Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘education’

Haida NanoPro Magnetic GND 0.9 Evaluation

Introduction

Welcome to my test review- Haida NanoPro Magnetic GND 0.9. Testing for sharpness, magnetic attraction strength, ergonomics, vignette, colour cast and practicalities. Ideal for photography & videography.

Location

Various regions of the Northern Highlands, Scotland. Where Eagles soar over magnificent coastlines, lochs and mountains.

Equipment used for testing

Canon 5d mark (iv), Canon 16-35mm F2.8 (iii) lens, Canon 70-200mm F2.8 (ii) lens, Gitzo tripod and ball head and Adobe Creative Cloud software.


Haida Magnetic Adapter ring

Construction

The magnetic adapter ring is made exclusively from aluminium for strength & light-weight.

Design & practicalities

Firstly, screw on the correct sized magnetic adapter ring. It screws onto the lens very easy & smoothly. This super slim adapter ring is made entirely from aluminium for strength and lightweight. From my experience, this helps with any unnecessary vignettes when shooting at wide angles. Once this is in place you’re ready to start adding filters. This can be conveniently left on permanently if you have the Magnetic lens cap which I discuss further on.

Sizes available

52, 55, 58, 62, 67, 72, 77 & 82mm. Step-up rings are also available in sizes 67-77mm and 77-82mm.

I’m using an 82mm on my Canon 16-35mm F2.8 (iii) lens and a 77-82mm Step-up ring for my Canon 70-200mm F2.8 lens.


What is a Graduated neutral density filter (GND)?

I’m sure every landscape photographer can relate to the failings of photographing a sunset/sunrise. You expose for the sky & the foreground is too dark- Expose for the foreground & the sky is too bright, we’ve all been there. This is due to our eyes having a much wider spectrum than a digital camera sensor. However, do not worry, there is an easy fix by using a Graduated Neutral Density filter such as this one. Start by placing the darkest part of the filter over the brightest area in the scene (usually the sky) you can reduce the difference between the two different exposures and balance the entire scene resulting in a very pleasing final image.

How to attach the GND filter onto your lens?

Couldn’t be easier. Simply, offer the filter up to the magnetic adapter ring on your lens & you’ll instantly feel the magnetic pull which is very strong.

Will it blow off in a strong wind?

I’ve been using Haida magnetic NDs for over a year now & never had one drop off even on the wild west coast of the Outer Hebrides’, Atlantic Ocean.

Construction.

The frame part is constructed from Industrial Aluminium making it super strong and extremely lightweight. The glass is made from high-quality K9 optical glass for clarity and colour fidelity with a double-sided NanoPro coating.

Ergonomics.

Two words spring to mind- “speed and convenience“. The ability to add/swap filters fast can make or break a potentially great image as you’re not wasting time screwing on the adapter ring then filter holder, followed by filters, it really is time-consuming. With magnetic filters, you can literally add in one second then if you change your mind & want to try a different one it’s extremely fast & easy, with no stress at all.

Stackable.

This is ideal & something I find myself doing often. I like to pair any of the magnetic ND’s/GND with a Polariser. It’s possible to stack up to four filters with this system including other brand magnetic filters. So far, I haven’t felt the need to stack more than three but that’s purely personal taste. I’ve been enjoying the Haida NanoPro Magnetic ND3 (10 stop) and stacking this GND (3 stop) on top of it which gives me a total of 13 stops that graduate softly downwards from the sky which produces a very nice effect.

What is NanoPro?

NanoPro is a waterproof multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass & reduces reflection. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used underwater and super easy cleaning.

Weight?

Based on 82mm filter = 18g.

Whats in the box?

A see-through plastic case with an internal shaped foam insert to keep your filter protected. One Haida NanoPro Magnetic Graduated ND0.9 & one Haida Magnetic Adapter ring.

Thoughts on image quality

Absolutely no vignetting. Zero colour cast & most importantly to me ultimate sharpness corner to corner.

Personal Likes

  • A nice soft transition from dark to light creating natural looking blending of light.
  • Clear to read text on the outside edge making it easy to select in the filter case.
  • Incredible tonality, contrast & sharpness.
  • Ultra-easy to attach and remove without any disturbance to the composition.
  • Increased dynamic range.
  • Well built, feels sturdy & the glass part doesnt rattle.
  • Conviently placed grips on the outer circumference making it easy to swap/remove.
  • No evidence at all of vignetting or colour cast.

Personal Dislikes

  • I’m really nit-picking, as there aren’t any real dislikes & I’m struggling to think of any. However, there is one small issue when I first started using the magnetic filters especially with the GND & Polariser when you have to turn them whilst attached to the lens to achieve the best exposure is touching the glass with my greasy fingertips. It’s quite difficult when your hands are shaking in the cold winds, although it’s easily rectified thanks to the NanoPro coating with a quick wipe with a soft microfibre cloth.
  • The magnetic family is limited, Id like to see some higher density NDs in the near future.

Comparative images below-showing straight-out-of-camera- (Canon 5d mark iv and Canon 16-35mm (iii) lens). Without/with Haida NanoPro Magnetic GND 0.9 (3 stop).

Without filter- ISO 100, F8, 1 second @35mm- With filter- ISO 100, F8, 7 seconds @35mm.

Without/ with filter

Finally post-processed in Adobe Creative Cloud.

Behind the scenes

Showing- Haida NanoPro Magnetic GND 0.9 on the front with Haida NanoPro Magnetic CPL stacked behind.

Comparative images below-showing straight-out-of-camera- (Canon 5d mark iv and Canon 70-200mm (ii) lens). Without/with Haida NanoPro Magnetic GND 0.9 (3 stop).

Without filter- ISO 100, F16, 1/250 @168mm- With filter- ISO 100, F16, 1/30 @168mm.

Without/with filter

Finally post-processed in Adobe Creative Cloud.

Behind the scenes


Magnetic lens cap

What I particularly love about this is- If you leave the Magnetic Adapter ring on your lens you can simply pop on the Magnetic Lens cap and pack it away conveniently in your bag- knowing it won’t get misplaced, lost, everything is secured and less time-consuming for your next shoot. Please note these are sold separately and not included with a single filter purchase but I really do recommend having for each of your lenses.


Images taken with Haida NanoPro Magnetic GND 0.9 (3 stop)

The image above Exif- ISO 200, F7, 1/2 @35mm. Post-processed in Adobe Photoshop.
The image above Exif- ISO 100, F8, 1/60 @70mm. Post-processed in Adobe Photoshop.

Haida magnetic zipped filter case

  • Holds up to 5 filters.
  • External dimensions- 121x121x47mm (LxWxH).
  • Filter size- 82mm.
  • Materials- PU Leather and Polyester.
  • Weight- 98.9g.
  • Conveniently clips onto your trousers or belt loop.
Available to purchase separately

Overall conclusion

In my mind, this magnetic system is a total game-changer & the way forward in the world of ND filters. The Haida magnetic family have it all. What I’d really like to see is a wider range of ND filters, my personal favourite would be a mighty 12 or 15 ND filter & more GND’s. I will most definitely be recommending them to my photography friends & workshop students. There’s no going back for me, magnetic all the way.

If you would like to read my recent test review of the Haida NanoPro Magnetic ND3.0 (10 stop) click here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021

Haida NanoPro Magnetic ND 10 stop Evaluation

Introduction

Welcome to my test review- Haida NanoPro Magnetic ND 3.0 ( 10 stop). Testing for sharpness, magnetic attraction strength, ergonomics, vignette, colour cast and practicalities. A very useful and popular choice for landscape photographers & videographers.

Location

The wild & untamed Scottish Highlands, United Kingdom.

Equipment used for testing

Canon 5d mark (iv), Canon 16-35mm F2.8 (iii) lens, Canon 70-200mm F2.8 (ii) lens, Gitzo tripod and off-set ball head and Adobe Creative Cloud software.


Magnetic Adapter Ring

Construction

The magnetic adapter ring is made exclusively from aluminium for strength & light-weight.

Design & practicalities

It screws onto the lens very easy & smoothly. The super slim design helps with any unnecessary vignettes when shooting at wide angles. This can be conveniently left on permanently if you have the Haida magnetic lens cap which I discuss further on.

Sizes available

52, 55, 58, 62, 67, 72, 77 & 82mm. Step-up rings are also available in sizes 67-77mm and 77-82mm. I’m using an 82mm on my Canon 16-35mm F2.8 (iii) lens and also a 77-82mm Step-up ring for my Canon 70-200mm F2.8 lens.


What is a ND 3.0 ?

In simple terms, neutral density filters are a piece of darkened glass placed in front of the lens to block light from reaching the image sensor. It’s used to darken the whole image evenly from top to bottom allowing you to use a wider aperture or slower shutter speed than you would without the filter.

Creative “in-camera” effects

Resulting in some lovely artistic effects such as silky smooth water and streaky clouds.

Tips & tricks

Just remember whilst shooting long exposures that any other moving elements in your scene other than sky and water such as tree branches, foliages & people may also be moving and not stay sharp. So, what I recommend is to take one long exposed image for the sky and/or water then remove the filter and take another photo with a fast shutter speed for example trees/foliage, as they will most likely be moving in the wind. Then blend together in post-processing achieving the best of both worlds in your final image.

Buy cheap- buy twice!

The downside of long exposures can be compromised image quality, for example- heavy vignettes, unwanted noise & strange colour casts. Therefore, having the best optical glass possible is crucial. No point in spending thousands of pounds on a Canon L glass lens then throwing a cheap filter in front of it. I cannot stress the importance of investing in a great set of filters to make all your images shine.

Design & practicalities

The innovative design of the magnetic attraction has been a real game-changer for me, in fact, I rarely use others these days. These last few months I’ve been testing this filter, I solely used Haida NanoPro magnetic filters, something I’ve never done before. It allowed me to go super lightweight instead of lugging around a bulky filter holder and all the other heavier filters.

Ergonomics

Two words spring to mind- “speed & convenience“. Being able to swap/add filters quickly can make or break a potentially great image, as your not wasting time screwing on the adapter ring then the filter holder followed by filters, it really is time-consuming. Whereas with magnetic filters you can literally add or remove a filter in one second, then if you change your mind & want to try a different one it’s extremely fast & easy.

What is NanoPro?

NanoPro is a waterproof multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass & reduces reflection. Applied to both sides of the filter and helps prevent colour cast while maintaining excellent image sharpness. Highly scratch-resistant, durable, can be used underwater and super easy cleaning.

Construction

The frame part is made from Industrial Aluminium making it super strong & extremely lightweight. The glass part is made from high-quality K9 optical glass for clarity and colour fidelity with a double-sided NanoPro coating.

Stackable

It’s possible to stack up to four filters with this system including other brand magnetic filters. So far, I haven’t felt the need to stack more than three filters but that is purely personal taste. I found a nice combination of adding a Haida NanoPro Magnetic Polariser as it really helps the sky/clouds pop if the sun is sitting at the correct angle.

Haida NanoPro Magnetic ND 3.0 with Haida NanoPro Magnetic CPL stacked behind.

Whats in the box?

A see-through plastic case with an internal shaped foam insert to keep your filter protected and one Haida NanoPro Magnetic ND 3.0 (10 stop).

Actual filter out of the box. Haida NanoPro Magnetic ND3.0 (10 stop).

One Haida Magnetic Adapter ring.


Likes

  • Well built, feels sturdy & the glass part doesn’t rattle.
  • No color cast worries.
  • A big plus- zero light leakage thanks to the design.
  • Clear texted eteched onto the outside edge of the filter making it easy to read & select.
  • Super lightweight.
  • Incredible tonality, contrast & sharpness corner to corner.
  • Ultra-easy & fast to attach and remove without any disturbance to the composition.
  • Conviently placed grips on the outer circumference of the filter making it easy to swap/remove.

Dislikes

  • Easy to get fingerprint marks on the glass, allthough quickly rectrified with a soft micro-fibre cloth thanks to the NanoPro coating.
  • Some light vignetting at 16mm although soon disapears at 18mm & upwards.

Images- Without/with Haida NanoPro Magnetic ND3.0 (10 stop)

Comparative images below-showing straight-out-of-camera- (Canon 5d mark iv and Canon 70-200mm (iii) Lens). Without/with Haida NanoPro Magnetic ND 3.0.

Without filter- ISO 100, F11, 1/30 @70mm- With Haida NanoPro Magnetic ND 3.0- ISO 100, F11, 25 seconds @70mm.

Without/ with filter

Finally post-processed in Adobe Creative Cloud.

Behind the scenes


Comparative images below-showing straight-out-of-camera- (Canon 5d mark iv and Canon 16-35mm (iii) Lens). Without/with Haida NanoPro Magnetic ND 3.0.

Without filter- ISO 100, F8, 1/40 @16mm- With Haida NanoPro Magnetic ND 3.0- ISO 100, F8, 29 seconds @16mm.

Without/ with filter

Finally post-processed in Adobe Creative Cloud.

Location – Remote Loch in the Scottish Highlands.

Behind the scenes


Haida Magnetic Lens cap

What I particularly love about this is- If you leave the Magnetic adapter ring on your lens you can simply pop on the Magnetic lens cap and pack it away conveniently in your bag- knowing it won’t get misplaced, lost, everything is secured and less time-consuming for your next shoot.

Please note, these are sold separately.

Haida magnetic zipped filter case

  • Holds up to 5 filters.
  • External dimensions- 121x121x47mm (LxWxH).
  • Materials- PU Leather and Polyester.
  • Filter size- 82mm.
  • Weight- 98.9g.
  • Conveniently clips onto your trousers or belt loop.
Filter case is sold separately

Images taken with Haida NanoPro Magnetic ND 3.0 (10 stop)

The image above Exif- ISO 200, F7, 1/2 @35mm. Post-processed in Adobe Photoshop.
The image above Exif- ISO 100, F9, 1/4 @18mm. Post-processed in Adobe Photoshop.

Conclusion

All in all, the quality of this filter is equal to all my other Haida filters including the Haida M10 range & the older style NanoPro’s- However, the beauty of the magnetics is they are an absolute pleasure to work with & so much easier.

After spending the past year testing a selection of Haida Magnetic filters I’m absolutely sold on the whole system. So much so, the majority of the times I’m on a shoot these days whether it’s for landscape or equine the only filters I take with me are magnetic.

I will most definitely be recommending them to my photography friends & workshop students.

There’s no going back for me, Haida magnetics all the way.

If you would like to read my test review of my recent Haida NanoPro Magnetic GND 0.9 (3 stop) click here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work; Follow me on Facebook Instagram & 1X

Haida Anti-fog belt

Haida Anti-Fog belt- Perfect solution for astrophotography & extreme temperature photography. @jennycameron 2021.

“All rights reserved” © Jenny Cameron 2021

My interview with 1X.com Featured

One of the proudest achievements of my photography career. It’s not every day 1X asks to interview you. In my opinion, it’s the most highly regarded photography website in the business. Never in a zillion years did I think I’d ever reach this point. Anyways, if you have a few minutes spare please take a read & let me know what you think of my “make it up as you go along approach” rather than stressing about technicalities & what others may think of you.

To begin, please introduce yourself shortly and tell us more about you, your origins, your hobbies or other projects you are involved in!

Born and raised in the north of England but always felt something missing deep in my heart. Aged seventeen, I met my husband a passionate mountaineer who introduced me to the Scottish mountains. We spent as much spare time traveling from England to our favorite place in Scotland called Glencoe. This opened a whole new world to me and instantly became my heart and soul. I was falling in love with of course my Husband but also this new land. Each time we left it became harder to leave, our hearts were yearning to return but work commitments took precedence in England. However, in 2007 we escaped the rat race, followed our hearts, and moved to Scotland never looking back. We now live on a horse farm within a private Highland estate in the far north. Even now whilst driving around this beautiful area I call home for mundane daily chores I pinch myself in disbelieve that I actually live here & think how wonderful it would be if my eyes were a camera.

Wilderness

What would be the most important experience so far that has influenced your steps in photography?

Without a shadow of a doubt in 2018, when I faced the biggest fight of my life. My world came crashing down when I was diagnosed with Breast Cancer aged 45. My Consultant told me I’d be out of action for over a year with surgery and treatments. A few weeks after diagnosis a Fine Art Gallery in Glasgow approached me to display some of my work. This provided mental balance, something positive to focus on and true hope. It took a few weeks after surgery to get back to doing some post-processing, only able to use one hand. Sadly, I wasn’t able to hold my camera as I was so weak and sore. Cancer might have put my life on hold but there was no way it was controlling my love of photography. Within this time I wrote a full post-processing tutorial of one of my images from start to finish for Photography Masterclass magazine and also had a selection of my work published in a hardback coffee table style book that same year. Eventually, I got through surgery, five months of chemotherapy and radiotherapy, and albeit a little battered and bruised, I survived! It’s the old cliché that you often hear after a life-changing diagnosis “The world looks different now”. It’s so true! Before my diagnosis, I would shy away from certain opportunities but now I want to grab life and live it to the fullest. I received many messages of support from fellow photographers who told me their stories of how cancer had touched their families. It gave me the confidence to hold my head up high, I was alive!

As the saying goes “Every cloud has a silver lining”. I had just started chemotherapy, my biggest fear when six horses came to stay at our farm. I’d never had much experience but always loved their sheer grace & beauty. They gave me a purpose to carry on each day & not throw the towel in. A two-year-old rescue filly named Winter had liver disease, the odds were stacked against her, it was like we were in the fight together. It took a lot of effort for me to visit her as I was weak but she gave me the mental strength to face each day and hopefully I did the same for her. Winter went on to make a full recovery & is now living on the north coast expecting her first foal next spring. Another rescue horse named Twinkle was also not too well. However, blood tests revealed she was pregnant! Her beautiful foal Ashara was born a few months later here on the farm. Twinkle became my best friend, she would stand at the side of me resting her head on my shoulder, her sense of calmness soothed my soul & still does to this very day. There is now a herd of thirteen horses who I love very dearly, each & everyone has a special place in my heart. This is why Equine photography is so important & meaningful to me.

Winter
Twinkle

My relationship with photography?

For me, my camera is like being with a joyous old friend. Photography instantly takes me to my happy place where I can reflect on my own thoughts, shut out the reality of the noisy outside world. It’s my savior and still continues to help rebuild “me”. No matter what life throws at me, my escape is always art, it allows me to bury my head in my own little world where truly anything is possible.

How do you maintain and grow your passion for photography?

I believe the way I flick between Landscape & Equine prevents the rot from setting in. Oftentimes, I reach a point with say Landscape that I lose inspiration, almost like a factory worker on a production line doing the same-old job day in day out. When this happens I throw myself into Equine, then I reach another brick wall so I swop to Landscape. It really helps to keep my internal creative fires burning & enrich personal development.

Luie

In my opinion, colour is very important in your photographs. Your use of colours really put a personal stamp on your work. Your style is at once recognizable and wearing your signature?

Yes, color work is extremely important to me and the most painstaking job spent in post-processing. It comes mostly from spending time in the great outdoors, you soon learn which colors work best, you can’t beat nature’s own color wheel which heavily influences me. On the flip side, some images speak louder in monochrome, although they really do need a strong personality for this treatment, meaning an impactful composition &/or mood. There is a game I like to play in Photoshop with the color picker tool, by creating a Hue/Sat adjustment layer I test myself to see what color it actually is as sometimes colors can take on color from another juxtaposed, it really is quite surprising & a fun way to learn color.

Can you please describe in a few words your photographer philosophy and mission?

Firstly, be true to yourself, do what makes “you” happy, and don’t worry what others may think. Don’t follow the crowds or chase the followers it will become stressful and dull your creativity. Take inspiration from others but don’t copy. Try to find your own unique style which in return will give you more abundance. Never compare yourself to others, it’s a slippery slope of despair. Social media can of course be inspirational, however, at the same time can leave you with a feeling of lackluster, loneliness and can quickly lead to unhelpful comparisons. If this happens take some time away even if just a couple of hours and do something completely different as it can suck the life from your creative flow. And finally, practice, practice, and more practice, it’s the only way. Oh… and don’t be too hard on yourself –  it’s about having fun!

Don’t make photography complicated. Once you strip down an image to its bare bones it reveals more emotion. Almost by making the image naked, you see the truth rather than dressing it up with hair/ make-up & clothes. Strike a balance, offer something new when photographing a famous location/building/structure. Try to stand out, otherwise, it’s just another Dunnottar Castle that we’ve all seen a zillion times online & quite frankly boring. Make it your own, try to bring something else to the table that will stop the scrollers in their tracks & look at it properly. Make it shine! Planning is great, however, spontaneity works a treat, living for the moment. You are the magician, in your world anything is possible. Self believe is paramount. The secret is believing.

How would you describe your work? What is it you want to achieve?

I’m not sure how to describe my work as I really do not see what other people see. I’m very much a perfectionist and OCD with my images. My heart & soul is in each & every image, they become almost like my babies with their own personalities. I procrastinate far too much, some images will sit part processed on my hard drive for months, even years have been know. I truly wish I had a set workflow but I don’t, I simply follow my heart and let it develop as I go along. Achieving perfection is my ultimate goal but not sure if it exists.

Etive

What do you think are the challenges of this activity, especially in these days of coronavirus pandemic?

The pandemic has changed everything for me. I had workshops booked in 2020 which had to be canceled. Most photographers have returned to their workshops but sadly my cancer diagnosis in 2018 left me with no lymph nodes in my arm which leaves me more vulnerable. This has made me more of a recluse & quite honestly I’m nervous of being in close contact with my students. So for the time being & especially now as new cases are rising in Scotland, I’m taking a back seat from workshops and seeing what happens over the next few years. The past few years have taught me good health & family/friends are more important than money. I can still enjoy my photography within these parameters.

You travel a lot I guess, and you get to know many known photographers, thus having access to different cultures and photographic visions. How does this influence your work?

It’s not about how far you travel but how you see it. I don’t travel so much and never photographed outside of the UK as I won’t leave my dog. Scottish mountains are my friends, I talk to them all time, genuinely miss them whilst am away. I have to make the most of what I have & how I view it. In all honesty, I dont know many photographers on a personal level, sure I have many on social media which is great but that’s not the same.

Loch Assynt, Scotland

Many are of the opinion that the gear is not very important when the passion for photography is strong. However, can you please share with us what gear do you use (camera, lenses, tripod,etc.)?

I’ve always been a Canon girl right from the beginning. Currently, I use a Canon 5d mark iv body, Canon 16-35mm (ii) L lens, Canon 70-200mm (ii) L Lens, Gitzo Systematic 5 series Tripod & Ball-head, selection of Haida filters and Haida Anti-fog belt for Astrophotography.

I don’t have a ton of gear but have learned over the years that it helps to have the best you can afford. Again, the perfectionist in me use to get terribly upset when I first started using a lesser quality tripod, nearby roads caused vibration, admittedly only very slight, you had to pixel peep to see it but that wasn’t good enough for me & something I had to remedy. I bit the bullet and invested in my beloved Gitzo tripod, the best piece of kit I own. The same thing with lenses & filters, I started out buying third-party lenses & cheap filters, again this did not work & almost put me off photography as I struggled a lot. As soon as I invested my work improved & I was able to stop blaming myself ” a bad workman blames his tools”. I know a lot of photographers would disagree with me for saying this but this is my experience & how I upped my game. We are all different & would be boring being all the same.

What would be your favourite photo from the last years? Please tell us the story behind it.

Elysian

The story behind my image “Elysian” instantly springs to mind & literally there is part of my heart within. After a morning of heavy rain and patiently waiting in my car with a flask of peppermint tea I really thought I’d have to turn around and go home. You know when the kid in you wants to stamp your feet and throw a tantrum? Thankfully, only thirty minutes from home but my heart was sinking. Then suddenly, something switched inside me, almost determination sticking two fingers up to the world! It’s only rain I won’t shrink! I gathered my waterproofs, rucksack and went for it. Sat at the top of a peak with all my gear set up under a large golf umbrella and generally feeling rather sorry for myself, black mascara running down my face to complete the look! Then suddenly out of nowhere the clouds opened like they were saying hello and welcoming me. The beautiful sunlight peeped out, I was scrambling for the remote and Haida filters in a real fluster with cold/wet hands. Finally pressed the remote, let the camera/filters do their job whilst I sat back & let the light flood in. Such a beautiful moment, it seemed to last forever but in actual fact only 152 seconds of exposure.  I drove home in more rain with the biggest smile ever on my face. Scottish weather isn’t the most predictable, but it sure gives a great mood.  

Solace

Who are your favourite photographers or mentors whose works have influenced you and your photography?

My favorite photographers are Ryan Dyer & Marc Adamus. Both their work totally blows me away & a huge inspiration. In my early days, I would have loved the luxury of a mentor, someone to hold my hand & show me the ropes would have been amazing! I made many mistakes & believe it took me much longer to learn my craft. I hadn’t met or knew anyone who was a photographer, it was all a whole new language to me. In many ways, I was afraid to meet one encase I said the wrong terminology or they thought I was ridiculous with my dipsy to make it up as you go along the approach. I’ve never attended a workshop as I literally couldn’t afford it, plus I am a slow learner & would most probably have struggled in a group, however, I do think it’s a worthwhile fast-track path for most.

We almost reach the end of this interview and I would kindly ask you to share with us your future plans or photographic projects you would like to be involved in.

I would really love to do more writing, how it can be a creative outlet for photographers. I thoroughly enjoyed writing my first book Earth, Wind & Fire last year with the help of an Italian publishing house and the satisfying feeling of seeing it in print. Again the perfectionist in me wasn’t 100% happy so I would love to tweak things slightly & maybe self-publish this time.

Are you working on any personal projects right now?

Actually, yes! I have a trip planned to the Outer Hebrides next month where I want to concentrate on intimate scenes using only one lens. I aim to avoid grand vista’s typical with a foreground interest, some form of water, followed by mountains & sky. Whilst I’m there I will be doing some test reviews for my sponsors at Haida with their new Magnetic ND filters. The Hebrides are such a special place to me where the light is quite unique, I call it “sparkly -light”, it looks so dramatic against the dark brooding sky. On my Equine side I’m documenting a rescued foal from Wales who came to the farm this summer with his Mom aged two weeks old named Boyo, he is now four months old & such a super friendly character.

Boyo

Is there anything else you wish to add and what do you think about 1X as a home base for your work?

Firstly, a huge heart-felt thank you for giving me this opportunity, it truly means the world to me on a personal level & something I never thought I’d ever achieve on this highly regarded & incredibly talented photography platform. I often visited the site in total awe seeing other photographer’s work get published, something I only ever dreamt of. I enjoying the indulgence of viewing the stunning work of others, I love noting more than pixel peeing shadow detail. I cannot understand for the life in me the whole Instagram craze, the restrictions of a square format is not for me. I have an account but rarely visit the site, kind of feel pressurised to keep up with fellow photographer’s, almost like its a duty to post. Whereas 1X feels organic, with no BOTS or favouritism, I genuinely look forward to uploading with a sense of excitement.

Eternity
Labyrinth

Launch of Haida M10 filter holder mark (ii)

Introduction

Introducing the latest filter holder from Haida- M10 mark (ii). I cannot begin to tell you how excited I am getting my hands on this beauty. Hot off the shelves from Haida! Right now as I type it’s not even been launched which is something I’m very proud of.

Three months of testing in the Scottish Highlands 2021-Haida M10 mark (ii) filter holder by Jenny Cameron.

Location Various areas in the Scottish Highlands, UK- during the summer of 2021.

Equipment used for testing – Canon 5d mark (iv), Canon 16-35mm F2.8(ii) lens, Canon 70-200mm F2.8 (ii) lens, Gitzo tripod and ball head, various Haida filters ( Red-diamond, M10 and NanoPro) and Adobe Creative Cloud software.

As we all know the original Haida M10 filter holder mark (i) was first launched three years ago back in October 2018 at the Photokina show in Germany- Proving a huge success over the years for many photographers and a signature innovative design of Haida.

When Haida first told me about a mark (ii) design- If I’m honest it shocked me a little! I didn’t expect a new filter holder so soon! “If it ain’t broke why fix it?” -A bit like redesigning the wheel! However, now I’ve used it for four months. I can hand on heart assure you I no longer use the old one. Let me walk you through my honest thoughts and experiences of use in the field.

What’s in the box?

One Haida M10 filter holder mark (ii), one adapter ring ( various sizes available), one Light-barrier, and one M10 “round” drop-in Circular Polariser mark (ii). Pre-installed with two pairs of plastic filter slots. An extra pair of filter holder slots to provide a third slot on the front of the holder which I’ve left on permanently. Plus a handy lens cap so you can leave the adapter ring on your lens permanently for a more convenient and faster set-up. Housed in a smart black Eco-leather zipped storage case with a handy carabiner attached to the top which can be neatly clipped onto your tripod, rucksack, or trouser belt for ease of access. Internally lined with a lovely grey velvety fabric with a useful net pocket for storage.

Haida M10 “round” drop-in CPL (ii) included in the kit.
Haida M10 filter holder Eco-leather zipped storage case.

M10 Adapter ring

This is the foundation for the M10 filter holder-It’s a bit like building a house without a solid foundation there’s no point installing the windows. Works solely with the Haida M10 filter holder mark (ii). Made from aluminum for strength and lightweight. Designed to be slim for a reason- in my experience, it helps with any unnecessary vignettes when shooting at wide angles- Usually anything from around 20mm and wider. Some filter holders I’ve used in the past can create unwanted vignettes, therefore keeping the adapter ring as close as possible to the lens is crucial- However, strength is imperative, hence why aluminum is a popular choice for also our tripods, we need them mighty strong but lightweight. The adapter ring simply screws onto the front of your lens. Check the end of your lens to determine which size adapter ring you need to fit your lens. 

Adaptor rings screw onto your lens to accommodate the filter holder. Once the ring is in place the holder clips into place using a smooth, quick-release spring-loaded mechanism.

Available to fit most popular lenses in sizes; 49,52,55,58,62,72 and 82mm. Step-up rings are also available.

77mm adapter ring screwed on the lens.

Construction and Ergonomics of the Haida M10 filter holder (ii)

The first thing you’ll notice is its build quality. Made from Aviation-grade aluminum and PC materials for super strength and light-weight.

The aesthetics of the Haida M10 mark (ii) filter holder design has broadly stayed the same keeping the ever-popular modular drop-in system- Enabling rapid set-up and simple to use on- location. Allowing you to continue using your Haida M10 “round” drop-in filters, Red-diamonds, and NanoPro filters together or singular. Designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness) on the front of the holder and one filter slot at the rear closest to your camera lens where you can use one M10 “round drop-in filter or a Light-barrier. Also compatible with other brands of the same size. If you don’t wish to use any of the “round” drop-in filters you must therefore use the light barrier (included in the kit). Basically, a sealing ring to prevent any light leakage- In total it’s possible to use four filters all together in the Haida M10 filter holder (ii). Oftentimes, in the past, usually whilst doing long exposures I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation.

Once fitted to the adapter ring the ingenious designed Haida M10 filter holder (ii) can be independently rotated a whole 360 degrees and securely held in place at any angle which enables the photographer to quickly balance the exposure at ease with rapidly changing light conditions using the right filter. Not forgetting to mention super fast to switch filters.

When the side-light is too strong. Use the Haida Red-diamond GND filter angled to create a more balanced exposure.

As great as the previous design was, there’s always been one major caveat. If you wanted to rotate/angle a neutral density graduated filter ( I use the really lovely high-end Haida Red-diamond range) if the sidelight gets too strong there was nothing to prevent the filter from slipping/moving or if you annoyingly accidentally knocked it you’d have to keep putting it back in place. As we all know light moves super fast so the last thing you need is equipment failing, it soon becomes stressful. This is where the new design really steps up to the plate and takes away any stress with a really neat locking feature which allows you to securely lock a filter/filters in place at whatever angle suits best- Making this an extremely secure and solid connection-much more than its predecessor which didn’t have this feature! I particularly love the new chunkier bright red push-and-release (spring clip) locking lever.

New feature! locking device close-up.

New feature! Locked securely in place.

New feature! Improved ergonomics.

New feature! Convenient lens cap.

What’s the difference between the M10 mark (i) and mark (ii) filter holder.

  • Lens cap included in the kit- You can leave the adapter ring on the lens permanently in your bag.
  • Weight- Mark (i) = 76g and Mark (ii) = 59g– significantly lighter even with new extra features.
  • Feels more sturdy and durable.
  • Ergonomically easier/faster set up. The holder can be taken-off by one hand directly.
  • Brilliant new locking feature with the use of Chinese traditional mortise and tenon joint structure.

Let’s take a closer look at the M10 “round” drop-in Circular Polariser (CPL) (ii)- included in the kit.

The image above was taken with Haida M10 “round” drop-in CPL (ii) in the Haida M10 filter holder (ii) -Post-processed in Adobe Photoshop. ISO 100, F16, 1/60 @16mm on a full-frame camera.

Inserting the Haida M10 “round” drop-in CPL (ii) into the M10 filter holder (ii) is super fast and very convenient. Simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you -Once you hear the click it’s locked in place. There is a three gear linkage design on the mount which smoothly rotates independently. Once you start turning the adjustable black dial centrally placed on the top of the filter, you’ll instantly see the polarisation intensify on your live view screen. I tend to always rotate 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, i.e. make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition. Such a great Polariser that has never let me down, providing excellent sharpness from corner to corner and the absence of color casts. Its sleek design allows the use of wide-angle lenses such as a 16mm on a full-frame camera with no evidence of unwanted vignettes. The frame part has been upgraded from plastic to a more durable Aluminium.

Images below-showing straight-out-of-camera @30mm with no filter and with Haida M10 (ii) filter holder and M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness. The results speak for themselves.

Without/with Haida M10 “round” drop-in CPL (ii) in the M10 filter holder (ii). Without= ISO 100, F11, 1/30 and with filter ISO 100, F11, 1/8 @30mm.
Post-processed in Adobe Creative Cloud

Construction and design

  • High-quality optical glass.
  • Upgraded frame-now in Aluminium instead of plastic.
  • Anti-reflective coatings.
  • Scratch-proof.
  • Ultra-thin NanoPro coating.
  • Waterproof, meaning any droplets of water literally roll off like beads, no ugly smears.
  • The dreaded fingerprints wipe off easily with a soft microfibre cloth.
  • Most importantly for me it preserves image sharpness which let me tell you is second to none.
  • Colour fidelity.
  • Absolutely no vignette even at my widest 16mm.
  • M10 Adapter ring, M10 Drop-in Filters (i & ii) are universal to the M10 Holder (i & ii).

Rearview of Haida M10 “round” drop-in CPL mark (ii) in the Haida M10 filter holder mark (ii) . Sits at the rear of the holder.

Front view of Haida M10 filter holder mark (ii) with M10 “round” drop-in CPL mark (ii) which sits at the rear closest to the lens.

Comparative images below-showing straight-out-of-camera- @165mm with no filter and with Haida M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom.

Without filter= ISO 100, F11, 1/75 and with filter ISO 100, F11, 1/30 @165mm.

Without/with Haida M10 CPL (ii)
Finally post-processed in Adobe Creative Cloud

Comparative images below-showing straight-out-of-camera- @16mm with no filter and with M10 “round” drop-in CPL (ii). No post-processing on either other than lens correction in Lightroom. Demonstrating how the filter has retained every bit of sharpness.

Without filter= ISO 100, F16, 0/5 and with filter ISO 100, F11, 1/5 @16mm on a full-frame camera.
Finally post-processed in Adobe Creative Cloud
Video showing the Haida M10 filter holder mark (ii) in a smart black Eco-leather zipped storage case with a handy carabiner attached to the top which can be neatly clipped onto your tripod, rucksack or trouser belt for ease of access. Internally lined with a lovely grey velvety fabric with a useful net pocket for storage.

Overall conclusion

The Haida M10 filter holder (ii) modular and durable design offers good protection for the filters. Feels strong, rigid/sturdy, and has a well-thought-out system for the most demanding of outdoor photographers especially those like me who enjoy long exposure photography. The quick-release clip is fantastic for getting the holder on and off so you can easily switch it between multiple cameras with different filter configurations. Overall lovely quality without compromise as we have all come to expect from Haida. The upgraded M10 “round” drop-in Circular Polariser (ii) feels sturdier and more durable due to the upgraded aluminum frame. However, I found from my findings that optically the sharpness remains the same as its predecessor.

As I often mention- Haida never stops searching for new solutions to help photographers.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. For more information please visit their website , Facebook  or Instagram.

If you would like to see more of my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope this provides you with some useful information. Please feel free to ask me any questions. Contact me below or Facebook Messenger.

“All rights reserved” © Jenny Cameron 2021

Step-up rings simply explained without techy jargon

What is a Step-up Ring?

A Step-up ring is basically a thin metal or plastic ring which increases the lens diameter. Simply screws directly onto your lens then the adapter ring for your chosen filter screws on top. This allows you to attach a larger filter size so you don’t have to buy or carry multiple filters for each of your different sized lenses.

It doesn’t have to break the bank balance?

Have you been put off going down the filter route for fear of it being too costly as you have different sized lenses and don’t wish to break the bank buying separate filters for each? How about if I told you there is a way you can use one filter on multiple lenses? Simply find your largest thread size and purchase a Step-up ring/s for the rest.

How to measure your lens for the correct filter size.

It may seem obvious, however for newbies just starting out this can be very confusing. So, for the avoidance of doubt- Lens diameter is not the same as focal length. Lens diameter is a physical measurement on the front part of your lens. On my Canon lens the diameter is etched on the inside of the front of the lens ( image example below). Identifiable by a circle with a line right through the middle with a number at the side, this is the measurement needed to select the correct filter size- Alternatively, you could go old school and get your ruler out to measure the diameter in millimetres.

What to buy?

When buying Step-up ring/s, the goal is to find the thinnest and strongest compound if you want the best optical quality in the final image. If the ring is too thick it makes the gap between lens and filter too wide which causes all types of issues from vignette, sharpness is compromised, possibility of light leaking. The Haida ones I use are Aluminium and I’ve never had any problems. One more tip, to avoid vignetting, make sure the filter size is larger than the lens size.

Is it possible to stack Step-up rings?

Yes, it is possible to stack Step-up rings on top of each other, however this is something I highly do not recommend as it increases the distance between filter and lens which can cause vignetting and/or ghosting. All in all bad practice!

To conclude

Step-up rings are probably the cheapest photography accessory I own and the most useful. Well worth investing in and will save you some pennies but make sure it’s good quality, don’t go for the cheapest.

If you would like to view my work; Follow me on Facebook , Instagram , Viewbug YouPic & 1X.

I hope you found this helpful and simple to understand. Any further questions/advice I’m more than happy to help.

“All rights reserved” © Jenny Cameron 2021.

Haida Anti-fog belt

An innovative and perfect solution for astrophotography and extreme temperature photography.
Close up- Haida Anti-Fog belt.
Showing heat control with three different settings- Haida Anti-Fog belt.
Showing Haida Anti-Fog belt attached to a spare Drone battery which I used as a power bank.
Haida Anti-Fog belt set up with lovely soft grey bag-Included with purchase.

Introduction

Viewing winter scenes online may look magical but for the photographer it takes a lot of effort and skill to execute. When shooting in sub-zero temperatures it’s an endless problem with the lens fogging up and constant job keeping it clear. I’ve tried all sorts of ways to no avail, placing thermal hats, scarfs around the lens, basically anything to keep the lens warm- which isn’t ideal especially if it’s windy. If you use a tripod this will exacerbate the issue as the camera is away from any body heat. Hot and humid regions are also problematic – When leaving an air conditioned car or building then head outdoors with your camera when it’s hot. Whether it’s moving from a cold to warm environment or vice versa, the drastic change in temperature will cause your lens to fog up. In simple terms, condensation will cause your lens to fog-up, thus dramatically reducing the image quality.

Allow me to introduce to you a brand new product designed by Haida – An innovative and perfect solution for astrophotography and extreme temperature photography. It’s an Anti-fog belt – Companied with a USB port and lovely soft grey pouch so you can put it in your bag easily and conveniently. Boasting three individual heat settings – Low ( 35-45°)- Medium (45-55°)- High (55-65°) and can withstand -40℃ low temperature. Simply wraps around the outside of your camera lens ( held securely in place with Velcro) to avoid fog on your lens and plugs into a power source- (I used a drone battery as a power bank). Not to forget Haida’s signature colour-Red!

Example photo’s below when using the Haida Anti-fog belt would be advantageous.

Lets geek out on why lenses fogs up?

When the temperature of the lens or lens with filter on gets cold the water vapour in the air condenses on it, in other words creates condensation. Same principle when your bathroom mirror fogs up when having a hot shower or when you take a cold drink out of the refrigerator on a hot day. Similarly, to what we learnt in Chemistry at School- Condensation is the opposite to evaporation- rather than water molecules transforming from liquid into a gas in a process known as vaporisation, the water changes instead from a gas in the air back into a liquid form.

Your camera body will generate some heat which will prevent condensation from forming on the inside, but the lens is a different story. In particular, a build-up of condensation behind the actual lens over a period of time could result in the growth of mould. Needless to say, mould will destroy the internal workings of your lens. Or, even worse, condensation on your lens freezing up! Yes, it can actually happen! 

Top-tip from personal experience- In these extreme polar opposite conditions always remember before you retreat indoors to put your camera in a camera bag when you’ve finished photographing. If possible leave it in the bag for a good 12 hours. If you’re inpatient to view your images just remove the SD card. This allows your gear to slowly thermalize whilst avoiding condensation. 

It’s all about the Dew-point

If you’re anything like me a little OCD with preparing for a photo trip- Weather forecast Apps tend to be top of your list? Whether you’re heading to the Arctic or Maldives, both can create big problems for your camera in terms of condensation. Knowing the dew point temperature (which can also be found on most decent websites/Apps) for each location should be high up on your list too and help you prepare for what the weather may throw at you- Be it sun, wind, rain, fog/mist, snow, frost and sand-dust- This will tell you what temperature condensation is expected to form. Condensation is created when the outer casing of your lens is cooled below what is known as the ‘dew point’ of the air inside. The dew point is simply the temperature at which the air inside your lens is no longer able to hold all of the water vapour, meaning that some of it will need to be released back into its liquid form. As such, the water vapour changes back into moisture, causing beading and fogginess to appear on the inside elements of your lens without oftentimes you even realising until you later check through your images horrified with that feeling of “the end of the world”.

Screenshot of my favourite weather App Clear Outside including Dew point temperatures.

Previous experience

I clearly remember a night earlier this year when I gave up and retreated home as it was too cold not only for my hands but became an endless battle with lens fogging up, I couldn’t keep up wiping the lens with a microfibre cloth. I was not happy at all and let me assure you I’m not one to give up easily.

Materials used

Haida adopted a new technology material “Graphene” (heating material) which produces evenly heat distribution in a safe/stable manner.

Positive features

  • Fits any lens.
  • Light-weight & convenient.
  • Starts heating up in only a few seconds.

Negative features

  • Remembering to have a full charged power pack with you.
  • Careful not to knock the focusing ring whilst attaching the belt.

Unfortunately, at this moment in time it’s British summer time- Here in the far north of Scotland it’s pretty much daylight all the time and temperatures are a steady 10-20 degrees Celsius, making it impossible to replicate extreme temperatures or do any Astrophotography. However, come September Milky-way & Aurora season will begin- Followed by a few months later when temperatures start plummeting. Last winter was very cold, reaching minus 28 degrees Celsius at home. I will continue to add my thoughts to this evaluation as conditions allow. Watch this space for more updates!

Conclusion

All in all, I really do think this will be a popular and welcomed tool for many outdoor photographers. Certainly solved a common problem for myself. Hopefully, I’ll achieve more keepers in the mountains next winter and be even more enjoyable.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

If you would like to see more of my work; Follow me on Facebook & Instagram.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021


Haida Interchangeable Magnetic Variable ND filter 77mm.

Introduction;

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable Neutral Density (ND) Filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one filter ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides

I will be testing for optimal sharpness, tonality, vignetting, bokeh, X-pattern issues, design, functionality, accuracy of stops & colour shifts.

What is a Variable Neutral Density (ND) Filter & how does it work?

Basically a Variable ND filter works by using two pieces of polarised glass that darken as they oppose each other, creating the lovely ND filter effect. As you rotate the filter the density is increased or decreased affecting the amount of light that falls through the lens & onto the camera sensor.

Sizes; 

Available in various sizes; 58, 62, 67, 72, 77 & 82mm. I’m using is the 77mm as my lens is a Canon 70-200mm F2.8 (ii).

NanoPro;

Featuring a NanoPro multi-coating on the filter glass, which helps prevent dirt and smudges from adhering to the glass, reduce reflections, scratch and water proof. Applied to both sides of the filter and helps prevent color cast while maintaining image sharpness. The Haida Nano pro filters are highly scratch-resistant, durable and super easy cleaning.

Positive features (in no particular order)

  • Filter protector cap.
  • Sleek design.
  • Accurate placed stop numbers.
  • No X pattern.
  • No colour shift ( neutrality).
  • Great contrast & tonality throughout.
  • Sharpness.
  • No vignetting.
  • Magnetic attraction.
  • Ease/speed of use.
  • Exceptional image quality.
  • Hard stops at each end which works as a bit of a fail safe. Preventing you from going past the weakest or strongest points, therefore impossible to push the ND effect too far. You simply place the marker over whatever number you want. This means you won’t suffer from entering into the infuriating X pattern (produces hatched areas on the actual image) terrority.
  • Absolutely no light leakage.
  • The ability to control your shutter speed in ever-changing lighting conditions
  • Incredibly smooth rotation in hand with enough friction enabling you to easily rotate the filter to the precise stop required.
  • Ideally suited for all types of photo &/or video genres including portraiture. I will be using it for my animal work.

Negatives

  • I’m still undecided if I would have preferred an adjustment peg on the side to make it a bit easier to rotate from stop to stop without getting greasy fingerprints on the glass from my clumsy fingers or if it’s best without. Certainly not having it makes for a super sleek design which I really do like, not only visually but for storage & less weight. Over time I have gotten used to moving it without intensely watching where every stop is.

For the traveller in mind

If you’re tired of hauling around lots of different filters on your travels & need to go lightweight this could well be your answer.

Demonstration video

In the field tests

Test shots at different focal lengths starting at 70mm to 200mm in 10mm increments at each stop on the filter to see if all stops are true & consistent.

Sunset images below taken with Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens on Gitzo tripod. Settings used; Without filter = ISO 100, F11, 1/60 – With Magnetic Variable ND filter 2-5 @ 3 stops; ISO 200, F11, 1/8 @70mm.

Without/ with filter.

Very pleased to tell you my field test was successful in checking the stop numbers are accurately placed.

Conclusion

So far the most versatile filter I’ve ever used, certainly the most enjoyable, easiest, fastest & most practical system. The innovation and thought gone into the design/ build, coupled with the high quality optics makes this filter an incredible piece of kit & serious contender in the photography/ videography marketplace for many types of genres.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

If you would like to see more of my work;
Follow me on Facebook & Instagram.
“All rights reserved” © Jenny Cameron 2020.

Morgan the midnight fairy

"Morgan" the midnight fairy.
“Morgan” ~ home to Morgan the Midnight Fairy. Fairy Pools, Isle of Skye.

Home to Morgan the Midnight Fairy. Glenbrittle, Fairy Pools, Isle of Skye, Scotland.

Please note this is a composite image. Night sky has been added in post processing. Both images have been taken by myself in the same area of the Isle of Skye.

The use of Haida filters are as follows,

Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter for the water.

M10 round Clear-night for the night sky.

Believe in the fairies who make dreams come true. Believe in the wonder, the stars & the moon. Believe in the magic from fairies above. They dance on the flowers & sing songs of love, & if you just believe & always stay true, the fairies will be there, to watch over you!

I gift a sprinkle of fairy dust for each & everyone of you.

If you would like to see more of my work;
YouPic Facebook, Viewbug, Instagram.

“All rights reserved” © Jenny Cameron 2020

Experiment with Haida Circular Polariser on Animal fur.

Since Covid-19 hit the UK in March this year and not being able to travel the same I’ve been thoroughly enjoying more animal portrait photography.

However, I’m constantly faced with issues of blown-out highlights on the animal’s fur. It recently occurred to me that it may be possible to utilise my landscape photography skills with the use of a circular polariser. For some unknown reason its something I’ve never thought about and instantly heightened my curiosity. It was now time to put my theory into practice.

To see the results take a peek at this video where I use the Haida M10 “drop-in” Circular Polariser.

 

Screen captures of raw files (straight-out-of-camera) for demonstration purposes with/without filter & final edit in Lightroom Classic.

blown out highs

Showing blown out highlights & weak histogram without a filter

Annotation 2020-08-06 185218

Histogram showing much more detail with the filter on & same camera settings as with no filter.

edited jpeg-1

Final edit in Lightroom Classic.

Techy info

Both images using Canon 5d mark iv, Canon 70-200mm F2.8 (ii) lens @70mm, ISO100, F4.5, 1/350.

To conclude-

For a more in-depth review & explanation of the Haida M10 “drop-in” CPL please take a look here . Also a video demonstration of me using the filter in the Haida M10 filter holder, watch here how easy it is..

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. To view their official website please click here or alternately view their Facebook Page here.

I hope you found this useful & enjoyable?
If you would like to see more of my work;
YouPic Facebook, Viewbug, Instagram.

 

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“All rights reserved” © Jenny Cameron 2020

Earth Wind & Fire book by Jenny Cameron

The waiting game is over, Im bursting with excitement & super pleased. My first exclusive landscape photography book published & I couldn’t be prouder.

Stunning hard-back coffee table style book with 106 pages including my fine art landscape photos, story telling of hardships, overcoming obstacles & how art can guide you over the bumpy road.

All books are digitally signed by me & soon to be available for download on Apple books.

Previously I offered to the first 50 pre-ordered copies a personalised hand inscription/signed by me. This offer has now ended today & not available.

If you would like to purchase a book please contact me either by e-mail @ jennycameron121@gmail.com or alternatively via Facebook Messenger.

 

 

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