Jenny Cameron

Professional Landscape Photographer known for her unique, creative and evocative style based in the northern Scottish Highlands.

Posts tagged ‘Haida Ambassador’

Haida Anti-fog belt

An innovative and perfect solution for astrophotography and extreme temperature photography.
Close up- Haida Anti-Fog belt.
Showing heat control with three different settings- Haida Anti-Fog belt.
Showing Haida Anti-Fog belt attached to a spare Drone battery which I used as a power bank.
Haida Anti-Fog belt set up with lovely soft grey bag-Included with purchase.

Introduction

Viewing winter scenes online may look magical but for the photographer it takes a lot of effort and skill to execute. When shooting in sub-zero temperatures it’s an endless problem with the lens fogging up and constant job keeping it clear. I’ve tried all sorts of ways to no avail, placing thermal hats, scarfs around the lens, basically anything to keep the lens warm- which isn’t ideal especially if it’s windy. If you use a tripod this will exacerbate the issue as the camera is away from any body heat. Hot and humid regions are also problematic – When leaving an air conditioned car or building then head outdoors with your camera when it’s hot. Whether it’s moving from a cold to warm environment or vice versa, the drastic change in temperature will cause your lens to fog up. In simple terms, condensation will cause your lens to fog-up, thus dramatically reducing the image quality.

Allow me to introduce to you a brand new product designed by Haida – An innovative and perfect solution for astrophotography and extreme temperature photography. It’s an Anti-fog belt – Companied with a USB port and lovely soft grey pouch so you can put it in your bag easily and conveniently. Boasting three individual heat settings – Low ( 35-45°)- Medium (45-55°)- High (55-65°) and can withstand -40℃ low temperature. Simply wraps around the outside of your camera lens ( held securely in place with Velcro) to avoid fog on your lens and plugs into a power source- (I used a drone battery as a power bank). Not to forget Haida’s signature colour-Red!

Example photo’s below when using the Haida Anti-fog belt would be advantageous.

Lets geek out on why lenses fogs up?

When the temperature of the lens or lens with filter on gets cold the water vapour in the air condenses on it, in other words creates condensation. Same principle when your bathroom mirror fogs up when having a hot shower or when you take a cold drink out of the refrigerator on a hot day. Similarly, to what we learnt in Chemistry at School- Condensation is the opposite to evaporation- rather than water molecules transforming from liquid into a gas in a process known as vaporisation, the water changes instead from a gas in the air back into a liquid form.

Your camera body will generate some heat which will prevent condensation from forming on the inside, but the lens is a different story. In particular, a build-up of condensation behind the actual lens over a period of time could result in the growth of mould. Needless to say, mould will destroy the internal workings of your lens. Or, even worse, condensation on your lens freezing up! Yes, it can actually happen! 

Top-tip from personal experience- In these extreme polar opposite conditions always remember before you retreat indoors to put your camera in a camera bag when you’ve finished photographing. If possible leave it in the bag for a good 12 hours. If you’re inpatient to view your images just remove the SD card. This allows your gear to slowly thermalize whilst avoiding condensation. 

It’s all about the Dew-point

If you’re anything like me a little OCD with preparing for a photo trip- Weather forecast Apps tend to be top of your list? Whether you’re heading to the Arctic or Maldives, both can create big problems for your camera in terms of condensation. Knowing the dew point temperature (which can also be found on most decent websites/Apps) for each location should be high up on your list too and help you prepare for what the weather may throw at you- Be it sun, wind, rain, fog/mist, snow, frost and sand-dust- This will tell you what temperature condensation is expected to form. Condensation is created when the outer casing of your lens is cooled below what is known as the ‘dew point’ of the air inside. The dew point is simply the temperature at which the air inside your lens is no longer able to hold all of the water vapour, meaning that some of it will need to be released back into its liquid form. As such, the water vapour changes back into moisture, causing beading and fogginess to appear on the inside elements of your lens without oftentimes you even realising until you later check through your images horrified with that feeling of “the end of the world”.

Screenshot of my favourite weather App Clear Outside including Dew point temperatures.

Previous experience

I clearly remember a night earlier this year when I gave up and retreated home as it was too cold not only for my hands but became an endless battle with lens fogging up, I couldn’t keep up wiping the lens with a microfibre cloth. I was not happy at all and let me assure you I’m not one to give up easily.

Materials used

Haida adopted a new technology material “Graphene” (heating material) which produces evenly heat distribution in a safe/stable manner.

Positive features

  • Fits any lens.
  • Light-weight & convenient.
  • Starts heating up in only a few seconds.

Negative features

  • Remembering to have a full charged power pack with you.
  • Careful not to knock the focusing ring whilst attaching the belt.

Unfortunately, at this moment in time it’s British summer time- Here in the far north of Scotland it’s pretty much daylight all the time and temperatures are a steady 10-20 degrees Celsius, making it impossible to replicate extreme temperatures or do any Astrophotography. However, come September Milky-way & Aurora season will begin- Followed by a few months later when temperatures start plummeting. Last winter was very cold, reaching minus 28 degrees Celsius at home. I will continue to add my thoughts to this evaluation as conditions allow. Watch this space for more updates!

Conclusion

All in all, I really do think this will be a popular and welcomed tool for many outdoor photographers. Certainly solved a common problem for myself. Hopefully, I’ll achieve more keepers in the mountains next winter and be even more enjoyable.

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. “Haida” in English translates to “All rivers run into the sea, all rivers flow to one”. If you’d like to visit their website &/or Facebook .

If you would like to see more of my work; Follow me on Facebook & Instagram.

I hope this provides you with some useful information. Please feel free to ask me any questions or contact me below or Facebook Messenger.

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“All rights reserved” © Jenny Cameron 2021


Good-bye Winter

Hyperborea

Here in Scotland we’re still in lock-down~ Getting out for photography this past year hasn’t been easy with travel restrictions. I find the whole Covid thing a mental struggle the way its taken my freedom to travel, missing close family in England & photography road trips I so much enjoyed & pretty much use to take them for granted~ a huge lesson I think we`ve all recently learnt. On a more positive/happier note~ I’m very lucky living in such a beautiful remote area with mountains all around & pristine beaches close-by. This was taken a couple of weeks ago on a freezing cold morning when temperatures plummeted to minus 22 Celsius. Thankfully the majority of the snow has now gone and signs of spring on its way.

Techy info

Filters used~ Haida Interchangeable Magnetic Variable 6-9 stop ND filter @ 6 stop.

Post-processing software & techniques ~ Adobe Creative Cloud & Lumenzia. Focus stacked for maximum sharpness front to back & exposure blended.

Camera settings~ ISO 100, F11, 0.7 seconds @ 35mm.

Equipment used~ Canon 5d mark iv, Canon 16-35mm F2.8 lens. Gitzo tripod.

Video below showing raw file & final edit.

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Popular blog posts from the past few months.

Haida Interchangeable Magnetic Variable ND filter 77mm.

Haida kindly invited me to evaluate their latest innovation; Interchangeable Magnetic Variable neutral density (ND) filter (2-5 stops & 6-9 stops). My test review will be in two parts, this being part 1 testing the 2-5 stop Magnetic Variable ND filter which not only is the perfect tool for photographers but also videographers. In other words, one ND ranging from 2- 5 stops and another from 6- 9 stops interchangeable in 1 second, yes I did say that correctly, one second!! Have I got you intrigued now? Let me walk you through & you show you this great innovation. Do I sound biased already? I’m sorry I am, but I will be honest & tell you some downsides.

Highlights, darkness, hope & reflection

Light, shadow, hope & reflection…Annual review of the unforgettable year 2020. Its that time of year again to reflect upon the highlights, dark times and hope. So, I thought Id do a round up of my images from 2020.

Highlights

I feel very lucky living here in the Northern Scottish Highlands, placed in covid level 1 which is the lowest UK level. Finding new hidden gems literally on my doorstep, the most stunning albeit not most dramatic but beautiful waterfall. Remote areas of Assynt (dramatic mountains & some of the best beaches in the UK)  all within one hours drive from home. Usually, I just head straight for the west coast ( Glencoe & Hebrides). Although I’m able to legally travel to all those areas as they are also in level 1, it doesn’t sit quite right in my mind, my way of thinking is the more people travel for non essential & I count myself  as part of it. I dont need to photograph my favourite haunts when I have equally as much beauty right here at home. Although after the summer of staying at home we really needed to escape for our sanity & booked the ferry to Orkney. It was legal and the majority of the locals welcomed us with open arms there was an underlying feeling of resentment towards tourists which I’ve never experienced before.

The highlight of 2021 was undoubtedly the surprise opportunity & publication of my book Earth, wind & fire in July. Also this year I’ve thrown myself into more video for my test reviews, people seem to relate more to video rather than reading & looking at photos. This meant a steep learning curve of editing video, something I knew absolutely nothing about this time last year. Most recently last month I purchased my first drone. Ive been wanting one for some time now, it fascinates me the different perspectives. Its been much harder to learn to fly than I initially thought as Im not very technically minded which may surprise some & a slow learner. However I am very much enjoying it & having fun in between my tantrums & struggles.

Darkness

If you had told me a year ago how 2020 would have rolled up I never would have believed you. The compulsory use of face coverings in public places, non essential travel frowned upon in certain areas ( mine included). The list is endless as you all know, each of are having our very own personal struggles. 

Additional edit, dated 21st Dec, the whole of Scotland mainland will close its borders from mid-day Boxing day 26th Dec & enter into level 4 restrictions for three weeks.

Hope

A year like no other- We all need to support each other and quite frankly be kind to not only each other but be kind to yourself.

Hope your sitting comfy, drinking your favourite tipple or hot chocolate and munching on something tasty?

Reflection

Questions zooming round in my head. Its that monkey on my shoulder asking how I’ve improved photographically, or maybe not at all? Lessons learnt? Do I have different views on the wonderful world of nature/landscape photography? Have I felt the need to divert away from grand vistas and what are my plans for 2021.

Here’s a few of my personal favourite memories & images from the past twelve months.





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Land of Mermaids Featured

Beautiful, mysterious wild & free. ~Dance in the moonlight. ~Choose imagination over fear & sea treasure in the simple things. Most importantly be who you are, embrace your inner Mermaid whether male of female it doesnt matter.

Jenny Cameron

Tell me you cant see the Mermaids?

Scotland’s best kept secret
Scotland
Island life
World-class beach, Scotland
Sanctuary in Scotland.
Power of nature in Scotland.
Land of Mermaid collection by Jenny Cameron 2020.

“All rights reserved” © Jenny Cameron 2020

Morgan the midnight fairy

"Morgan" the midnight fairy.
“Morgan” ~ home to Morgan the Midnight Fairy. Fairy Pools, Isle of Skye.

Home to Morgan the Midnight Fairy. Glenbrittle, Fairy Pools, Isle of Skye, Scotland.

Please note this is a composite image. Night sky has been added in post processing. Both images have been taken by myself in the same area of the Isle of Skye.

The use of Haida filters are as follows,

Haida round “drop-in” Circular Polariser and Neutral Density 1.8 (6 stop) combination filter for the water.

M10 round Clear-night for the night sky.

Believe in the fairies who make dreams come true. Believe in the wonder, the stars & the moon. Believe in the magic from fairies above. They dance on the flowers & sing songs of love, & if you just believe & always stay true, the fairies will be there, to watch over you!

I gift a sprinkle of fairy dust for each & everyone of you.

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Glencoe collection Featured

©Jenny Cameron 2019

Bidean nam bian

Wanderlust re edit (jpeg for web)

Wanderlust

Glencoe (jpeg)

Greetings

©Jenny Cameron 2017

Euphoria

Dreaming (jpeg for web)

Phoenix

©Jenny Cameron 2019

Eternity

 

Haida Picture Appreciation – January 2020

Haida Picture Appreciation

On arrival the light was bouncing all over the place, it had been one of those typical Scottish days where you get all four seasons in one day, this can prove to be very successful for landscape photography as it seems to bring the purest of light, what I call “sparkling- light”. However, this can bring difficulties with light management -You need to be in control of the light, not the light controlling the image. To do this I used a Haida M10 CPL which is my go to filter to control highlights and Haida Red Diamond Medium 0.9 ( 3stops) which produced some real magic. The Callanish stones no matter how many times I visit never fail to make the hairs on the back of my neck stand up, there’s something very spooky but quietly spiritual about it, makes you think about the history which dates back to the stone age over 5000 years ago. The sky didn’t pop as much as I hoped due to the time of year and day time temperatures. I stayed till dusk watching the sun dip below the horizon, all very peaceful at such an iconic location.

lightroom without jpeg

Without filter -ISO 100, F11, 1/25

lightroom with filter

With Red Diamond medium 0.9 and M10 round “drop-in” CPL = ISO 100, F11, 1”3 sec @16mm

lightroom edited jpeg

Post processed in Adobe Creative Cloud

Camera settings Without filters = ISO 100, F11, 1/25 – With Red Diamond medium 0.9 and M10 round “drop-in” CPL = ISO 100, F11, 1”3 sec @16mm. Canon 5d mark iv, Canon 16-35mm L lens, Gitzo tripod & ball head.

I hope this provides you some useful information. Please feel free to ask me any questions. More info and my test reviews on Haida’s website.

If you would like to see more of my work;
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Clear Night filter by Haida

Introduction

I’ve been curious for some time now – If I’m being honest slightly sceptical – about whether the Clear Night filter actually worked and wanted to find out for myself if this filter really did what it claimed. Initially, I questioned why can’t you simply change the white balance in post production, what’s all the fuss about? Let me walk you through my honest, hand-on-heart evaluation of the Haida M10 round “drop-in” Clear Night filter.
Firstly, I’ll start by explaining a bit about the Haida M10 round “drop-in” filters which are dedicated to only the Haida M10 filter holder and released in January 2019. They come in a wide range of sizes to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm. Boasting a choice of Neutral Density filters ( 3, 6, 10 and 15 stops), Circular Polariser, Clear Night, Graduated Neutral Density filters (3 and 4 stops) and ND + CPL combi ( 3 and 6 stops). Inserting the filter into the M10 filter holder couldn’t be easier, it simply drops between the holder and lens, creating a perfect seal from any stray light with its inbuilt light barrier. If you’d like to learn more about the Haida M10 filter holder please feel free to read my in depth test review and video click here. It’s almost like gravity does the work for you, so effortless – once you hear the click it’s locked in place.

If you don’t have the M10 filter holder but would like to try the Haida Clear Night filter, you can purchase the Haida Nano Pro 100 series Clear Night filter 100mm x 100mm, 2 mm in thickness, compatible with many of the most popular 100mm filter holders, including the Haida 100-Pro Filter Holder, and the Lee FK Foundation Kit Filter Holder.

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Location and Equipment

This test review was based on a couple of locations in the Scottish Highlands – Using my Canon 5d mark iv ( full frame camera), Canon 16-35mm F2.8 USM L lens, Gitzo tripod, Gitzo ball head and remote trigger. Although I was in a remote area with class one bortel for my seascape image there were still farms and houses dotted around which caused slight light pollution. The second image of the Church had extreme light pollution at the side of a busy main road and class four bortel.

How the Haida Clear- night filter affected my image.

My main goal in testing any filter will always be for neutrality and sharpness. I want it to replicate what my eyes saw without any strange colour cast which has been an issue for me in the past with a couple of other filter brands. I was experimenting with different exposure times without a filter to achieve the best focus and placement of stars to begin with but never completely happy. However, as soon as I popped on the Haida Clear Night filter everything changed and I was smiling from ear to ear. Instant clarity, almost like a polarising effect which replicated what I was actually viewing, incredible true to life colours and rid of the horrible warm tones which you can easily see in the raw files below. The sky appears clearer and stars intensify with the filter on. It significantly improved the optical clarity, contrast, colour and quality throughout the whole image not to mention unbelievable sharpness and no vignetting which made me feel elated. This was great and super easy to use combined with the Haida M10 filter holder which is a dream to use.

The Haida M10 round “drop-in” Clear Night filter made terrific improvements blocking the yellow sodium-vapor light which is the horrible yellow/orange coloured casts often generated from light pollution in the night sky resulting in a lovely cool tone which is something I prefer to portray on a cold dark night. This also made my post processing super easy and fast.

Design and construction

I particularly liked the design of the plastic holder that the round glass sits in, making it ultra easy to drop in and remove from the filter holder without any disturbance to the composition even with clumsy gloves on and numb fingers. Constructed from high quality optical glass providing the best ever clarity. Each filter has ten layers of anti-reflective coatings of ultra thin Nano coatings on both sides. Waterproof, meaning any built up condensation from the cold literally rolls off like beads with a quick wipe of a soft microfiber lens cloth, no ugly smears and also scratch-proof. Most importantly for me, preserves image sharpness, which let me tell you is second to none. As with all of the M10 filter range it has a built-in light gasket which seals to the M10 Holder and prevents any unwanted light leakage.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either. Demonstrating how the filter has retained every bit of sharpness and made the stars pop straight off the night sky with a stunning cool tone.

without-filter-for-review-(Tiff)

Without filter ISO 2500, F2.8, 20 seconds . With M10 round “drop-in” Clear Night filter ISO 2500, F2.8, 22 seconds.

                       Finally post processed in Adobe Creative Cloud.

©Jenny Cameron 2019

Location- County of Argyll & Bute, Scotland.

…………………………………………………

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” Clear Night filter. No post processing on either and the same white balance on both.

without-filter-tiff

Without filter ISO 3200, F2.8, 15 seconds . With M10 round “drop-in” Clear Night filter ISO 3200, F2.8, 15 seconds.

                    Finally post processed in Adobe Creative Cloud

©Jenny Cameron 2019

Location – West coast of Scotland.

Where are the filters assembled

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China.

Where can I purchase this filter from

All the Haida equipment I’ve mentioned above can be purchased direct from Haida’s European distributor Haida Germany shop  for excellent service.

Conclusion

Overall this will remain in my filter case and used in absolutely every night sky I shoot. Im super impressed the way it added a further dimension to my night photography and would highly recommend to a friend. The M10 round “drop-in” Clear night filter is the perfect companion for night skies, don’t leave home without it. Thank you Haida for saving the day yet again for me.

I hope this provides you some useful information. Please feel free to ask me any questions. More info and my test reviews on Haida’s website.

If you would like to see more of my work;
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“All rights reserved” © Jenny Cameron 2019.

Testing Haida M10 round “drop-in” circular polariser filter

sliding in M10 round CPL into M10 filter holder

My favourite of all the filters has always been the CPL. A vital piece of kit every landscape photographer should have and something which cannot be replicated in post-processing. I rarely shoot without – it’s the perfect light manager. And let me tell you, Haida`s new M10 round “drop-in” CPL will never be off my lens.

I was curious to test if any slight vignette was present, and I can happily confirm that there is none at all, even pushing it through a tough test at my widest 16mm on a full-frame camera. It gives amazing contrast, and cuts through some of the haze, especially on the clouds and the polarisation is visible in the sky producing some great detail. Removed almost all the unwanted glare and the see-through effect is well achieved on the water. Added some beautiful saturation which gives an overall instant pop to the image. Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a CPL you will generally lose between 1-2 stops of light. As you can see in the comparison exif data below, I have lost around 1.5 stops.

Inserting the round “drop-in” CPL into the M10 filter holder is the fastest I’ve ever used, never mind witnessed. It simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you –  once you hear the click it’s locked in place. There is a three gear linkage design on the mount which rotates independently and very smoothly. Once you start turning the adjustable black dial which is centrally placed on the top of the filter, you’ll instantly see the polarisation intensity on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition.

Construction and design

  • High-quality optical glass.
  • Each filter has ten layers of anti-reflective coatings.
  • Scratch-proof.
  • Ultra-thin Nano multi-coatings.
  • Waterproof, meaning any droplets of water literally roll off like beads, no ugly smears.
  • The dreaded fingerprints wipe off easily with a soft microfibre cloth.
  • Most importantly for me preserves image sharpness which let me tell you is second to none.

I have to say how solid it feels, plus it’s very fast and easy to use. In the past, CPLs I’ve used can be fiddly, hard to screw on especially when it’s freezing cold, you’re up at silly o’clock waiting for sunrise and half asleep. Haida have really listened to their customers and produced this truly clever design making our life so much easier. It’s an absolute pleasure to work with.

The round “drop in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

The image below showing with/without filter = ISO 100, F18, 1/13 – With Circular Polariser filter = ISO 100, F18, 1/8 second.

without-cpl-(1-of-1)

Location – Loch Assynt, Sutherland. Scotland

Finally post-processed in Adobe Creative Cloud

edited version (jpeg)

 

More info & my test reviews on Haida’s website

 

Haida M10 and Red Diamond test review Featured

Introduction

I’m excited to introduce the new Haida M10 adapter ring, M10 filter holder, M10 round “drop-in” circular polarizer, M10 “drop-in” light barrier,  M10 round “drop-in” neutral density 3.0 (10 stop) and Red Diamond medium 0.9 (3 stops).

This test review was based on a shoot around Assynt, a remote area of the Northern Scottish Highlands using my Canon 5d mark iv ( full-frame camera). Tested at the widest focal length I use, 16mm with my Canon 16-35 mm USM L lens. Gitzo tripod and ball head.

As a landscape photographer, I have learnt how invaluable a great filter system is to my arsenal of tools. It’s something you can buy a bit at a time to build up your collection, but choosing the correct brand is the tricky part. Thankfully for you, I’ve made the mistakes and now ready to reveal the latest from Haida filters, the only brand for me.

I started using Haida filters in January 2018 with their Pro 100 series. As much as I regard them highly, I can’t stress enough how Haida’s design team have really upped their game and left their competitors way behind with their latest generation M10 filter holder system for the 100 mm series filters, including a selection of round “drop-in” filters (CPL, NDs and Clear-night)  also their Red Diamond series ND’s (soft, medium), Hard GND, Reverse GND and horizon GND. These were all launched in October 2018 at Photokina and are now readily available. Haida has really listened to their customers and actually done something about it.

They kindly sent me their M10 filter holder and a selection of filters early in January 2018. So far, they have travelled almost two thousand miles with me on a road trip from the North Coast of Scotland to Southern England and a couple of local photoshoots. I wanted to really spend time in the field conducting this review and putting everything through its paces to give my most honest opinion. I can proudly say I now know them so well I could use them blindfolded. The whole set up – from screwing on the adapter ring to sliding in your first filter – can be done in less than 10 seconds!

All Haida filters are assembled in their own optical workshop located in the beautiful Port City of Ningbo, China. Haida’s new generation are such a genius method and design.

Haida M10 filter holder kit for the 100mm series filters includes the filter holder, CPL, light-barrier, adapter ring and leather case.

HaidaM10

M10 Filter Holder System

Haida M10 adapter ring

Works solely with the Haida M10 filter holder which is part of Haida’s new generation. Constructed entirely from aluminium for strength and light-weight, and also slim in design. From my experience, this helps with any unnecessary vignettes when shooting at wide angles. You simply screw it easily onto the front of your Lens. This is the foundation for the M10 filter holder: it’s a bit like building a house – without a solid foundation there’s no point installing the windows.

These can be purchased to fit most popular lenses in sizes 49, 52, 55, 58, 62, 67, 72, 77 and 82mm.

Haida M10 filter holder

This is Haida’s successor to their 100 Pro filter holder. The new M10 filter holder is made from aviation-grade aluminium and PC materials for super strength and is lighter in weight than its predecessor. Its genius design makes it exceptionally user-friendly, with super-fast set up, and effortless to change and remove filters. Simply clip the M10 filter holder onto the M10 adapter ring by using the red push-and-release (spring clip) locking lever (see photo below). The innovative design gives a very secure and solid connection, and at the same time, the ability to rotate 360 degrees – which I found especially useful when using the Red Diamond medium 0.9 ( 3 stop) graduated neutral density filter. The non-slip sponged coating on the bottom of the filter holder provides more of a grip when rotating which I think is a nice touch.

It’s designed to take up to three filters ( 100 x 100mm or 100 x 150mm @ 2mm thickness, compatible with other brands at the same size ) on the front of the holder if you wish to stack, and one filter slot at the rear closest to your camera lens where the new round “drop-in” M10 filters are used. Boasting a choice of neutral density filters ( 3, 6, 10 and 15 stops), circular polariser (included in the kit), clear-night (light pollution filter), graduated neutral density filters ( 3 and 4 stops) and ND + CPL ( 3 and 6 stops). But only using one at a time which is the only downside if you like using several ND/s and a CPL as I often did with its predecessor. If you don’t wish to use any of the round “drop-in” filters, you must use the M10 “drop-in” light barrier (see photo below) which is simple and easy to use the sealing ring to prevent any light leakage (also provided in the kit).

Stack of 3 100mm x 100mm Haida NDs in the front compartment and CPL in the rear compartment of the M10 filter holder.

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Housed in a smart black eco-leather zipped storage case, with a handy carabiner attached to the top which can be neatly clipped onto your tripod or belt for ease of access. Internally lined with a lovely grey velvety fabric with a net pocket for storage. Also included: screwdriver, extra pair of filter holder slots and gaskets to provide a third slot on the front of the Holder )which I’ve left on permanently).

Video of me using the M10 adapter ring, M10 filter holder, M10 round “drop-in” circular polariser filter together with Red Diamond medium 0.9 filter.

Haida M10 round “drop-in” circular polariser filter

My favourite of all the filters has always been the CPL. A vital piece of kit every landscape photographer should have and something which cannot be replicated in post-processing. I rarely shoot without – it’s the perfect light manager. And let me tell you, Haida`s new M10 round “drop-in” CPL will never be off my lens.

I was curious to test if any slight vignette was present, and I can happily confirm that there is none at all, even pushing it through a tough test at my widest 16mm on a full-frame camera. It gives amazing contrast, and cuts through some of the haze, especially on the clouds and the polarisation is visible in the sky producing some great detail. Removed almost all the unwanted glare and the see-through effect is well achieved on the water. Added some beautiful saturation which gives an overall instant pop to the image. Always remember with any filter – it brings into the equation a fourth dimension to the exposure triangle. With a CPL you will generally lose between 1-2 stops of light. As you can see in the comparison EXIF data below, I have lost around 1.5 stops.

Inserting the round “drop-in” CPL into the M10 filter holder is the fastest I’ve ever used, never mind witnessed. It simply drops between the holder and lens creating a perfect seal from any stray light. It’s almost like gravity does the work for you –  once you hear the click it’s locked in place. There is a three gear linkage design on the mount which rotates independently and very smoothly. Once you start turning the adjustable black dial which is centrally placed on the top of the filter, you’ll instantly see the polarisation intensity on your live view screen. I tend to always rotate a CPL 360 degrees first to check the availability of contrast, saturation, and reflection. The strongest effect takes place at an angle of 90 degrees from the sun, ie make sure your line of sight is perpendicular to the direction of the sun. The filter is easily removed or exchanged by gently squeezing the red plastic tabs on the top and lifting it out without disturbing your composition.

sliding in M10 round CPL into M10 filter holder

Inserting M10 round “drop-in” Circular Polariser (cpl) filter into M10 filter holder.

Constructed from high-quality optical glass, each filter has ten layers of anti-reflective coatings, scratch-proof, provides the best clarity, includes the famous nano multi-coating to reduce reflection, waterproof (meaning any droplets of water literally roll off like beads, no ugly smears) and the dreaded fingerprints wipe off easily with a soft microfibre cloth.

I have to say how solid it feels, plus it’s very fast and easy to use. In the past, CPLs I’ve used can be fiddly, hard to screw on especially when it’s freezing cold, you’re up at silly o’clock waiting for sunrise and half asleep. Haida has really listened to their customers and produced this truly clever design making our life so much easier. It’s an absolute pleasure to work with.

The round “drop in” filters are available in a selection of: ND 0.9, 1.8 3.0, 4; CPL; Clear-night; GND-0.9 1.2; ND+CPL 0.9 and 1.8.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm with no filter and with Haida M10 “drop-in” CPL filter. No post-processing on either other than lens correction in Lightroom. Demonstrating how the CPL has retained every bit of sharpness.

without-cpl-(1-of-1)

Without filter = ISO 100, F18, 1/13 – With Circular Polariser filter = ISO 100, F18, 1/8 second

Finally post-processed in Adobe Creative Cloud.

edited version (jpeg)

Location – Loch Assynt, Sutherland. Scotland.

Haida Red Diamond Medium

take wording for blog post & pic

The Red Diamond filter I am testing is a medium 0.9 equaling 3 Stops. Rectangle in shape and sized 100mm x 150mm, providing more flexibility to move the filter up or down within the holder for ultimate control, homogeneous graduated blending from light to dark and endless creative possibilities. I really enjoyed using this filter in combination with the M10 filter holder. It’s fun the way you can rotate the holder if you want to darken the sky on one side or turn it upside down if you’re looking over bright highlighted water.

sliding in red diamond medium with M10 round CPL in back. Feb 2019

Inserting Red Diamond medium 0.9 into M10 filter holder with M10 round “drop-in” cpl filter in the rear compartment

I predict this latest series from Haida becoming “The big daddy” of them all for landscape photographers the world over. Haida named this new series “Red Diamond” as they’re amongst the strongest diamonds in the world, therefore being the strongest of all Haida filters.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch-resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint-proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – make it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi-coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident-prone this would be the perfect filter series for you.

Images below-showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-Red Diamond medium 0.9 (3 stops). No post-processing on either, other than lens correction in Lightroom.

With-Red-Diamond-Medium-Filter-base-edit

Without filter = ISO 100, F14, 1.1 sec – With Red Diamond medium 0.9 = ISO 100, F14, 3.1 sec

Finally post-processed in Adobe Creative Cloud

red diamond medium across strath (jpeg for web) edited version

Location – Lochen on a private Highland estate.


M10 round “drop-in” 3.0 ND (10 Stop) Filter

The round “drop-in” 3.0 ND, equalling 10 stops of light with its built-in light barrier, is particularly useful for any super long exposures. Oftentimes in the past, I’ve struggled with the issue of light leakage and had to resort to putting hats or cloths over the gap between filter and lens, not an ideal situation at all.

Before I started my love affair with Haida filters over a year ago, I was using Lee filters. My go-to neutral density filter was always the Big Stopper but more times out of ten the images produced had a slight purple tint and vignettes at wide angles. Although it’s easy enough to change in post-processing, it is another job. All these wee jobs can mount up a lot, meaningless creative time and enjoyment in the great outdoors with your camera – and surely they’re the best parts?!

I was curious to test if any vignette were present, and I can happily confirm none at all was found. You would think attaching any filter over your lens would affect the level of sharpness, but it’s clear to see from my findings below that there is no loss of sharpness from corner to corner – it’s pin-sharp. Absolutely no colour tint was found, making this one of the most neutral NDs I’ve ever come across. I particularly liked the design of the plastic holder that the round glass sits in, making it ultra-easy to drop in and remove the filter holder without any disturbance to the composition. The M10 round “drop-in” series of filters feature the same nano pro coatings, producing excellent image quality. It’s clear to see that Haida has really thought through every single part of the process and know the issues that can be caused in the field.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-M10 round “drop-in” N.D 3.0 (10-stop). No post processing on either other than lens correction in Lightroom.

with-without-nd3.0-(10-stop)

Without filter = ISO 100, F14, 0.4 sec – With M10 “drop-in” ND 3.0 filter = ISO 100, F14, 130 sec

Finally post-processed in Adobe Creative Cloud

across strath (jpeg for web) 10 stop m10

Location – Lochen on a private Highland estate

Collection of images taken during my field test

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I hope this provides you with some useful information. Please feel free to ask me any questions.

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