect.

A common problem of polarisers on wide angle lenses is they don’t give the full effect over the entire image, so for example you would have the effect on say the left side but not the right side and vice versa or other random areas. This is not something I’ve ever experienced with any Haida filters, it tends to be more on the budget brands but it’s something I keep in mind and always test for with new filters.

Haida NanoPro Magnetic CPL on top of Magnetic adapter ring

Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a Polariser you will generally lose between 1-2 stops of light. As you can see in the comparison EXIF data below, I have lost around 1.5 stops.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm without/with Haida NanoPro Magnetic CPL filter. No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness and controlled highlights. Without filter- ISO 100, F11, 1/15 With CPL filter- ISO 100, F11, 1/6.

Without/ with Haida NanoPro Magnetic Circular Polariser

Finally post-processed in Adobe Creative Cloud.

Edited in Adobe Creative Cloud.

Specifications

Sizes– Available in sizes 52- 82mm. I’m using the 82mm as my lens is a Canon 16-35mm F2.8 (ii). -Step-up rings also available in sizes 67-77mm and 77-82mm.

Construction-The frame part is constructed from Aerospace Aluminium making it super strong and extremely light weight. The glass is made from high quality K9 optical glass for clarity and colour fidelity with a NanoPro coating.

Weight- 23g based on a 82mm filter.

ErgonomicsI have to say how solid it feels in my hand for the size with a good textured grip round the circumference with no harsh edges and smooth as butter rotation on the polariser, such a lovely sleek design. I found the practicalities continue with my Equine work where I often work off tripod I was able to achieve a fast enough shutter speed with the polariser on. By leaving on the magnetic adapter ring and using the magnetic lens cap ( as demonstrated in the video below)-It gave me the ability to quickly pop on the polariser if the light was causing me to loose crucial fur detail in the highlights. Initially, I did feel slightly paranoid that the magnetics may not be strong enough with me moving around in many directions following the horses over rough terrain- However, I’m delighted to confirm they were 100% secured. Speed of use, couldn’t be easier compared to older Polarisers’ which were very fiddly to set up and some even involved using a screwdriver to my horror! Clearly labelled text etched onto the aluminium part of the polariser- Making it easy to read/ identify what type of filter it is.

Features

  • Magnetic attraction.
  • Lightweight.
  • Low profile filtration.
  • Quick to install, switch and stack up to 4 magnetic filters together.
  • Stackable filters without vignette.
  • NanoPro coating, helps prevent dirt/smudges from adhering to the glass, reduced reflections, scratch resistant, waterproof, fingerprint, oil-proof & cleaning efficiency.
  • Fully compatible and interchangeable with magnetic filters from other brands.
  • Magnetic lens cap.

Demonstration video on a Private Highland Estate

Images below taken with Haida NanoPro Magnetic CPL

“Luie” -Image taken with Haida NanoPro Magnetic CPL- ISO 320, F4, 1/4000 @200mm. Post processed in Photoshop.
“Torin” -Image taken with Haida NanoPro Magnetic CPL- ISO 640, F2.8, 1/6000 @200mm. Post processed in Photoshop.
“Sandy” -Image taken with Haida NanoPro Magnetic CPL- ISO 1000, F4.5, 1/4000 @200mm. Post processed in Photoshop.

Haida Magnetic zipped filter case

  • Holds up to 5 filters.
  • External dimensions- 121x121x47mm (LxWxH).
  • Filter size- 82mm demonstrated in my YouTube Video.
  • Materials- PU Leather and Polyester.
  • Weight- 98.9g.

Overall conclusion for both magnetic filters

To answer my question at the start of this evaluation- “I wanted to see if the bar was set as high with the rest of the Magnetic ND family“-The answer simply is YES! Exceptional quality throughout regarding even tonality-sharpness-contrast-no colour shift and absolutely no vignette on both filters.

The main attraction if you pardon the pun is the convenience compared to traditional systems which can be extremely fiddly and time consuming, especially if you’re unsure of what filter to use so your swapping and exchanging filters frequently. I’m 100% sold with this system and really do love everything about it. As you can see from my video footage the quality is also top notch for professional videographers out there. Let me assure you in no uncertain terms- This Magnetic family have it all! I will most definitely be recommending to my photography friends &/or students. Quite honestly its a breath of fresh air!

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021

Haida Anti-fog belt

An innovative and perfect solution for astrophotography and extreme temperature photography.
Close up- Haida Anti-Fog belt.
Showing heat control with three different settings- Haida Anti-Fog belt.
Showing Haida Anti-Fog belt attached to a spare Drone battery which I used as a power bank.
Haida Anti-Fog belt set up with lovely soft grey bag-Included with purchase.

Introduction

Viewing winter scenes online may look magical but for the photographer it takes a lot of effort and skill to execute. When shooting in sub-zero temperatures it’s an endless problem with the lens fogging up and constant job keeping it clear. I’ve tried all sorts of ways to no avail, placing thermal hats, scarfs around the lens, basically anything to keep the lens warm- which isn’t ideal especially if it’s windy. If you use a tripod this will exacerbate the issue as the camera is away from any body heat. Hot and humid regions are also problematic – When leaving an air conditioned car or building then head outdoors with your camera when it’s hot. Whether it’s moving from a cold to warm environment or vice versa, the drastic change in temperature will cause your lens to fog up. In simple terms, condensation will cause your lens to fog-up, thus dramatically reducing the image quality.

Allow me to introduce to you a brand new product designed by Haida – An innovative and perfect solution for astrophotography and extreme temperature photography. It’s an Anti-fog belt – Companied with a USB port and lovely soft grey pouch so you can put it in your bag easily and conveniently. Boasting three individual heat settings – Low ( 35-45°)- Medium (45-55°)- High (55-65°) and can withstand -40℃ low temperature. Simply wraps around the outside of your camera lens ( held securely in place with Velcro) to avoid fog on your lens and plugs into a power source- (I used a drone battery as a power bank). Not to forget Haida’s signature colour-Red!

Example photo’s below when using the Haida Anti-fog belt would be advantageous.

Lets geek out on why lenses fogs up?

When the temperature of the lens or lens with filter on gets cold the water vapour in the air condenses on it, in other words creates condensation. Same principle when your bathroom mirror fogs up when having a hot shower or when you take a cold drink out of the refrigerator on a hot day. Similarly, to what we learnt in Chemistry at School- Condensation is the opposite to evaporation- rather than water molecules transforming from liquid into a gas in a process known as vaporisation, the water changes instead from a gas in the air back into a liquid form.

Your camera body will generate some heat which will prevent condensation from forming on the inside, but the lens is a different story. In particular, a build-up of condensation behind the actual lens over a period of time could result in the growth of mould. Needless to say, mould will destroy the internal workings of your lens. Or, even worse, condensation on your lens freezing up! Yes, it can actually happen! 

Top-tip from personal experience- In these extreme polar opposite conditions always remember before you retreat indoors to put your camera in a camera bag when you’ve finished photographing. If possible leave it in the bag for a good 12 hours. If you’re inpatient to view your images just remove the SD card. This allows your gear to slowly thermalize whilst avoiding condensation. 

It’s all about the Dew-point

If you’re anything like me a little OCD with preparing for a photo trip- Weather forecast Apps tend to be top of your list? Whether you’re heading to the Arctic or Maldives, both can create big problems for your camera in terms of condensation. Knowing the dew point temperature (which can also be found on most decent websites/Apps) for each location should be high up on your list too and help you prepare for what the weather may throw at you- Be it sun, wind, rain, fog/mist, snow, frost and sand-dust- This will tell you what temperature condensation is expected to form. Condensation is created when the outer casing of your lens is cooled below what is known as the ‘dew point’ of the air inside. The dew point is simply the temperature at which the air inside your lens is no longer able to hold all of the water vapour, meaning that some of it will need to be released back into its liquid form. As such, the water vapour changes back into moisture, causing beading and fogginess to appear on the inside elements of your lens without oftentimes you even realising until you later check through your images horrified with that feeling of “the end of the world”.

Screenshot of my favourite weather App Clear Outside including Dew point temperatures.

Previous experience

I clearly remember a night earlier this year when I gave up and retreated home as it was too cold not only for my hands but became an endless battle with lens fogging up, I couldn’t keep up wiping the lens with a microfibre cloth. I was not happy at all and let me assure you I’m not one to give up easily.

Materials used

Haida adopted a new technology material “Graphene” (heating material) which produces evenly heat distribution in a safe/stable manner.

Positive features

  • Fits any lens.
  • Light-weight & convenient.
  • Starts heating up in only a few seconds.

Negative features

  • Remembering to have a full charged power pack with you.
  • Careful not to knock the focusing ring whilst attaching the belt.

Unfortunately, at this moment in time it’s British summer time- Here in the far north of Scotland it’s pretty much daylight all the time and temperatures are a steady 10-20 degrees Celsius, making it impossible to replicate extreme temperatures or do any Astrophotography. However, come September Milky-way & Aurora season will begin- Followed by a few months later when temperatures start plummeting. Last winter was very cold, reaching minus 28 degrees Celsius at home. I will continue to add my thoughts to this evaluation as conditions allow. Watch this space for more updates!

Conclusion

All in all, I really do think this will be a popular and welcomed tool for many outdoor photographers. Certainly solved a common problem for myself. Hopefully, I’ll achieve more keepers in the mountains next winter and be even more enjoyable.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

If you would like to see more of my work; Follow me on Facebook & Instagram.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021


Good-bye Winter

Hyperborea

Here in Scotland we’re still in lock-down~ Getting out for photography this past year hasn’t been easy with travel restrictions. I find the whole Covid thing a mental struggle the way its taken my freedom to travel, missing close family in England & photography road trips I so much enjoyed & pretty much use to take them for granted~ a huge lesson I think we`ve all recently learnt. On a more positive/happier note~ I’m very lucky living in such a beautiful remote area with mountains all around & pristine beaches close-by. This was taken a couple of weeks ago on a freezing cold morning when temperatures plummeted to minus 22 Celsius. Thankfully the majority of the snow has now gone and signs of spring on its way.

Techy info

Filters used~ Haida Interchangeable Magnetic Variable 6-9 stop ND filter @ 6 stop.

Post-processing software & techniques ~ Adobe Creative Cloud & Lumenzia. Focus stacked for maximum sharpness front to back & exposure blended.

Camera settings~ ISO 100, F11, 0.7 seconds @ 35mm.

Equipment used~ Canon 5d mark iv, Canon 16-35mm F2.8 lens. Gitzo tripod.

Video below showing raw file & final edit.

If you would like to see more of my work;
500pxFacebookViewbugInstagram

“All rights reserved” © Jenny Cameron 2021

Popular blog posts from the past few months.

Haida Interchangeable Magnetic Variable ND filter 77mm.

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable neutral density (ND) filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one ND ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides.

Top 10~ Tips to help create your perfect Landscape Fine Art image. Featured

Have you ever created an image you loved so much you decided to share on every online platform possible but didnt receive the feedback you expected? You put your heart & soul into this creation but nobody understood what you were trying to convey?

How did it make you feel? Crap? Overwhelmed? Confused? Disappointed, self doubt & dare I say almost envious of others? Trust me, I’ve been there. Receiving negative critism isnt easy & can become extremely upsetting. Asking yourself~ Why do I see things different to others? You know photography is in your blood~ I’m telling you right now, never give up & keep going. Its your ultimate passion, right? And remember~ Practice makes perfect.

Here’s my top 10 tips in no particular order

  1. Lighting~ Mood & atmosphere, probably the most difficult thing to learn as its really something that comes from the heart, you have to feel it to be able to see it.
  2. Good composition ~Visual/intuitive balance & direction of flow helps grab the eye. Rule of thirds where you place points of interest in the intersections or along the lines. The Fibonacci spiral also know as the Golden spiral helps to lead the viewers eye through the entire picture. Reduce the distracting elements also known as pokies such as random tree branches poking into the edge of the photo, something I personally call “edge- control police”. Although being naughty~ breaking some rules from time to time is not a bad thing & can work out creatively.
  3. Perfect Raw file ~ A photographers fundamental basic, this is the key where you need to go all OCD. Without this you have nothing, no amount of editing will rectify. A raw file is the foundation of the house, without it the whole image will collapse. Its your blank canvas which needs to be absolutely perfect in every way imaginable. Please do not shoot in jpeg, you can bring out so much more from a raw file.
  4. Editing~ clicking the shutter button is only part of what it takes to producing a great image. For me, I liken it to putting make- up on, making the best of what you have. If your shooting raw the image will be very flat & un- interesting, therefore some editing is needed to bring your image to life. You dont need to spend hours at your computer getting a headache from eye strain, oftentimes twenty minutes maximum can really give your image the va- va- voom.
  5. Camera settings~ Technical skills & knowledge of how to use your camera are needed in abundance. When trying to be creative the last thing you need is struggling to remember how to use your camera. This should be as easy as brushing your teeth & come the most natural thing for you so you dont have to give it much thought~ All you should be thinking about is your creative flair & the beauty surrounding you. I learnt my camera settings blindfolded so I knew I could photograph the night sky at ease, not have to fumble around with torches followed by yelling at my camera as I pressed the wrong button.
  6. Colour~ Colour plays a huge role, much more than most people think. Making it look natural but really its very deliberate & a highly thought out process. Colour can sometimes provide the opposite & cause more of a distraction, this is when black & white plays its role, your stripping back elements to create more of an impactful message~ This is more useful in images that portray deep powerful emotions leaving the viewer with the pure essence of the image. Learn & understand the colour wheel.
  7. Focus stacking~ This can only be done on a tripod. Where you take several images of the same scene. Focused at different points throughout the image, so for example~ Foreground, mid-ground, a distant hill & sky. Then blend together as one in Photoshop for ultimate sharpness from front to back.
  8. Exposure blending~ Similar to focus stacking but with exposures. So for example several images of the same scene taken at different exposures~ One for the shadows, one for mid-tones & another for the highlights. Again blended together in Photoshop for a perfect high dynamic range also known as HDR.
  9. Location~ Personally I think this is an important one. I struggle to accept how a photographer can go to a location never visited before & get the most of out it. For me its something I have to visit several times, different times of the day & seasons. I need an intimate familiarity with the place, feel the spirit, question what makes it special to me. Then I concentrate on that element to achieve the best out of it. All this flows continually right through to the editing process & final image.
  10. What elements & message you wish to convey? Start by what you wish to emphasis in the photo, is it a waterfall, lake, mountain or just a wow sky. Search for different patterns & textures which can convey different emotions to the viewer. This is how you begin to tell your story & how you start growing connections with your viewers, it really does become quite personal & evoke deep emotions.

“I believe photography is a message connecting someone’s spirit to reality. In this crazy world we all live in there are times we need to escape all the madness even just for a few seconds to be virtually teleported to another world”.

“Never give up on your dreams”

Jenny Cameron

Aurora’s from home

Ma home ~ Ma aurora

with Jenny cameron 2021

I want to share with you the beauty from my back yard during lockdown January 2021. I’ve been recently struggling like many since Scotland went into full lock-down on Boxing day 2020 ( 26th Dec) with my mental health. Theres nothing to look forward to & so much sadness … So ..I decided enough was enough & kicked my butt to do some night photography from home. Here in the far north of Scotland we are blessed with Auroras between September & March. I’ve always been too lazy or ill to photograph, so..no more excuses Jenny, get yourself outside with your best buddy (camera) & enjoy the beauty. I talk away to myself ~ “For goodness sake Jenny don’t you know how lucky you are, what’s wrong with you, why have you never done this before ?”

These images are nothing fancy but the pleasure they have brought me has been immense & I hope you enjoy them too.

I’ll add more as I go … Watch this space ..no pun intended …ha-ha…..;-( .

Aurora from my home during lockdown in Scotland 2021.

Haida Picture Appreciation

Winter sunrises are some of the most impressive in my favourite Scottish mountain range right in the heart of the British outdoor capital called Glencoe~ Known for its history, haunting mood & unpredictable weather.

This particular area of the river is locally called the Cauldron as it swirls around in many directions. On arrival, it was still relatively dark but from experience, I knew the sun hits the side of the mountain & often the rewards are fruitful with a lovely alpenglow, this morning did not disappoint. As the light came up I instantly knew it was something special & an unforgettable moment captured in time. It only lasted about five minutes & thankfully I was prepared.

The motto of this story is knowing your location, planning the composition & patience.

Filters used.

  • Haida M10 filter holder system.
  • M10 CPL for the water
  • Red-diamond soft GND 1.2 (4 stop) to darken the sky slightly & increase the saturation of the sunrise.

Techy jargon

F11, 0.6s, ISO 100 @17mm

Equipment used.

Canon 5D mark IV. Canon 16-35mm f2.8. Gitzo tripod & ball head.

Post Processing.

Adobe Creative Cloud.

Reach out to me

Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook & Instagram.

All rights reserved” © Jenny Cameron 2021

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