Professional Landscape Photographer

Posts tagged ‘nature’

Haida filter video tutorial Featured

Haida Filter tutorial from my home in the Scottish Highlands during the COVID-19 lock-down. Sharing my thoughts about filters.

Please note; If using any of the 100mm x 100mm (square) ND filters in M10 filter holder and you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).

 

Haida M10 filter holder system including light- barrier Featured

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“As a landscape photographer I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you I’ve made the mistakes and now ready to share my thoughts from the past twelve months of using the Haida M10 filter holder system for the 100mm filter series. Such a genius method and design.”

Included in the Haida M10 filter holder kit

Filter holder, Circular Polariser, light-barrier, one adapter ring which can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access, internally lined with a lovely grey velvety fabric with a net pocket for storage, including a handy screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder ) which I’ve left on permanently).

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Constructed from aviation grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see video & photos below). The innovative design gives a very secure and solid connection, and at the same time the ability to rotate 360 degrees. The non-slip spongued coating on the bottom of the filter holder provides a good grip whilst rotating which I think is a nice touch.

It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL together. If you don’t wish to use any of the round “drop- in” filters, you must use the M10 “drop in” light barrier (see photo below) which is a simple and easy to use sealing ring to prevent any light leakage (also provided in the M10 filter holder kit).

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Optional extra filter storage case

During 2019 Haida also released a very useful filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards. This has been with me on my adventures for every shoot, Id truly be lost without it. If you’d like to see more about this case please take a look at my test review showing photos & video here.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. If you’d like to visit their website &/or Facebook .

I hope this provides you some useful information. Please feel free to ask me any questions.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2020

Glencoe collection

Clansman ( jpeg for web)

Clansman

©Jenny Cameron 2019

Bidean nam bian

Wanderlust re edit (jpeg for web)

Wanderlust

Glencoe (jpeg)

Greetings

Kingshouse

Kingshouse

Sona (jpeg for web)

Sona

©Jenny Cameron 2017

Euphoria

Glencoe (lge jpeg) (px500)

Spirit

Dreaming (jpeg for web)

Phoenix

©Jenny Cameron 2017

Truly

 

©Jenny Cameron 2019

Eternity

 

Hebrides collection

©Jenny Cameron 2019

Rituals

 

©Jenny Cameron 2017

Cridh

 

Seumas (jpeg)

Seumas

 

©Jenny Cameron 2017

Sgurr nan Gillean

Immortality

Immortality

 

Fairyland (i)

Fairyland

 

Ethereal

Ethereal

 

©Jenny Cameron 2019

Alfheim

 

©Jenny Cameron 2017

Neist

Mara

 

Blaven (lge Jpeg for web)

Blaven

 

©Jenny Cameron 2019

Sacrifice

 

©Jenny Cameron 2017

Escapology 

 

Labyrinth (jpeg)

Labyrinth

 

Eilean Siar (jpeg for web)

Eilean Siar

 

Book release ~ Free to read

At the moment we all have a lot of spare time. Why not take a look at some lovely landscape images from seven different photographers including myself which will teleport you to a new world of beauty. Most importantly it’s FREE to read so why not? Landscapes 2020 volume 12

march 2020 landscapes volume 12

If you’d like to purchase the book please contact me @ Facebook Messenger for further details. I’ve bought a couple of these books in the past & can assure you they are the best quality and beautifully created. This is the fourth book I’ve done under this Publisher (WePhoto).

Hebridean headspace

Born and raised on the west coast of England but never felt that inner something with seascapes the way mountains affected me.

However…the coastlines of the Hebrides have such a special type of light, it’s very different to mainland, almost purer, more magical with extra sparkles. The skyscapes alone are enough to make an exceptional composition of their own in a hauntingly beautiful manner.

Makes you feel like it’s got you snuggled up in the most fluffy goose down jacket in the coldest of winter. My eyes are peeled, constantly searching for pockets of light, unusual compositions, wildlife focal points, shapes/patterns. The diversity with its hidden coves, brooding skies, windswept moorland, pristine beaches, textures of the machir where orchids are known to grow, narrow twisty turvy roads and interesting mountains, such a feast for the eyes and a way to fine tune my compositional skills.

Highland cows, sheep and wild ponies roam the beaches and roads. Walks become slower the longer you stay. I’ve done all the tourist trap locations and now prefer to find my own hidden gems for more heart warming feelings.

When your photographing the same locations and even compositions as everyone else it can soon become unsatisfying and boring. Whereas when I find my own beauty spots I can put more emotion into the final image, inviting the viewer right into the moment along me. Post processing is more enjoyable as you find yourself with more creative licence which is something I do enjoy.

My images helped guide me. Life can be tough with many rocks in the road often leading to a bumpy ride. So, if your feeling gloom and down beat go chase some light, free yourself from the daily grime. Let your emotions rule your actions, don’t follow the rules, make them up yourself, listen to your heart.

Don’t follow the crowds, be who you are.. Be different, unique, your own person, don’t worry what others may think of you. Express your emotions, don’t be afraid of looking like a fool. You’ll probably find that most people will admire any faults as it proves your only human, we aren’t perfect.

If you would like to see more of my work;
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Filter case for Haida M10 100x100mm & 100x150mm filters

Welcome to my test review of the Haida filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards.

When I first started using filters I never had a case to keep them in which meant using individual tins or cases they arrived in. As my collection increased this really started to annoy me having to faff around often in cold, wet, windy conditions routing through my rucksack searching for the correct filter, this drove me insane! For me personally, landscape photography is a calming influence. I enjoy taking my time & slowing down from “life”, I needed to refine this stressful situation as much as possible. Eventually, I purchased the Lee filter field pouch which stayed with me for a few years as there was no other option available from what I found online here in the UK. It had several filter slots but no space for the holder which meant I had to start adapting & let me tell you sewing is not my fortay. Sure it worked but became very cramped & not ideal.

I’ve been an Ambassador for Haida filters for almost two years now & always mentioned my frustrations regarding a filter case. To my joy this year they released their M10 filter case. This was music to my ears, just what I’ve been searching for all these years. One thing I will say about Haida is they listen to their customers & are photographers themselves which provides them with a better understanding of reality in the field.

Which would you rather have?

All the tins & cases clattering around, not knowing what filter is in each tin? Or, the whole lot in one neat accessible filter pouch? All Haida filters have the name of the particular filter etched on the top, making this super easy to simply flick through & make a selection of your choice.

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Different ways

It fits onto your rucksack waist belt with a super strong wide velcro strap & a small clip for added security. Or, if your like me & don’t want the added weight of carrying your rucksack around all the time you can attach it to your trouser belt. Another way, if you don’t wear belts you can easily thread a long strap through & wear it loosely across your body. Final option, simply hang it on your tripod & secure with the small clip. It really is very versatile.

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Construction

Externally the pouch is made from a strong nylon type fabric making this waterproof, moisture proof & extremely durable. There are two easy to grip red zippers externally, one for the main compartment where your filters are housed is made from a soft fleece fabric, ensuring your filters are kept safe from any scratches or knocks. Within this compartment there is a small red zipped section where I keep my memory cards. The second external zipper on the front of the pouch is a padded pocket where I keep a large lens cleaning cloth as seen in the video & photos below.

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Conclusion

In a nutshell I’m thrilled with everything about this pouch. As always with Haida equipment, quality never fails & well thought out. A great solution for any outdoor photographer at an affordable price.

Purchase direct from Haida’s European distributor Haida Germany shop  for excellent service.

I hope this provides you some useful information. Please feel free to ask me any questions. For more info & my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019

 

 

The Buccal

Buachaille

Glencoe

“The Buccal” …also known as Buachaille Etive Mor. It’s been my playground the past thirty odd years, I know these mountains very well having climbed, back-packed & skied. There will always be something very special deep in my heart that draws me back. For those who have never visited Glencoe/ Rannoch Moor area, let me tell you it’s one of those places your forever looking over your shoulder, not because it’s unsafe but your constantly thinking someone is behind you. Kinda spooky which is of no surprise when you think of the Glencoe massacre 1692 when Clan MacDonald were slaughtered in their sleep!

Glen Etive portrait style waterfall re edit

Test review of Haida Red-diamond soft GND 1.2 & Haida M10 round “drop-in” CPL+ND 1.8 combi

Introduction

Welcome to my test review of the Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter and Haida Red-diamond soft graduated neutral density 1.2 (4 stops).

If you enjoy landscape photography I cannot stress the importance of investing in a good quality set of filters. Im well aware of what it feels like having a restrictive budget and fears of making the wrong decisions buying new gear. This is where I hope I can help by providing my hand on heart honest opinion. Haida are not the cheapest filters on the market but by no means the most expensive for the optical quality achieved, you really do get a lot of bang for your buck! We all strive to buy the best lenses so why scrimp on a cheap filter and ruin optical quality, it makes no sense to me.

Haida M10 round “drop-in” CPL+ND 1.8 (6 stop)

When Haida offered me the opportunity to test their M10 combination-filter with built in light barrier I was intrigued to say the least, questioning myself what the downfalls if any would be. Whilst stacking filters can work and something I do regular, however this practice is not optimal for a couple of reasons;

  1. Forcing light to traverse through more elements, therefore more likely to get slightly refracted, possibly resulting in softness or even chromatic aberration.
  2. Increased risk of light flares.

The more I thought about it the more I couldn’t wait. Initially I planned waterfalls for this particular test. Although I could see it being very useful after a midday rainstorm which happens a lot here in Scotland when the sun bursts out it’s great to slow down the exposure a wee bit and allow the filter to do the work. Rainfall hasn’t been great the past few days so I headed to the beach at sunrise instead.

Inserting the filter into the Haida M10 filter holder is incredibly fast, it simply drops between the holder and lens creating a perfect seal from any stray light. Oftentimes in the past I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation unlike any of the Haida M10 round “drop-in” filters such as this combi filter which have a built in light-barrier.

from vid 2

Inserting filter into the rear of M10 filter holder

This is a ND 1.8 filter meaning it will lose six stops of light. But don’t forget it has the added CPL which generally loose between 1-2 stops of light, collectively this will provide a total of almost eight stops. For me personally, I like a six stop ND for moving water as it doesn’t blur everything to oblivion like say a ten stop would. A six stop shows slight movement which I prefer to portray. A neutral density filter should be exactly what the name suggests “neutral” in every which way and let me tell you all the Haida NDs I’ve ever tested are all neutral, no crazy coloured undertones, no vignetting and no loss of sharpness from corner to corner. What you see is what you get.

If your not wanting the polarising effect you can simply rotate the small dial (three gear linkage design ) on the mount independently, very smoothly to reduce or completely remove depending on the scenario of the scene. Once you start turning, you’ll instantly see the polarisation intensify on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition. The choice is all yours and easily very adjustable.

Image of raw file with filter on, zoomed in 100% in Lightroom to demonstrate maximum sharpness of the rocks. Its clear to see the quality is second to none, excellent detail even in the darkest of shadows at blue hour.

zoomed 100 percent )jpeg)

For this very demanding scene above with the bright sunrise and dark foreground you need the best support from your gear. Let me tell you this filter made my job very easy, provided excellent control over the whole dynamic range, ultimate sharpness, no color cast or vignette, and really made me smile. Constructed from high quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

The M10 round “drop-in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @19mm -With-without-M10 round “drop-in” CPL+ND 1.8 combi. No post processing on either, other than lens correction in Lightroom.

raw-without-(1-of-1)

Without filter = ISO 100, F14, 0.6 sec – With Haida M10 round “drop-in” CPL+ND 1.8 combination. = ISO 100, F14, 30 seconds @19mm

Finally post processed in Adobe Creative Cloud

Fragil rock (jpeg for web)

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Haida Red-diamond soft GND 1.2 (4 stops)

Earlier this year I tested the Haida Red-diamond medium 0.9 (3 stops) read review which totally stole my heart, since then it’s rarely been off my lens and I can’t wait to tell everyone how thrilled I am in using it. My love affair with this series only intensified, I had to try the Red-diamond soft graduated neutral density 1.2 (GND 4 stops) filter. Packed my kit and off I went to Aberdeen for sunrise to see how the soft grad stood up to the medium and let me tell you I was not disappointed.

The main purpose of a GND filter is to balance exposure in an image that contains a bright sky and darker foreground. As you can see from the photos below this filter is rectangle in shape and sized 100mm x 150mm, providing flexibility to move the filter up or down within the filter holder for ultimate control. Providing such a beautiful soft progression from dark at the top where you would place over the sky to clear at the bottom in a neutral manner and achieving endless creative possibilities.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – makes it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @35mm with no filter and with Haida Red-diamond soft GND 1.2 (4 stops). No post processing on either other than lens correction in Lightroom. As you can see the soft GND significantly transforms the quality of the image.

with-without-filter-(-gif)-May-2019-Dunnottar

Without filter = ISO 100, F10, 1/20 – With Haida Red-diamond soft GND filter 1.3 = ISO 100, F10, 0.8 seconds @35mm.

Finally post processed in Adobe Creative Cloud

final edit (jpeg)

Sunrise over Stonehaven, Aberdeenshire, Scotland.

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All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Conclusion

My overall conclusion is both filters are superiorly optically and I have absolutely no hesitation is recommending to anyone whether beginners or advanced and using for my own portfolio.

I hope this provides you some useful information. Please feel free to ask me any questions.

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If you would like to see more of my work;
500px, Facebook, Viewbug, Instagram
“All rights reserved” © Jenny Cameron 2019

Testing Haida M10 round “drop-in” circular polariser filter

sliding in M10 round CPL into M10 filter holder

My favourite of all the filters has always been the CPL. A vital piece of kit every landscape photographer should have and something which cannot be replicated in post processing. I rarely shoot without – it’s the perfect light manager. And let me tell you, Haida`s new M10 round “drop-in” CPL will never be off my lens.

I was curious to test if any slight vignette was present, and I can happily confirm that there is none at all, even pushing it through a tough test at my widest 16mm on a full frame camera. It gives amazing contrast, and cuts through some of the haze, especially on the clouds and the polarisation is visible in the sky producing some great detail. Removed almost all the unwanted glare and the see-through effect is well achieved on the water. Added some beautiful saturation which gives an overall instant pop to the image. Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a CPL you will generally lose between 1-2 stops of light. As you can see in the comparison exif data below, I have lost around 1.5 stops.

Inserting the round “drop in” CPL into the M10 filter holder is the fastest I’ve ever used, never mind witnessed. It simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you –  once you hear the click it’s locked in place. There is a three gear linkage design on the mount which rotates independently and very smoothly. Once you start turning the adjustable black dial which is centrally placed on the top of the filter, you’ll instantly see the polarisation intensity on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition.

Constructed from high quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

I have to say how solid it feels, plus it’s very fast and easy to use. In the past, CPLs I’ve used can be fiddly, hard to screw on especially when it’s freezing cold, you’re up at silly o’clock waiting for sunrise and half asleep. Haida have really listened to their customers and produced this truly clever design making our life so much easier. It’s an absolute pleasure to work with.

The round “drop in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Image below showing with/without filter = ISO 100, F18, 1/13 – With Circular Polariser filter = ISO 100, F18, 1/8 second.

without-cpl-(1-of-1)

Location – Loch Assynt, Sutherland. Scotland

Finally post processed in Adobe Creative Cloud

edited version (jpeg)

 

More info & my test reviews on Haida’s website

 

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